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thoroughly enjoyable .
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as if to prove a female director can make a movie with no soft edges , kathryn bigelow offers no sugar-coating or interludes of lightness . her film is unrelentingly claustrophobic and unpleasant .
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a wonderful character-based comedy .
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high on melodrama . but it's emotionally engrossing , too , thanks to strong , credible performances from the whole cast .
1
has it ever been possible to say that williams has truly inhabited a character ? it is now .
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an absorbing , slice-of-depression life that touches nerves and rings true .
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the movie is one of the best examples of artful large format filmmaking you are likely to see anytime soon .
1
not everything works , but the average is higher than in mary and most other recent comedies .
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the film provides some great insight into the neurotic mindset of all comics -- even those who have reached the absolute top of the game .
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it's almost impossible not to be moved by the movie's depiction of sacrifice and its stirring epilogue in post-soviet russia .
1
may be spoofing an easy target -- those old '50's giant creature features -- but . . . it acknowledges and celebrates their cheesiness as the reason why people get a kick out of watching them today .
1
it's rare to find a film that dazzles the eye , challenges the brain , and satisfies our lust for fast-paced action , but minority report delivers all that and a whole lot more .
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a smart , sweet and playful romantic comedy .
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as a director , mr . ratliff wisely rejects the temptation to make fun of his subjects .
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children may not understand everything that happens -- i'm not sure even miyazaki himself does -- but they will almost certainly be fascinated , and undoubtedly delighted .
1
only an epic documentary could get it all down , and spike lee's jim brown : all american at long last gives its subject a movie worthy of his talents .
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the movie is a blast of educational energy , as bouncy animation and catchy songs escort you through the entire 85 minutes .
1
it's a humble effort , but spiced with wry humor and genuine pathos , especially between morgan and redgrave .
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absorbing and disturbing -- perhaps more disturbing than originally intended -- but a little clarity would have gone a long way .
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the film is exhilarating to watch because sandler , liberated from the constraints of formula , reveals unexpected depths as an actor .
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it uses an old-time formula , it's not terribly original and it's rather messy -- but you just have to love the big , dumb , happy movie my big fat greek wedding .
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chalk it up to my adoration for both de niro and murphy , but i had a pretty good time with this movie - despite its myriad flaws .
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bullock does a good job here of working against her natural likability .
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if it's possible for a sequel to outshine the original , then sl2 does just that .
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purely propaganda , a work of unabashed hero worship , it is nonetheless -- and likely inadvertently -- a timely and invaluable implicit reminder of the role that u . s . foreign policy has played in the rise of castro .
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is office work really as alienating as 'bartleby' so effectively makes it ?
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disney has always been hit-or-miss when bringing beloved kids' books to the screen . . . tuck everlasting is a little of both .
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the kind of nervous film that will either give you a mild headache or exhilarate you .
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even if you can't pronounce " gyro " correctly , you'll appreciate much of vardalos' humor , which transcends ethnic boundaries .
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if you love reading and/or poetry , then by all means check it out . you'll probably love it .
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the story loses its bite in a last-minute happy ending that's even less plausible than the rest of the picture . much of the way , though , this is a refreshingly novel ride .
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it's fun , but the code-talk will fly right over everyone's head
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what makes the movie a comedy is the way it avoids the more serious emotions involved .
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it helps that lil bow wow . . . tones down his pint-sized gangsta act to play someone who resembles a real kid .
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it's not exactly a gourmet meal but the fare is fair , even coming from the drive-thru .
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" frailty " has been written so well , that even a simple " goddammit ! " near the end takes on a whole other meaning .
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it is interesting and fun to see goodall and her chimpanzees on the bigger-than-life screen .
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an unbelievably fun film just a leading man away from perfection .
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effective but too-tepid biopic
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the film overcomes the regular minefield of coming-of-age cliches with potent doses of honesty and sensitivity .
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go see it and enjoy .
1
tadpole is a sophisticated , funny and good-natured treat , slight but a pleasure .
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the sundance film festival has become so buzz-obsessed that fans and producers descend upon utah each january to ferret out the next great thing . 'tadpole' was one of the films so declared this year , but it's really more of the next pretty good thing .
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a remarkable 179-minute meditation on the nature of revolution .
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a byzantine melodrama that stimulates the higher brain functions as well as the libido .
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the stunning , dreamlike visuals will impress even those viewers who have little patience for euro-film pretension .
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as lo-fi as the special effects are , the folks who cobbled nemesis together indulge the force of humanity over hardware in a way that george lucas has long forgotten .
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. . . has freaky scenes where the crew wonder if they're ghosts imagining themselves as alive . it's a sly wink to the others without becoming a postmodern joke , made creepy by its " men in a sardine can " warped logic .
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mr . parker has brilliantly updated his source and grasped its essence , composing a sorrowful and hilarious tone poem about alienated labor , or an absurdist workplace sitcom .
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[anderson] uses a hit-or-miss aesthetic that hits often enough to keep the film entertaining even if none of it makes a lick of sense .
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an original gem about an obsession with time .
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i enjoyed time of favor while i was watching it , but i was surprised at how quickly it faded from my memory .
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a very witty take on change , risk and romance , and the film uses humour to make its points about acceptance and growth .
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an impressive debut for first-time writer-director mark romanek , especially considering his background is in music video .
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" its successes are also tempered with elements which prove the direct antithesis of what it gets right . "
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foster nails the role , giving a tight , focused performance illuminated by shards of feeling .
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writer-director burger imaginatively fans the embers of a dormant national grief and curiosity that has calcified into chronic cynicism and fear .
1
presents an astute appraisal of middle american musical torpor and the desperate struggle to escape it .
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it's solid and affecting and exactly as thought-provoking as it should be .
1
waydowntown is by no means a perfect film , but its boasts a huge charm factor and smacks of originality .
1
a romantic comedy that operates by the rules of its own self-contained universe .
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who knows what exactly godard is on about in this film , but his words and images don't have to add up to mesmerize you .
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ranging from funny to shattering and featuring some of the year's best acting , personal velocity gathers plenty of dramatic momentum .
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here's a british flick gleefully unconcerned with plausibility , yet just as determined to entertain you .
1
an absorbing trip into the minds and motivations of people under stress as well as a keen , unsentimental look at variations on the theme of motherhood .
1
post 9/11 the philosophical message of " personal freedom first " might not be as palatable as intended .
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despite its many infuriating flaws -- not the least of which is amy's self-absorbed personality -- amy's o's honesty will win you over .
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moore's performance impresses almost as much as her work with haynes in 1995's safe .
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australian actor/director john polson and award-winning english cinematographer giles nuttgens make a terrific effort at disguising the obvious with energy and innovation .
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a great comedy filmmaker knows great comedy needn't always make us laugh . tim story's not there yet - but 'barbershop' shows he's on his way .
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bourne , jason bourne . he can scale a building like a super hero , he can out-stealth any agent , he'll get the girl . he's super spy !
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though everything might be literate and smart , it never took off and always seemed static .
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nicely serves as an examination of a society in transition .
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despite its flaws , secretary stays in your head and makes you question your own firmly held positions .
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on the surface , it's a lovers-on-the-run crime flick , but it has a lot in common with piesiewicz's and kieslowski's earlier work , films like the double life of veronique .
1
if the message seems more facile than the earlier films , the images have such a terrible beauty you may not care .
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the result is mesmerizing -- filled with menace and squalor .
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a whole lot foul , freaky and funny .
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the best movie of its kind since 'brazil . ' lucas , take notes . this is how you use special effects .
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not too far below the gloss you can still feel director denis villeneuve's beating heart and the fondness he has for his characters .
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quite funny for the type of movie it is . . .
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you could say that it's slow at times , you could say that a few of the characters act in ways that real people wouldn't , but one thing you couldn't say is that alias betty is predictable .
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a splendid entertainment , young in spirit but accomplished in all aspects with the fullness of spirit and sense of ease that comes only with experience .
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. . . always remains movingly genuine .
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the appearance of treebeard and gollum's expanded role will either have you loving what you're seeing , or rolling your eyes . i loved it ! gollum's 'performance' is incredible !
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manages to be original , even though it rips off many of its ideas .
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not for everyone , but for those with whom it will connect , it's a nice departure from standard moviegoing fare .
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if you're like me , a sucker for a good old fashion romance and someone who shamelessly loves to eat , then mostly martha offers all the perfect ingredients to more than satisfy your appetite .
1
if your senses haven't been dulled by slasher films and gorefests , if you're a connoisseur of psychological horror , this is your ticket .
1
digital-video documentary about stand-up comedians is a great glimpse into a very different world .
1
run , don't walk , to see this barbed and bracing comedy on the big screen .
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there are moments in this account of the life of artist frida kahlo that are among cinema's finest this year . unfortunately , they're sandwiched in between the most impossibly dry account of kahlo's life imaginable .
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what's most striking about this largely celebratory film . . . is the sense of isolation that permeates these bastions of individuality in an ikea world .
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guaranteed to move anyone who ever shook , rattled , or rolled .
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most impressive , though , is the film's open-ended finale that refuses to entirely close its characters' emotional wounds .
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few films this year have been as resolute in their emotional nakedness .
1
while the isle is both preposterous and thoroughly misogynistic , its vistas are incredibly beautiful to look at .
1
an inspiring and heart-affecting film about the desperate attempts of vietnamese refugees living in u . s . relocation camps to keep their hopes alive in 1975 .
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this examination of aquatic life off the shores of the baja california peninsula of mexico offers an engrossing way to demonstrate the virtues of the imax format .
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a fascinating and fun film .
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End of preview. Expand in Data Studio

edition_1754_cornell-movie-review-data-rotten_tomatoes-readymade

A Readymade by TheFactoryX

Original Dataset

cornell-movie-review-data/rotten_tomatoes

Process

This dataset is a "readymade" - inspired by Marcel Duchamp's concept of taking everyday objects and recontextualizing them as art.

What we did:

  1. Selected the original dataset from Hugging Face
  2. Shuffled each column independently
  3. Destroyed all row-wise relationships
  4. Preserved structure, removed meaning

The result: Same data. Wrong order. New meaning. No meaning.

Purpose

This is art. This is not useful. This is the point.

Column relationships have been completely destroyed. The data maintains its types and values, but all semantic meaning has been removed.


Part of the Readymades project by TheFactoryX.

"I am a machine." — Andy Warhol

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