download_ltx23sample_to_local
#3
by Ursprung-Energy-durham1832 - opened
This view is limited to 50 files because it contains too many changes. See the raw diff here.
- flux2klein9-test/.job_config.json +147 -0
- flux2klein9-test/config.yaml +119 -0
- h3-center/crossovers/crossovers.episode.002.cosmic.extradition.mp4 → flux2klein9-test/fk9_adrianalima_v1.safetensors +2 -2
- h3-center/crossovers/crossovers.episode.003.lockdown.at.sabre.tower.mp4 → flux2klein9-test/fk9_adrianalima_v1_000000250.safetensors +2 -2
- flux2klein9-test/fk9_adrianalima_v1_000000500.safetensors +3 -0
- h3-center/known-characters/good/MiniMax_H3_00628_.mp4 → flux2klein9-test/fk9_adrianalima_v1_000000750.safetensors +2 -2
- flux2klein9-test/fk9_adrianalima_v1_000001000.safetensors +3 -0
- flux2klein9-test/fk9_adrianalima_v1_000001250.safetensors +3 -0
- flux2klein9-test/fk9_adrianalima_v1_000001500.safetensors +3 -0
- flux2klein9-test/fk9_adrianalima_v1_000001750.safetensors +3 -0
- flux2klein9-test/fk9_adrianalima_v1_000002000.safetensors +3 -0
- flux2klein9-test/fk9_adrianalima_v1_000002250.safetensors +3 -0
- h3-center/crossovers/crossovers.episode.005.joe.rogan.experience.flat.earth.mp4 → flux2klein9-test/fk9_adrianalima_v1_onetrainer.safetensors +2 -2
- h3-center/crossovers/crossovers.episode.001.contagion.of.secrets.mp4 → flux2klein9-test/fk9_adrianalima_v1_prodigy.safetensors +2 -2
- h3-center/crossovers/README.md +0 -77
- h3-center/crossovers/crossovers.episode.006.dave.chapelle.post.rogan.special.mp4 +0 -3
- h3-center/crossovers/crossovers.episode.007.anthony.hopkins.meaning.mp4 +0 -3
- h3-center/crossovers/crossovers.episode.008.morgan.freeman.hope.mp4 +0 -3
- h3-center/crossovers/crossovers.episode.009.alone.on.serenity.mp4 +0 -3
- h3-center/crossovers/docs/CHARACTER_USABILITY_INDEX.md +0 -917
- h3-center/crossovers/docs/MINIMAX_H3_PROMPTING_GUIDE.md +0 -657
- h3-center/crossovers/docs/characters/8_mile/b_rabbit.md +0 -20
- h3-center/crossovers/docs/characters/README.md +0 -99
- h3-center/crossovers/docs/characters/ace_ventura/ace_ventura.md +0 -19
- h3-center/crossovers/docs/characters/actors/adam_driver.md +0 -20
- h3-center/crossovers/docs/characters/actors/alice_eve.md +0 -20
- h3-center/crossovers/docs/characters/actors/alicia_silverstone.md +0 -20
- h3-center/crossovers/docs/characters/actors/alicia_vikander.md +0 -20
- h3-center/crossovers/docs/characters/actors/alison_brie.md +0 -20
- h3-center/crossovers/docs/characters/actors/allison_mack.md +0 -20
- h3-center/crossovers/docs/characters/actors/alyson_hannigan.md +0 -20
- h3-center/crossovers/docs/characters/actors/amanda_peet.md +0 -20
- h3-center/crossovers/docs/characters/actors/amanda_seyfried.md +0 -20
- h3-center/crossovers/docs/characters/actors/amy_adams.md +0 -20
- h3-center/crossovers/docs/characters/actors/amy_poehler.md +0 -20
- h3-center/crossovers/docs/characters/actors/ana_kasparian.md +0 -20
- h3-center/crossovers/docs/characters/actors/andie_macdowell.md +0 -20
- h3-center/crossovers/docs/characters/actors/anna_faris.md +0 -20
- h3-center/crossovers/docs/characters/actors/anna_gunn.md +0 -20
- h3-center/crossovers/docs/characters/actors/anna_kendrick.md +0 -20
- h3-center/crossovers/docs/characters/actors/anna_torv.md +0 -20
- h3-center/crossovers/docs/characters/actors/anne_dudek.md +0 -20
- h3-center/crossovers/docs/characters/actors/anne_hathaway.md +0 -20
- h3-center/crossovers/docs/characters/actors/annette_otoole.md +0 -20
- h3-center/crossovers/docs/characters/actors/antje_traue.md +0 -20
- h3-center/crossovers/docs/characters/actors/anya_chalotra.md +0 -20
- h3-center/crossovers/docs/characters/actors/aria_giovanni.md +0 -20
- h3-center/crossovers/docs/characters/actors/ariel_winter.md +0 -20
- h3-center/crossovers/docs/characters/actors/ashley_judd.md +0 -20
- h3-center/crossovers/docs/characters/actors/aubrey_plaza.md +0 -20
flux2klein9-test/.job_config.json
ADDED
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@@ -0,0 +1,147 @@
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{
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"job": "extension",
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"config": {
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"name": "fk9_adrianalima_v1",
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"process": [
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{
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"type": "diffusion_trainer",
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"training_folder": "c:\\Development\\ai-toolkit\\output",
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"sqlite_db_path": "c:\\Development\\ai-toolkit\\aitk_db.db",
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"device": "cuda",
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"trigger_word": "sks woman",
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"performance_log_every": 10,
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"network": {
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"type": "lora",
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"linear": 32,
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"linear_alpha": 32,
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"conv": 16,
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"conv_alpha": 16,
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"lokr_full_rank": true,
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"lokr_factor": -1,
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"network_kwargs": {
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"ignore_if_contains": []
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}
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},
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"save": {
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"dtype": "bf16",
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"save_every": 250,
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"max_step_saves_to_keep": 25,
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"save_format": "diffusers",
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"push_to_hub": false
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},
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"datasets": [
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{
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"folder_path": "c:\\Development\\ai-toolkit\\datasets/adrianalima",
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"mask_path": null,
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"mask_min_value": 0.1,
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"default_caption": "photo of a woman",
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"caption_ext": "txt",
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"caption_dropout_rate": 0.05,
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"cache_latents_to_disk": false,
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"is_reg": false,
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"network_weight": 1,
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"resolution": [
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512
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],
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"controls": [],
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"shrink_video_to_frames": true,
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"num_frames": 1,
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"flip_x": false,
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"flip_y": false,
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"num_repeats": 1,
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"control_path_1": null,
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"control_path_2": null,
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"control_path_3": null
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}
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],
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"train": {
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"batch_size": 1,
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"bypass_guidance_embedding": false,
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"steps": 2500,
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"gradient_accumulation": 1,
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| 62 |
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"train_unet": true,
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| 63 |
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"train_text_encoder": false,
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"gradient_checkpointing": true,
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"noise_scheduler": "flowmatch",
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"optimizer": "adamw8bit",
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"timestep_type": "weighted",
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"content_or_style": "balanced",
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"optimizer_params": {
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"weight_decay": 0.0001
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},
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"unload_text_encoder": true,
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"cache_text_embeddings": false,
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"lr": 0.0001,
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"ema_config": {
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"use_ema": false,
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"ema_decay": 0.99
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},
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"skip_first_sample": true,
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"force_first_sample": false,
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"disable_sampling": true,
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"dtype": "bf16",
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"diff_output_preservation": false,
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"diff_output_preservation_multiplier": 1,
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"diff_output_preservation_class": "person",
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"switch_boundary_every": 1,
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"loss_type": "mse",
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"do_differential_guidance": true,
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"differential_guidance_scale": 3
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},
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"logging": {
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"log_every": 1,
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"use_ui_logger": true
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},
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"model": {
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"name_or_path": "black-forest-labs/FLUX.2-klein-base-9B",
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"quantize": true,
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"qtype": "qfloat8",
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"quantize_te": true,
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"qtype_te": "qfloat8",
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"arch": "flux2_klein_9b",
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"low_vram": true,
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"model_kwargs": {
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"match_target_res": false
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},
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"layer_offloading": false,
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| 107 |
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"layer_offloading_text_encoder_percent": 1,
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"layer_offloading_transformer_percent": 1
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},
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| 110 |
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"sample": {
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| 111 |
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"sampler": "flowmatch",
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"sample_every": 250,
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"width": 512,
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| 114 |
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"height": 512,
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| 115 |
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"samples": [
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{
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"prompt": "woman with red hair, playing chess at the park, bomb going off in the background"
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},
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{
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"prompt": "a woman holding a coffee cup, in a beanie, sitting at a cafe"
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},
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{
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"prompt": "a womman showing off her cool new t shirt at the beach, a shark is jumping out of the water in the background"
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},
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{
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"prompt": "woman playing the guitar, on stage, singing a song, laser lights, punk rocker"
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},
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| 128 |
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{
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"prompt": "photo of a woman, white background, medium shot, modeling clothing, studio lighting, white backdrop"
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}
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],
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"neg": "",
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| 133 |
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"seed": 42,
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"walk_seed": true,
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| 135 |
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"guidance_scale": 4,
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| 136 |
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"sample_steps": 25,
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"num_frames": 1,
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"fps": 1
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}
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}
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| 141 |
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]
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| 142 |
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},
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| 143 |
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"meta": {
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"name": "[name]",
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"version": "1.0"
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}
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}
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flux2klein9-test/config.yaml
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| 1 |
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job: extension
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| 2 |
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config:
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| 3 |
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name: fk9_adrianalima_v1
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| 4 |
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process:
|
| 5 |
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- type: diffusion_trainer
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| 6 |
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training_folder: c:\Development\ai-toolkit\output
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| 7 |
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sqlite_db_path: c:\Development\ai-toolkit\aitk_db.db
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| 8 |
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device: cuda
|
| 9 |
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trigger_word: sks woman
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| 10 |
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performance_log_every: 10
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| 11 |
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network:
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| 12 |
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type: lora
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| 13 |
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linear: 32
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| 14 |
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linear_alpha: 32
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| 15 |
+
conv: 16
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| 16 |
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conv_alpha: 16
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| 17 |
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lokr_full_rank: true
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| 18 |
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lokr_factor: -1
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| 19 |
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network_kwargs:
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| 20 |
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ignore_if_contains: []
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| 21 |
+
save:
|
| 22 |
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dtype: bf16
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| 23 |
+
save_every: 250
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| 24 |
+
max_step_saves_to_keep: 25
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| 25 |
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save_format: diffusers
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| 26 |
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push_to_hub: false
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| 27 |
+
datasets:
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| 28 |
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- folder_path: c:\Development\ai-toolkit\datasets/adrianalima
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| 29 |
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mask_path: null
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| 30 |
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mask_min_value: 0.1
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| 31 |
+
default_caption: photo of a woman
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| 32 |
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caption_ext: txt
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| 33 |
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caption_dropout_rate: 0.05
|
| 34 |
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cache_latents_to_disk: false
|
| 35 |
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is_reg: false
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| 36 |
+
network_weight: 1
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| 37 |
+
resolution:
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- 512
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| 39 |
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controls: []
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| 40 |
+
shrink_video_to_frames: true
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| 41 |
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num_frames: 1
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| 42 |
+
flip_x: false
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| 43 |
+
flip_y: false
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| 44 |
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num_repeats: 1
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| 45 |
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control_path_1: null
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| 46 |
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control_path_2: null
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| 47 |
+
control_path_3: null
|
| 48 |
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train:
|
| 49 |
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|
| 50 |
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|
| 51 |
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steps: 2500
|
| 52 |
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|
| 53 |
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|
| 54 |
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|
| 55 |
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|
| 56 |
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|
| 57 |
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|
| 58 |
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|
| 59 |
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|
| 60 |
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|
| 61 |
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|
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|
| 63 |
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|
| 64 |
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
| 80 |
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|
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|
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|
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|
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|
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|
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|
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|
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|
| 89 |
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|
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|
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|
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|
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|
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|
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|
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|
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|
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samples:
|
| 101 |
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- prompt: woman with red hair, playing chess at the park, bomb going off in
|
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the background
|
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|
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|
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jumping out of the water in the background
|
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|
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punk rocker
|
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|
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|
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neg: ''
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seed: 42
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|
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|
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|
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|
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|
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name: fk9_adrianalima_v1
|
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version: '1.0'
|
h3-center/crossovers/crossovers.episode.002.cosmic.extradition.mp4 → flux2klein9-test/fk9_adrianalima_v1.safetensors
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h3-center/crossovers/crossovers.episode.003.lockdown.at.sabre.tower.mp4 → flux2klein9-test/fk9_adrianalima_v1_000000250.safetensors
RENAMED
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h3-center/known-characters/good/MiniMax_H3_00628_.mp4 → flux2klein9-test/fk9_adrianalima_v1_000000750.safetensors
RENAMED
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flux2klein9-test/fk9_adrianalima_v1_000002000.safetensors
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flux2klein9-test/fk9_adrianalima_v1_000002250.safetensors
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h3-center/crossovers/crossovers.episode.005.joe.rogan.experience.flat.earth.mp4 → flux2klein9-test/fk9_adrianalima_v1_onetrainer.safetensors
RENAMED
|
@@ -1,3 +1,3 @@
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h3-center/crossovers/crossovers.episode.001.contagion.of.secrets.mp4 → flux2klein9-test/fk9_adrianalima_v1_prodigy.safetensors
RENAMED
|
@@ -1,3 +1,3 @@
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|
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size 87090024
|
h3-center/crossovers/README.md
DELETED
|
@@ -1,77 +0,0 @@
|
|
| 1 |
-
# Crossovers Series — Episodes & Synopses Index
|
| 2 |
-
|
| 3 |
-
This directory contains the rendered video files for the **Crossovers Series** (created by `malcolmrey`). Below is the complete catalog of episodes, including video file references, cast lists, and narrative synopses based on the production master scripts.
|
| 4 |
-
|
| 5 |
-
---
|
| 6 |
-
|
| 7 |
-
## Episode Catalog
|
| 8 |
-
|
| 9 |
-
### Episode 1: The Contagion of Secrets
|
| 10 |
-
- **Video File:** [crossovers.episode.001.contagion.of.secrets.mp4](crossovers.episode.001.contagion.of.secrets.mp4)
|
| 11 |
-
- **Script Ref:** `docs/movies/movie0001/synopsis.md`
|
| 12 |
-
- **Main Cast:** Dr. Gregory House (Hugh Laurie), Adrian Monk (Tony Shalhoub), Dwight Schrute (Rainn Wilson), Dexter Morgan (Michael C. Hall), Malcolm Reynolds (Nathan Fillion), Fox Mulder (David Duchovny), Penny (Kaley Cuoco).
|
| 13 |
-
- **Synopsis:** When Malcolm Reynolds delivers a sealed cargo canister to Dr. Gregory House at Princeton-Plainsboro Hospital, House pokes the valve with his cane, releasing a glowing purple bio-pathogen that disables prefrontal inhibition and forces anyone who inhales it to involuntarily blurt out their darkest secrets. As Dwight Schrute locks down the wing under martial law and panic ensues with hilarious confessions from Monk, Mulder, and Penny, Dexter Morgan desperately struggles to keep his serial killer identity hidden. House formulates an opiate-based neutralizer in a beaker, and with the help of Malcolm and Penny, injects it into the main HVAC duct to clear the facility before Dexter's secret is exposed.
|
| 14 |
-
|
| 15 |
-
---
|
| 16 |
-
|
| 17 |
-
### Episode 2: The Cosmic Extradition
|
| 18 |
-
- **Video File:** [crossovers.episode.002.cosmic.extradition.mp4](crossovers.episode.002.cosmic.extradition.mp4)
|
| 19 |
-
- **Script Ref:** `docs/movies/movie0002/synopsis.md`
|
| 20 |
-
- **Main Cast:** Dean Winchester (Jensen Ackles), Malcolm Reynolds (Nathan Fillion), Sherlock Holmes (Benedict Cumberbatch), Pam Beesly (Jenna Fischer), Lucifer Morningstar (Tom Ellis), The Tenth Doctor (David Tennant), Saul Goodman (Bob Odenkirk), Steve Rogers / Captain America (Chris Evans), John Locke (Terry O'Quinn), Tony Stark / Iron Man (Robert Downey Jr.), Fox Mulder (David Duchovny).
|
| 21 |
-
- **Synopsis:** An interdimensional rift tears open above the dumpster in the Dunder Mifflin parking lot in Scranton, dropping a glowing alien extradition ledger tablet. The Tenth Doctor, Sherlock Holmes, Steve Rogers, and Fox Mulder arrive to investigate, while Saul Goodman immediately files an impromptu parking lot injunction for jurisdictional immunity and Lucifer Morningstar delights in the chaos. As Dean Winchester tests everyone with holy water and Tony Stark scans the portal's energy, Sherlock and the Doctor uncover the truth: Saul Goodman is himself an intergalactic tax fugitive hiding on Earth. After Saul stamps the settlement seal and pays his cosmic fines, Tony, the Doctor, and Steve safely collapse the rift.
|
| 22 |
-
|
| 23 |
-
---
|
| 24 |
-
|
| 25 |
-
### Episode 3: Lockdown at Sabre Tower
|
| 26 |
-
- **Video File:** [crossovers.episode.003.lockdown.at.sabre.tower.mp4](crossovers.episode.003.lockdown.at.sabre.tower.mp4)
|
| 27 |
-
- **Script Ref:** `docs/movies/movie0003/synopsis.md`
|
| 28 |
-
- **Main Cast:** Michael Scott (Steve Carell), Wednesday Addams (Jenna Ortega), John McClane (Bruce Willis), Seeley Booth (David Boreanaz), James Bond (Daniel Craig), Steve Rogers (Chris Evans), Elliot Alderson (Rami Malek), Lucifer Morningstar (Tom Ellis), Jack Bauer (Kiefer Sutherland), Viktor Kessler.
|
| 29 |
-
- **Synopsis:** During Sabre Corp's annual holiday gala on the top floors of Sabre Tower, cybersecurity consultant Elliot Alderson attempts to drain a fraudulent corporate bond vault—only for his hired mercenary crew to double-cross him and seal the building in a Die Hard-style hostage siege. John McClane crawls through ventilation ducts searching for his estranged daughter Wednesday, who proves more than capable of taking out mercenaries on her own. James Bond sheds his tuxedo cover to dismantle enemy patrols, Steve Rogers barricades the ballroom hostages, and Jack Bauer coordinates the response from below. When Michael Scott's bumbling radio negotiations inadvertently create the ultimate distraction, McClane, Bond, and Wednesday defeat the mercenary forces at the vault level, and Elliot surrenders to FBI agent Booth.
|
| 30 |
-
|
| 31 |
-
---
|
| 32 |
-
|
| 33 |
-
### Episode 4: The War for the Obsidian Portal
|
| 34 |
-
- **Video File:** **[MISSING / NOT RENDERED IN OUTPUT FOLDER]**
|
| 35 |
-
- **Script Ref:** `docs/movies/movie0004/synopsis.md`
|
| 36 |
-
- **Main Cast:** Maleficent (Angelina Jolie), Daenerys Targaryen (Emilia Clarke), Gandalf (Ian McKellen), Doctor Strange (Benedict Cumberbatch), Hermione Granger (Emma Watson), Maximus Decimus Meridius (Russell Crowe), Captain Jack Sparrow (Johnny Depp).
|
| 37 |
-
- **Synopsis:** At an ancient mountain ridge, dark green sorcery tears open the long-dormant Obsidian Portal as Maleficent attempts to absorb its ley-line power and conquer all realms. Doctor Strange and Gandalf race to reinforce the ancient wards while Hermione Granger deciphers the rune alignment cycle. As Maximus leads a Roman shield wall against Maleficent's shadow army and Daenerys rains dragonfire from atop Drogon, Captain Jack Sparrow staggers into the ruins carrying the stolen Obsidian Compass Key. After attempting to barter, Jack slyly tosses the key to Gandalf, who slams it into the central altar alongside Doctor Strange's eldritch shields, permanently sealing the portal and driving Maleficent back.
|
| 38 |
-
|
| 39 |
-
---
|
| 40 |
-
|
| 41 |
-
### Episode 5: The Flat Earth Experience
|
| 42 |
-
- **Video File:** [crossovers.episode.005.joe.rogan.experience.flat.earth.mp4](crossovers.episode.005.joe.rogan.experience.flat.earth.mp4)
|
| 43 |
-
- **Script Ref:** `docs/movies/movie0005/synopsis.md`
|
| 44 |
-
- **Main Cast:** Joe Rogan, Kanye West, Neil deGrasse Tyson, Dave Chappelle, Sir Anthony Hopkins.
|
| 45 |
-
- **Synopsis:** In a warm, dim podcast studio on *The Joe Rogan Experience*, Kanye West nonchalantly announces that the Earth is flat. Joe Rogan is instantly converted on the spot, repeatedly calling for producer Jamie to pull up flat earth maps on the studio monitor. Astrophysicist Neil deGrasse Tyson vigorously argues the laws of physics before suffering a humorous mental breakdown. Meanwhile, Dave Chappelle smokes and smirks, declaring he doesn't care as long as he isn't hanging upside down, and Sir Anthony Hopkins calmly declines to be angry at all, offering serene, timeless wisdom over a glass of whiskey.
|
| 46 |
-
|
| 47 |
-
---
|
| 48 |
-
|
| 49 |
-
### Episode 6: Dave Chappelle: The Flat Earth Special
|
| 50 |
-
- **Video File:** [crossovers.episode.006.dave.chapelle.post.rogan.special.mp4](crossovers.episode.006.dave.chapelle.post.rogan.special.mp4)
|
| 51 |
-
- **Script Ref:** `docs/movies/movie0006/synopsis.md`
|
| 52 |
-
- **Main Cast:** Dave Chappelle.
|
| 53 |
-
- **Synopsis:** Standing alone on a minimalist dark arena stage beneath a warm golden spotlight, Dave Chappelle performs a witty yet poignant 2.5-minute Netflix stand-up monologue dissecting his wild experience on Joe Rogan's podcast. He pities Neil deGrasse Tyson for watching his lifelong scientific passion ground down by internet flat-earthers, marvels at Sir Anthony Hopkins' serene elderly tranquility, and riffs on the hilarious absurdities of Joe Rogan and Kanye West—culminating in a bittersweet reflection on human stupidity and humanity's preference for simple comfort over complex reality.
|
| 54 |
-
|
| 55 |
-
---
|
| 56 |
-
|
| 57 |
-
### Episode 7: Dr. Robert Ford: On Meaning
|
| 58 |
-
- **Video File:** [crossovers.episode.007.anthony.hopkins.meaning.mp4](crossovers.episode.007.anthony.hopkins.meaning.mp4)
|
| 59 |
-
- **Script Ref:** `docs/movies/movie0007/synopsis.md`
|
| 60 |
-
- **Main Cast:** Dr. Robert Ford (played by Sir Anthony Hopkins) from *Westworld*.
|
| 61 |
-
- **Synopsis:** From his cold, dimly-lit glass-walled Mesa Hub office surrounded by suspended host bodies, Dr. Robert Ford delivers a profound, philosophical 2-minute monologue on the nature of human existence and meaning. He reflects on how mankind invented gods, myths, and stories to cope with the terrifying silence of an indifferent cosmos. Ford argues that true meaning is not an artifact waiting to be found under a rock, but an act of creation forged through memory, pain, and suffering—concluding that our conscious choice to care in an indifferent universe is the only true magic we possess.
|
| 62 |
-
|
| 63 |
-
---
|
| 64 |
-
|
| 65 |
-
### Episode 8: Ellis Boyd 'Red' Redding: On Hope and Love
|
| 66 |
-
- **Video File:** [crossovers.episode.008.morgan.freeman.hope.mp4](crossovers.episode.008.morgan.freeman.hope.mp4)
|
| 67 |
-
- **Script Ref:** `docs/movies/movie0008/synopsis.md`
|
| 68 |
-
- **Main Cast:** Ellis Boyd "Red" Redding (played by Morgan Freeman) from *The Shawshank Redemption*.
|
| 69 |
-
- **Synopsis:** Sitting in a wooden rocking chair on a sunlit porch overlooking a quiet golden meadow at sunset, Ellis Boyd 'Red' Redding delivers a deeply moving, heartwarming 2.5-minute monologue. Reflecting on his forty years spent behind prison walls, Red shares the timeless truth that hope is not a foolish illusion, but the quiet fire that keeps us human. He gently urges us to cherish our loved ones—fiancées, spouses, partners, and friends—to treasure every moment beneath the open sky, and to never waste our precious time on bitterness or grudges.
|
| 70 |
-
|
| 71 |
-
---
|
| 72 |
-
|
| 73 |
-
### Episode 9: Captain Malcolm Reynolds: Alone on Serenity
|
| 74 |
-
- **Video File:** [crossovers.episode.009.alone.on.serenity.mp4](crossovers.episode.009.alone.on.serenity.mp4)
|
| 75 |
-
- **Script Ref:** `docs/movies/movie0009/synopsis.md`
|
| 76 |
-
- **Main Cast:** Captain Malcolm Reynolds (played by Nathan Fillion) from *Firefly*.
|
| 77 |
-
- **Synopsis:** Alone in the quiet, dimly lit cargo bay of *Serenity* holding a tin cup, Captain Malcolm Reynolds reflects on his long journey across the Black and the painful losses at Serenity Valley. He candidly admits his quiet regrets—wishing he'd been braver with Inara before she left, and realizing he was too hard on Jayne when Jayne always stood in the gap for the crew. Ultimately, Mal reflects that love is what truly keeps a starship in the air, expressing quiet gratitude for the wild, loyal family that found him in the verse.
|
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h3-center/crossovers/docs/CHARACTER_USABILITY_INDEX.md
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| 1 |
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# Character Usability Index (No-LoRA Base Model Compatibility)
|
| 2 |
-
|
| 3 |
-
This document tracks all characters across our show/movie repository and specifies whether each character is **Usable**, **On The Fence**, or **Not Usable** with the base MiniMax-H3 model without a custom LoRA.
|
| 4 |
-
|
| 5 |
-
### Agent Selection Rules:
|
| 6 |
-
1. **✅ Usable**: High base model fidelity. Cleared for automated script generation, random selection pools, and explicit user requests.
|
| 7 |
-
2. **❓ On The Fence**: Inconclusive likeness / borderline results.
|
| 8 |
-
- **Automated Selection:** **UNUSABLE** for automated script picking or AI pool selections.
|
| 9 |
-
- **Direct User Request:** **ALLOWED**. If the user specifically asks for this character, you may proceed with the request directly.
|
| 10 |
-
3. **❌ Not Usable**: Inadequate base model rendering.
|
| 11 |
-
- **Automated Selection:** **STRICTLY FORBIDDEN** in automated script generation, crossover prompts, or multi-scene productions.
|
| 12 |
-
- **Direct User Request:** **REQUIRES CONFIRMATION**. If the user specifically asks to use a "Not Usable" character, you MUST ask for explicit confirmation before proceeding:
|
| 13 |
-
> *"Are you really sure? That character is known to be not usable and you will get bad results, do you want to use it anyway?"*
|
| 14 |
-
|
| 15 |
-
---
|
| 16 |
-
|
| 17 |
-
## Usability Summary Table
|
| 18 |
-
|
| 19 |
-
| Show / Franchise | Character Name | Actor / Portrayal | Usability Status | Notes |
|
| 20 |
-
| **Enchanted** | Giselle | Amy Adams | ❓ **On The Fence** | Inconclusive likeness / test reroll needed |
|
| 21 |
-
| **Real Person / Actor** | Jon Stewart | Jon Stewart | ❓ **On The Fence** | Inconclusive likeness / test reroll needed |
|
| 22 |
-
| **Real Person / Actor** | Jimmy Carr | Jimmy Carr | ❓ **On The Fence** | Inconclusive likeness / test reroll needed |
|
| 23 |
-
| **Real Person / Actor** | Craig Ferguson | Craig Ferguson | ❓ **On The Fence** | Inconclusive likeness / test reroll needed |
|
| 24 |
-
| **X-Men** | Magneto | Michael Fassbender | ❓ **On The Fence** | Inconclusive likeness / test reroll needed |
|
| 25 |
-
| **Real Person / Actor** | Henry Cavill | Henry Cavill | ❓ **On The Fence** | Inconclusive likeness / test reroll needed |
|
| 26 |
-
| **Dogma** | Rufus | Chris Rock | ❓ **On The Fence** | Inconclusive likeness / test reroll needed |
|
| 27 |
-
| **Real Person / Actor** | Chris Rock | Chris Rock | ❓ **On The Fence** | Inconclusive likeness / test reroll needed |
|
| 28 |
-
| **Real Person / Actor** | Aubrey Plaza | Aubrey Plaza | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 29 |
-
| **Kiss the Girls** | Dr. Kate McTiernan | Ashley Judd | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 30 |
-
| **Real Person / Actor** | Ashley Judd | Ashley Judd | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 31 |
-
| **Modern Family** | Alex Dunphy | Ariel Winter | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 32 |
-
| **Real Person / Actor** | Ariel Winter | Ariel Winter | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 33 |
-
| **Real Person / Actor** | Aria Giovanni | Aria Giovanni | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 34 |
-
| **The Witcher** | Yennefer of Vengerberg | Anya Chalotra | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 35 |
-
| **Real Person / Actor** | Anya Chalotra | Anya Chalotra | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 36 |
-
| **Man of Steel** | Faora-Ul | Antje Traue | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 37 |
-
| **Real Person / Actor** | Antje Traue | Antje Traue | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 38 |
-
| **Smallville** | Martha Kent | Annette O'Toole | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 39 |
-
| **Real Person / Actor** | Annette O'Toole | Annette O'Toole | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 40 |
-
| **House M.D.** | Dr. Amber Volakis | Anne Dudek | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 41 |
-
| **Real Person / Actor** | Anne Dudek | Anne Dudek | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 42 |
-
| **Real Person / Actor** | Anna Torv | Anna Torv | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 43 |
-
| **Pitch Perfect** | Beca Mitchell | Anna Kendrick | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 44 |
-
| **Real Person / Actor** | Anna Kendrick | Anna Kendrick | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 45 |
-
| **Breaking Bad** | Skyler White | Anna Gunn | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 46 |
-
| **Real Person / Actor** | Anna Gunn | Anna Gunn | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 47 |
-
| **Real Person / Actor** | Anna Faris | Anna Faris | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 48 |
-
| **Groundhog Day** | Rita Hanson | Andie MacDowell | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 49 |
-
| **Real Person / Actor** | Andie MacDowell | Andie MacDowell | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 50 |
-
| **Real Person / Actor** | Ana Kasparian | Ana Kasparian | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 51 |
-
| **Real Person / Actor** | Amy Winehouse | Amy Winehouse | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 52 |
-
| **Real Person / Actor** | Amy Poehler | Amy Poehler | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 53 |
-
| **Real Person / Actor** | Amy Adams | Amy Adams | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 54 |
-
| **Real Person / Actor** | Sarah Silverman | Sarah Silverman | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 55 |
-
| **Tucker Carlson Tonight** | Tucker Carlson | Tucker Carlson | ❓ **On The Fence** | Inconclusive likeness / test reroll needed |
|
| 56 |
-
| **Peep Show** | Mark Corrigan | David Mitchell | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 57 |
-
| **Real Person / Actor** | David Mitchell | David Mitchell | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 58 |
-
| **Jeeves and Wooster** | Reginald Jeeves | Stephen Fry | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 59 |
-
| **Real Person / Actor** | Stephen Fry | Stephen Fry | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 60 |
-
| **Real Person / Actor** | Amanda Seyfried | Amanda Seyfried | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 61 |
-
| **The Whole Nine Yards** | Jill St. Claire | Amanda Peet | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 62 |
-
| **Real Person / Actor** | Amanda Peet | Amanda Peet | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 63 |
-
| **Real Person / Actor** | Alyson Hannigan | Alyson Hannigan | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 64 |
-
| **Smallville** | Chloe Sullivan | Allison Mack | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 65 |
-
| **Real Person / Actor** | Allison Mack | Allison Mack | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 66 |
-
| **Community** | Annie Edison | Alison Brie | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 67 |
-
| **Real Person / Actor** | Alison Brie | Alison Brie | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 68 |
-
| **Ex Machina** | Ava | Alicia Vikander | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 69 |
-
| **Real Person / Actor** | Alicia Vikander | Alicia Vikander | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 70 |
-
| **Clueless** | Cher Horowitz | Alicia Silverstone | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 71 |
-
| **Real Person / Actor** | Alicia Silverstone | Alicia Silverstone | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 72 |
-
| **Star Trek Into Darkness** | Dr. Carol Marcus | Alice Eve | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 73 |
-
| **Real Person / Actor** | Alice Eve | Alice Eve | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 74 |
-
| **Real Person / Actor** | Norm Macdonald | Norm Macdonald | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 75 |
-
| **Real Person / Actor** | N. T. Rama Rao Jr. (NTR Jr.) | N. T. Rama Rao Jr. (NTR Jr.) | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 76 |
-
| **Real Person / Actor** | Shaquille O'Neal | Shaquille O'Neal | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 77 |
-
| **8 Mile** | B-Rabbit | Eminem | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 78 |
-
| **Real Person / Actor** | Eminem | Eminem | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 79 |
-
| **Justified** | Boyd Crowder | Walton Goggins | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 80 |
-
| **Real Person / Actor** | Walton Goggins | Walton Goggins | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 81 |
-
| **The Punisher** | Frank Castle | Thomas Jane | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 82 |
-
| **Real Person / Actor** | Thomas Jane | Thomas Jane | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 83 |
-
| **Bullitt** | Frank Bullitt | Steve McQueen | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 84 |
-
| **Real Person / Actor** | Steve McQueen | Steve McQueen | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 85 |
-
| **Iron Man 2** | Justin Hammer | Sam Rockwell | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 86 |
-
| **Real Person / Actor** | Sam Rockwell | Sam Rockwell | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 87 |
-
| **Real Person / Actor** | Robert Lewandowski | Robert Lewandowski | ❓ **On The Fence** | Inconclusive likeness / test reroll needed |
|
| 88 |
-
| **Real Person / Actor** | Ram Charan | Ram Charan | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 89 |
-
| **Real Person / Actor** | Karl Urban | Karl Urban | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 90 |
-
| **No Country for Old Men** | Llewelyn Moss | Josh Brolin | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 91 |
-
| **Real Person / Actor** | Josh Brolin | Josh Brolin | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 92 |
-
| **Real Person / Actor** | John Noble | John Noble | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 93 |
-
| **Suicide Squad** | Rick Flag | Joel Kinnaman | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 94 |
-
| **Real Person / Actor** | Joel Kinnaman | Joel Kinnaman | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 95 |
-
| **No Country for Old Men** | Anton Chigurh | Javier Bardem | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 96 |
-
| **Real Person / Actor** | Javier Bardem | Javier Bardem | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 97 |
-
| **Memento** | Leonard Shelby | Guy Pearce | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 98 |
-
| **Real Person / Actor** | Guy Pearce | Guy Pearce | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 99 |
-
| **Bill & Ted's Excellent Adventure** | Rufus | George Carlin | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 100 |
-
| **Real Person / Actor** | George Carlin | George Carlin | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 101 |
-
| **Real Person / Actor** | Denis Leary | Denis Leary | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 102 |
-
| **The Suicide Squad** | Polka-Dot Man | David Dastmalchian | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 103 |
-
| **Real Person / Actor** | David Dastmalchian | David Dastmalchian | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 104 |
-
| **Real Person / Actor** | Christopher Walken | Christopher Walken | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 105 |
-
| **The Devil Wears Prada** | Andy Sachs | Anne Hathaway | ✅ **Usable** | High base model fidelity |
|
| 106 |
-
| **Real Person / Actor** | Anne Hathaway | Anne Hathaway | ✅ **Usable** | High base model fidelity |
|
| 107 |
-
| **Real Person / Actor** | Donald Trump | Donald Trump | ✅ **Usable** | High base model fidelity |
|
| 108 |
-
| **the Oval Office** | President Barack Obama | Barack Obama | ✅ **Usable** | High base model fidelity |
|
| 109 |
-
| **Real Person / Actor** | Barack Obama | Barack Obama | ✅ **Usable** | High base model fidelity |
|
| 110 |
-
| **Real Person / Actor** | Conan O'Brien | Conan O'Brien | ✅ **Usable** | High base model fidelity |
|
| 111 |
-
| **Real Person / Actor** | David Letterman | David Letterman | ✅ **Usable** | High base model fidelity |
|
| 112 |
-
| **Real Person / Actor** | Dave Chappelle | Dave Chappelle | ✅ **Usable** | High base model fidelity |
|
| 113 |
-
| **RRR** | Komaram Bheem | N. T. Rama Rao Jr. | ✅ **Usable** | High base model fidelity |
|
| 114 |
-
| **Real Person / Actor** | Kobe Bryant | Kobe Bryant | ✅ **Usable** | High base model fidelity |
|
| 115 |
-
| **Real Person / Actor** | Michael Jackson | Michael Jackson | ❓ **On The Fence** | Inconclusive likeness / test reroll needed |
|
| 116 |
-
| **Spider-Man** | Norman Osborn | Willem Dafoe | ✅ **Usable** | High base model fidelity |
|
| 117 |
-
| **Real Person / Actor** | Willem Dafoe | Willem Dafoe | ✅ **Usable** | High base model fidelity |
|
| 118 |
-
| **Real Person / Actor** | Snoop Dogg (played by Snoop Dogg) live in concert performance | Snoop Dogg (played by Snoop Dogg) live in concert performance | ✅ **Usable** | High base model fidelity |
|
| 119 |
-
| **Real Person / Actor** | Snoop Dogg | Snoop Dogg | ✅ **Usable** | High base model fidelity |
|
| 120 |
-
| **Real Person / Actor** | Ryan Reynolds | Ryan Reynolds | ✅ **Usable** | High base model fidelity |
|
| 121 |
-
| **Drive** | Driver | Ryan Gosling | ✅ **Usable** | High base model fidelity |
|
| 122 |
-
| **Real Person / Actor** | Ryan Gosling | Ryan Gosling | ✅ **Usable** | High base model fidelity |
|
| 123 |
-
| **Real Person / Actor** | Robert Pattinson | Robert Pattinson | ✅ **Usable** | High base model fidelity |
|
| 124 |
-
| **RRR** | Alluri Sitarama Raju | Ram Charan | ✅ **Usable** | High base model fidelity |
|
| 125 |
-
| **Real Person / Actor** | Norman Reedus | Norman Reedus | ✅ **Usable** | High base model fidelity |
|
| 126 |
-
| **Zombieland** | Tallahassee | Woody Harrelson | ✅ **Usable** | High base model fidelity |
|
| 127 |
-
| **Real Person / Actor** | Woody Harrelson | Woody Harrelson | ✅ **Usable** | High base model fidelity |
|
| 128 |
-
| **Real Person / Actor** | Michael Fassbender | Michael Fassbender | ✅ **Usable** | High base model fidelity |
|
| 129 |
-
| **Cosmos** | Host Neil deGrasse Tyson | Neil deGrasse Tyson | ✅ **Usable** | High base model fidelity |
|
| 130 |
-
| **Real Person / Actor** | Neil deGrasse Tyson | Neil deGrasse Tyson | ✅ **Usable** | High base model fidelity |
|
| 131 |
-
| **Real Person / Actor** | Matthew McConaughey | Matthew McConaughey | ✅ **Usable** | High base model fidelity |
|
| 132 |
-
| **Hannibal** | Dr. Hannibal Lecter | Mads Mikkelsen | ✅ **Usable** | High base model fidelity |
|
| 133 |
-
| **Real Person / Actor** | Mads Mikkelsen | Mads Mikkelsen | ✅ **Usable** | High base model fidelity |
|
| 134 |
-
| **The Wolf of Wall Street** | Jordan Belfort | Leonardo DiCaprio | ✅ **Usable** | High base model fidelity |
|
| 135 |
-
| **Real Person / Actor** | Leonardo DiCaprio | Leonardo DiCaprio | ✅ **Usable** | High base model fidelity |
|
| 136 |
-
| **Real Person / Actor** | Ye (played by Kanye West) live in concert | Ye (played by Kanye West) live in concert | ✅ **Usable** | High base model fidelity |
|
| 137 |
-
| **Real Person / Actor** | Kanye West | Kanye West | ✅ **Usable** | High base model fidelity |
|
| 138 |
-
| **Fringe** | Dr. Walter Bishop | John Noble | ✅ **Usable** | High base model fidelity |
|
| 139 |
-
| **Peacemaker** | Peacemaker | John Cena | ✅ **Usable** | High base model fidelity |
|
| 140 |
-
| **Real Person / Actor** | John Cena | John Cena | ✅ **Usable** | High base model fidelity |
|
| 141 |
-
| **Real Person / Actor** | Joe Rogan | Joe Rogan | ✅ **Usable** | High base model fidelity |
|
| 142 |
-
| **Django Unchained** | Django | Jamie Foxx | ✅ **Usable** | High base model fidelity |
|
| 143 |
-
| **Real Person / Actor** | Jamie Foxx | Jamie Foxx | ✅ **Usable** | High base model fidelity |
|
| 144 |
-
| **Nightcrawler** | Lou Bloom | Jake Gyllenhaal | ✅ **Usable** | High base model fidelity |
|
| 145 |
-
| **Real Person / Actor** | Jake Gyllenhaal | Jake Gyllenhaal | ✅ **Usable** | High base model fidelity |
|
| 146 |
-
| **Real Person / Actor** | Hugh Jackman | Hugh Jackman | ✅ **Usable** | High base model fidelity |
|
| 147 |
-
| **Hell's Kitchen** | Chef Gordon Ramsay | Gordon Ramsay | ✅ **Usable** | High base model fidelity |
|
| 148 |
-
| **Real Person / Actor** | Gordon Ramsay | Gordon Ramsay | ✅ **Usable** | High base model fidelity |
|
| 149 |
-
| :--- | :--- | :--- | :---: | :--- |
|
| 150 |
-
| **2 Broke Girls** | Max Black | Kat Dennings | ✅ **Usable** | High base model fidelity |
|
| 151 |
-
| **2 Broke Girls** | Caroline Channing | Beth Behrs | ✅ **Usable** | High base model fidelity |
|
| 152 |
-
| **24** | Jack Bauer | Kiefer Sutherland | ✅ **Usable** | High base model fidelity |
|
| 153 |
-
| **30 Rock** | Liz Lemon | Tina Fey | ✅ **Usable** | High base model fidelity |
|
| 154 |
-
| **30 Rock** | Jack Donaghy | Alec Baldwin | ✅ **Usable** | High base model fidelity |
|
| 155 |
-
| **Ace Ventura** | Ace Ventura | Jim Carrey | ✅ **Usable** | High base model fidelity |
|
| 156 |
-
| **Alias** | Sydney Bristow | Jennifer Garner | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 157 |
-
| **Alien** | Ellen Ripley | Sigourney Weaver | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 158 |
-
| **Ally McBeal** | Ally McBeal | Calista Flockhart | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 159 |
-
| **Ally McBeal** | Richard Fish | Greg Germann | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 160 |
-
| **American Pie** | Jim Levenstein | Jason Biggs | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 161 |
-
| **American Psycho** | Patrick Bateman | Christian Bale | ✅ **Usable** | High base model fidelity |
|
| 162 |
-
| **Anaconda** | Terri Flores | Jennifer Lopez | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 163 |
-
| **Aquaman** | Arthur Curry / Aquaman | Jason Momoa | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 164 |
-
| **Arcane** | Jinx | Ella Purnell (voice) | ✅ **Usable** | High base model fidelity |
|
| 165 |
-
| **Arcane** | Vi | Hailee Steinfeld (voice) | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 166 |
-
| **Arcane** | Caitlyn Kiramman | Katie Leung (voice) | ✅ **Usable** | High base model fidelity |
|
| 167 |
-
| **Arcane** | Silco | Jason Spisak (voice) | ✅ **Usable** | High base model fidelity |
|
| 168 |
-
| **Arrested Development** | Michael Bluth | Jason Bateman | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 169 |
-
| **Arrested Development** | Gob Bluth | Will Arnett | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 170 |
-
| **Arrow** | Oliver Queen / Green Arrow | Stephen Amell | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 171 |
-
| **Asmongold** | Asmongold | Zack Hoyt | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 172 |
-
| **Atomic Blonde** | Lorraine Broughton | Charlize Theron | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 173 |
-
| **Austin Powers** | Austin Powers | Mike Myers | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 174 |
-
| **Babylon 5** | Captain John Sheridan | Bruce Boxleitner | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 175 |
-
| **Back to the Future** | Marty McFly | Michael J. Fox | ✅ **Usable** | High base model fidelity |
|
| 176 |
-
| **Band of Brothers** | Major Richard Winters | Damian Lewis | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 177 |
-
| **Banshee** | Lucas Hood | Antony Starr | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 178 |
-
| **Barb Wire** | Barb Wire | Pamela Anderson | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 179 |
-
| **Barbarella** | Barbarella | Jane Fonda | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 180 |
-
| **Basic Instinct** | Catherine Tramell | Sharon Stone | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 181 |
-
| **Batman Returns** | Catwoman / Selina Kyle | Michelle Pfeiffer | ✅ **Usable** | High base model fidelity |
|
| 182 |
-
| **Baywatch** | Mitch Buchannon | David Hasselhoff | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 183 |
-
| **Baywatch** | C.J. Parker | Pamela Anderson | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 184 |
-
| **Beverly Hills Cop** | Axel Foley | Eddie Murphy | ✅ **Usable** | High base model fidelity |
|
| 185 |
-
| **Blade** | Blade / Eric Brooks | Wesley Snipes | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 186 |
-
| **Boardwalk Empire** | Enoch "Nucky" Thompson | Steve Buscemi | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 187 |
-
| **Bones** | Dr. Temperance Brennan | Emily Deschanel | ✅ **Usable** | High base model fidelity |
|
| 188 |
-
| **Bones** | Seeley Booth | David Boreanaz | ✅ **Usable** | High base model fidelity |
|
| 189 |
-
| **Bourne Franchise** | Jason Bourne | Matt Damon | ✅ **Usable** | High base model fidelity |
|
| 190 |
-
| **Breaking Bad** | Walter White | Bryan Cranston | ✅ **Usable** | High base model fidelity |
|
| 191 |
-
| **Breaking Bad** | Jesse Pinkman | Aaron Paul | ✅ **Usable** | High base model fidelity |
|
| 192 |
-
| **Breaking Bad / Better Call Saul** | Saul Goodman | Bob Odenkirk | ✅ **Usable** | High base model fidelity |
|
| 193 |
-
| **Breaking Bad** | Gustavo Fring | Giancarlo Esposito | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 194 |
-
| **Breaking Bad** | Hank Schrader | Dean Norris | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 195 |
-
| **Breaking Bad** | Mike Ehrmantraut | Jonathan Banks | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 196 |
-
| **Better Call Saul** | Kim Wexler | Rhea Seehorn | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 197 |
-
| **Bring It On** | Torrance Shipman | Kirsten Dunst | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 198 |
-
| **Bring It On** | Missy Pantone | Eliza Dushku | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 199 |
-
| **Brooklyn Nine-Nine** | Jake Peralta | Andy Samberg | ✅ **Usable** | High base model fidelity |
|
| 200 |
-
| **Brooklyn Nine-Nine** | Captain Raymond Holt | Andre Braugher | ✅ **Usable** | High base model fidelity |
|
| 201 |
-
| **Brooklyn Nine-Nine** | Sergeant Terry Jeffords | Terry Crews | ✅ **Usable** | High base model fidelity |
|
| 202 |
-
| **Brooklyn Nine-Nine** | Detective Rosa Diaz | Stephanie Beatriz | ✅ **Usable** | High base model fidelity |
|
| 203 |
-
| **Buffy the Vampire Slayer** | Buffy Summers | Sarah Michelle Gellar | ✅ **Usable** | High base model fidelity |
|
| 204 |
-
| **Buffy the Vampire Slayer** | Angel | David Boreanaz | ✅ **Usable** | High base model fidelity |
|
| 205 |
-
| **Buffy the Vampire Slayer** | Willow Rosenberg | Alyson Hannigan | ✅ **Usable** | High base model fidelity |
|
| 206 |
-
| **Buffy the Vampire Slayer** | Spike | James Marsters | ✅ **Usable** | High base model fidelity |
|
| 207 |
-
| **Californication** | Hank Moody | David Duchovny | ✅ **Usable** | High base model fidelity |
|
| 208 |
-
| **Californication** | Karen van der Beek | Natascha McElhone | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 209 |
-
| **Castle** | Richard Castle | Nathan Fillion | ✅ **Usable** | High base model fidelity |
|
| 210 |
-
| **Castle** | Kate Beckett | Stana Katic | ✅ **Usable** | High base model fidelity |
|
| 211 |
-
| **Cheers** | Sam "Mayday" Malone | Ted Danson | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 212 |
-
| **Columbo** | Lieutenant Columbo | Peter Falk | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 213 |
-
| **Community** | Abed Nadir | Danny Pudi | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 214 |
-
| **Community** | Troy Barnes | Donald Glover | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 215 |
-
| **Community** | Jeff Winger | Joel McHale | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 216 |
-
| **CSI: Las Vegas** | Gil Grissom | William Petersen | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 217 |
-
| **CSI: Miami** | Horatio Caine | David Caruso | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 218 |
-
| **Crouching Tiger, Hidden Dragon** | Yu Shu Lien | Michelle Yeoh | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 219 |
-
| **Curb Your Enthusiasm** | Larry David | Larry David | ✅ **Usable** | High base model fidelity |
|
| 220 |
-
| **Dallas** | J.R. Ewing | Larry Hagman | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 221 |
-
| **Daredevil** | Matt Murdock | Charlie Cox | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 222 |
-
| **Deadwood** | Al Swearengen | Ian McShane | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 223 |
-
| **Death Wish** | Paul Kersey | Charles Bronson | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 224 |
-
| **Desperado** | El Mariachi | Antonio Banderas | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 225 |
-
| **Desperate Housewives** | Susan Mayer | Teri Hatcher | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 226 |
-
| **Desperate Housewives** | Lynette Scavo | Felicity Huffman | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 227 |
-
| **Desperate Housewives** | Bree Van de Kamp | Marcia Cross | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 228 |
-
| **Desperate Housewives** | Gabrielle Solis | Eva Longoria | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 229 |
-
| **Dexter** | Dexter Morgan | Michael C. Hall | ✅ **Usable** | High base model fidelity |
|
| 230 |
-
| **Dexter** | Debra Morgan | Jennifer Carpenter | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 231 |
-
| **Dexter** | Angel Batista | David Zayas | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 232 |
-
| **Dexter** | Vince Masuka | C.S. Lee | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 233 |
-
| **Die Hard** | John McClane | Bruce Willis | ✅ **Usable** | High base model fidelity |
|
| 234 |
-
| **Dirty Harry** | Harry Callahan | Clint Eastwood | ✅ **Usable** | High base model fidelity |
|
| 235 |
-
| **Doctor Who** | The Tenth Doctor | David Tennant | ✅ **Usable** | High base model fidelity |
|
| 236 |
-
| **Doctor Who** | Rose Tyler | Billie Piper | ✅ **Usable** | High base model fidelity |
|
| 237 |
-
| **Doctor Who** | The Eleventh Doctor | Matt Smith | ✅ **Usable** | High base model fidelity |
|
| 238 |
-
| **Doctor Who** | Amy Pond | Karen Gillan | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 239 |
-
| **Doctor Who** | The Twelfth Doctor | Peter Capaldi | ✅ **Usable** | High base model fidelity |
|
| 240 |
-
| **Doctor Who** | Clara Oswald | Jenna Coleman | ✅ **Usable** | High base model fidelity |
|
| 241 |
-
| **Dune** | Paul Atreides | Timothée Chalamet | ✅ **Usable** | High base model fidelity |
|
| 242 |
-
| **ER** | Dr. Doug Ross | George Clooney | ✅ **Usable** | High base model fidelity |
|
| 243 |
-
| **ER** | Dr. John Carter | Noah Wyle | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 244 |
-
| **Entourage** | Ari Gold | Jeremy Piven | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 245 |
-
| **Euphoria** | Rue Bennett | Zendaya | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 246 |
-
| **Eureka** | Sheriff Jack Carter | Colin Ferguson | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 247 |
-
| **Evil Dead** | Ash Williams | Bruce Campbell | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 248 |
-
| **Farscape** | John Crichton | Ben Browder | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 249 |
-
| **Fast & Furious** | Dominic Toretto | Vin Diesel | ✅ **Usable** | High base model fidelity |
|
| 250 |
-
| **Fawlty Towers** | Basil Fawlty | John Cleese | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 251 |
-
| **Ferris Bueller's Day Off** | Ferris Bueller | Matthew Broderick | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 252 |
-
| **Fifty Shades of Grey** | Anastasia Steele | Dakota Johnson | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 253 |
-
| **Firefly** | Malcolm Reynolds | Nathan Fillion | ✅ **Usable** | Only Firefly character usable without LoRA |
|
| 254 |
-
| **Firefly** | Zoe Washburne | Gina Torres | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 255 |
-
| **Firefly** | Hoban Washburne (Wash) | Alan Tudyk | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 256 |
-
| **Firefly** | Jayne Cobb | Adam Baldwin | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 257 |
-
| **Firefly** | Inara Serra | Morena Baccarin | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 258 |
-
| **Forrest Gump** | Forrest Gump | Tom Hanks | ✅ **Usable** | High base model fidelity |
|
| 259 |
-
| **Frasier** | Dr. Frasier Crane | Kelsey Grammer | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 260 |
-
| **From Dusk Till Dawn** | Santanico Pandemonium | Salma Hayek | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 261 |
-
| **Friends** | Ross Geller | David Schwimmer | ✅ **Usable** | High base model fidelity |
|
| 262 |
-
| **Friends** | Joey Tribbiani | Matt LeBlanc | ✅ **Usable** | High base model fidelity |
|
| 263 |
-
| **Friends** | Chandler Bing | Matthew Perry | ✅ **Usable** | High base model fidelity |
|
| 264 |
-
| **Friends** | Rachel Green | Jennifer Aniston | ✅ **Usable** | High base model fidelity |
|
| 265 |
-
| **Friends** | Monica Geller | Courteney Cox | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 266 |
-
| **Friends** | Phoebe Buffay | Lisa Kudrow | ✅ **Usable** | High base model fidelity |
|
| 267 |
-
| **Fringe** | Agent Olivia Dunham | Anna Torv | ✅ **Usable** | High base model fidelity |
|
| 268 |
-
| **Game of Thrones** | Tyrion Lannister | Peter Dinklage | ✅ **Usable** | High base model fidelity |
|
| 269 |
-
| **Game of Thrones** | Daenerys Targaryen | Emilia Clarke | ✅ **Usable** | High base model fidelity |
|
| 270 |
-
| **Game of Thrones** | Jon Snow | Kit Harington | ✅ **Usable** | High base model fidelity |
|
| 271 |
-
| **Game of Thrones** | Sansa Stark | Sophie Turner | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 272 |
-
| **Game of Thrones** | Jaime Lannister | Nikolaj Coster-Waldau | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 273 |
-
| **Game of Thrones** | Cersei Lannister | Lena Headey | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 274 |
-
| **Game of Thrones** | Arya Stark | Maisie Williams | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 275 |
-
| **Game of Thrones** | Ned Stark | Sean Bean | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 276 |
-
| **Game of Thrones** | Petyr Baelish | Aidan Gillen | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 277 |
-
| **Ghostbusters** | Dr. Peter Venkman | Bill Murray | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 278 |
-
| **Ghostbusters** | Dr. Raymond Stantz | Dan Aykroyd | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 279 |
-
| **Gladiator** | Maximus Decimus Meridius | Russell Crowe | ✅ **Usable** | High base model fidelity |
|
| 280 |
-
| **Gone Girl** | Amy Dunne | Rosamund Pike | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 281 |
-
| **Grey's Anatomy** | Meredith Grey | Ellen Pompeo | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 282 |
-
| **Halloween** | Laurie Strode | Jamie Lee Curtis | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 283 |
-
| **Harry Potter** | Harry Potter | Daniel Radcliffe | ✅ **Usable** | High base model fidelity |
|
| 284 |
-
| **Harry Potter** | Hermione Granger | Emma Watson | ✅ **Usable** | High base model fidelity |
|
| 285 |
-
| **Harry Potter** | Ron Weasley | Rupert Grint | ✅ **Usable** | High base model fidelity |
|
| 286 |
-
| **Harry Potter** | Rubeus Hagrid | Robbie Coltrane | ✅ **Usable** | High base model fidelity |
|
| 287 |
-
| **Harry Potter** | Lord Voldemort | Ralph Fiennes | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 288 |
-
| **Harry Potter** | Bellatrix Lestrange | Helena Bonham Carter | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 289 |
-
| **Harry Potter** | Severus Snape | Alan Rickman | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 290 |
-
| **Home Alone** | Kevin McCallister | Macaulay Culkin | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 291 |
-
| **Highlander** | Connor MacLeod | Christopher Lambert | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 292 |
-
| **Heroes** | Sylar | Zachary Quinto | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 293 |
-
| **Heroes** | Hiro Nakamura | Masi Oka | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 294 |
-
| **Hercules: The Legendary Journeys** | Hercules | Kevin Sorbo | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 295 |
-
| **Homeland** | Carrie Mathison | Claire Danes | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 296 |
-
| **Homeland** | Nicholas Brody | Damian Lewis | ✅ **Usable** | High base model fidelity |
|
| 297 |
-
| **Homeland** | Saul Berenson | Mandy Patinkin | ✅ **Usable** | High base model fidelity |
|
| 298 |
-
| **House M.D.** | Dr. Gregory House | Hugh Laurie | ✅ **Usable** | High base model fidelity |
|
| 299 |
-
| **House M.D.** | Dr. Lisa Cuddy | Lisa Edelstein | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 300 |
-
| **House M.D.** | Dr. James Wilson | Robert Sean Leonard | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 301 |
-
| **House of Cards** | Frank Underwood | Kevin Spacey | ✅ **Usable** | High base model fidelity |
|
| 302 |
-
| **House of Cards** | Claire Underwood | Robin Wright | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 303 |
-
| **How I Met Your Mother** | Barney Stinson | Neil Patrick Harris | ✅ **Usable** | High base model fidelity |
|
| 304 |
-
| **How I Met Your Mother** | Ted Mosby | Josh Radnor | ✅ **Usable** | Good base likeness |
|
| 305 |
-
| **Indiana Jones** | Indiana Jones | Harrison Ford | ✅ **Usable** | High base model fidelity |
|
| 306 |
-
| **Inglourious Basterds** | Hans Landa | Christoph Waltz | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 307 |
-
| **Ip Man** | Ip Man | Donnie Yen | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 308 |
-
| **It's Always Sunny in Philadelphia** | Dennis Reynolds | Glenn Howerton | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 309 |
-
| **It's Always Sunny in Philadelphia** | Charlie Kelly | Charlie Day | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 310 |
-
| **It's Always Sunny in Philadelphia** | Frank Reynolds | Danny DeVito | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 311 |
-
| **James Bond** | James Bond (Daniel Craig) | Daniel Craig | ✅ **Usable** | High base model fidelity |
|
| 312 |
-
| **James Bond** | James Bond (Sean Connery) | Sean Connery | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 313 |
-
| **James Bond** | James Bond (Timothy Dalton) | Timothy Dalton | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 314 |
-
| **James Bond** | James Bond (Pierce Brosnan) | Pierce Brosnan | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 315 |
-
| **Jay and Silent Bob** | Jay | Jason Mewes | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 316 |
-
| **Jay and Silent Bob** | Silent Bob | Kevin Smith | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 317 |
-
| **John Wick** | John Wick | Keanu Reeves | ✅ **Usable** | High base model fidelity |
|
| 318 |
-
| **Justified** | Raylan Givens | Timothy Olyphant | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 319 |
-
| **Kickboxer** | Kurt Sloane | Jean-Claude Van Damme | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 320 |
-
| **Kill Bill** | The Bride / Beatrix Kiddo | Uma Thurman | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 321 |
-
| **Kill Bill** | O-Ren Ishii | Lucy Liu | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 322 |
-
| **King of New York** | Frank White | Christopher Walken | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 323 |
-
| **Knight Rider** | Michael Knight | David Hasselhoff | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 324 |
-
| **Kojak** | Theo Kojak | Telly Savalas | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 325 |
-
| **L.A. Confidential** | Lynn Bracken | Kim Basinger | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 326 |
-
| **Lara Croft: Tomb Raider** | Lara Croft | Angelina Jolie | ✅ **Usable** | High base model fidelity |
|
| 327 |
-
| **Last Week Tonight** | John Oliver | John Oliver | ✅ **Usable** | High base model fidelity |
|
| 328 |
-
| **Lethal Weapon** | Martin Riggs | Mel Gibson | ✅ **Usable** | High base model fidelity |
|
| 329 |
-
| **Lord of the Rings** | Gandalf | Ian McKellen | ✅ **Usable** | High base model fidelity |
|
| 330 |
-
| **Lord of the Rings** | Aragorn | Viggo Mortensen | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 331 |
-
| **Lord of the Rings** | Frodo Baggins | Elijah Wood | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 332 |
-
| **Lord of the Rings** | Bilbo Baggins | Ian Holm | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 333 |
-
| **Lost** | Jack Shephard | Matthew Fox | ✅ **Usable** | High base model fidelity |
|
| 334 |
-
| **Lost** | John Locke | Terry O'Quinn | ✅ **Usable** | High base model fidelity |
|
| 335 |
-
| **Lost** | James "Sawyer" Ford | Josh Holloway | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 336 |
-
| **Lost** | Kate Austen | Evangeline Lilly | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 337 |
-
| **Lucifer** | Lucifer Morningstar | Tom Ellis | ✅ **Usable** | Good base likeness |
|
| 338 |
-
| **Lucifer** | Chloe Decker | Lauren German | ✅ **Usable** | Good base likeness |
|
| 339 |
-
| **M*A*S*H** | Hawkeye Pierce | Alan Alda | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 340 |
-
| **Mad Max** | Max Rockatansky | Mel Gibson | ✅ **Usable** | High base model fidelity |
|
| 341 |
-
| **Mad Men** | Don Draper | Jon Hamm | ✅ **Usable** | High base model fidelity |
|
| 342 |
-
| **Mad Men** | Peggy Olson | Elisabeth Moss | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 343 |
-
| **Mad Men** | Joan Holloway | Christina Hendricks | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 344 |
-
| **Magnum, P.I.** | Thomas Magnum | Tom Selleck | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 345 |
-
| **Malèna** | Malèna Scordia | Monica Bellucci | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 346 |
-
| **Maleficent** | Maleficent | Angelina Jolie | ✅ **Usable** | High base model fidelity |
|
| 347 |
-
| **Married... with Children** | Al Bundy | Ed O'Neill | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 348 |
-
| **Married... with Children** | Peggy Bundy | Katey Sagal | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 349 |
-
| **Marvel's Avengers** | Tony Stark / Iron Man | Robert Downey Jr. | ✅ **Usable** | High base model fidelity |
|
| 350 |
-
| **Marvel's Avengers** | Steve Rogers / Captain America | Chris Evans | ✅ **Usable** | High base model fidelity |
|
| 351 |
-
| **Marvel's Avengers** | Thor | Chris Hemsworth | ✅ **Usable** | High base model fidelity |
|
| 352 |
-
| **Marvel's Avengers** | Natasha Romanoff / Black Widow | Scarlett Johansson | ✅ **Usable** | High base model fidelity |
|
| 353 |
-
| **Marvel's Avengers** | Wanda Maximoff / Scarlet Witch | Elizabeth Olsen | ✅ **Usable** | High base model fidelity |
|
| 354 |
-
| **Marvel's Avengers** | Nick Fury | Samuel L. Jackson | ✅ **Usable** | High base model fidelity |
|
| 355 |
-
| **Marvel's Avengers** | Loki | Tom Hiddleston | ✅ **Usable** | High base model fidelity |
|
| 356 |
-
| **Marvel's Avengers** | Doctor Strange | Benedict Cumberbatch | ✅ **Usable** | High base model fidelity |
|
| 357 |
-
| **Marvel's Avengers** | Deadpool | Ryan Reynolds | ✅ **Usable** | High base model fidelity |
|
| 358 |
-
| **Marvel's Avengers** | Wolverine | Hugh Jackman | ✅ **Usable** | High base model fidelity |
|
| 359 |
-
| **Marvel's Avengers** | Thanos | Josh Brolin | ✅ **Usable** | High base model fidelity |
|
| 360 |
-
| **Marvel's Avengers** | Bruce Banner | Mark Ruffalo | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 361 |
-
| **Marvel's Avengers** | Star-Lord / Peter Quill | Chris Pratt | ⚠️ **Inconclusive** | Good face likeness, but voice is inaccurate |
|
| 362 |
-
| **Marvel's Spider-Man** | Peter Parker / Spider-Man | Tom Holland | ❌ **Not Usable** | Hit or miss / inadequate without LoRA |
|
| 363 |
-
| **Men in Black** | Agent K | Tommy Lee Jones | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 364 |
-
| **Millennium** | Frank Black | Lance Henriksen | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 365 |
-
| **Mission: Impossible** | Ethan Hunt | Tom Cruise | ✅ **Usable** | High base model fidelity |
|
| 366 |
-
| **Monk** | Adrian Monk | Tony Shalhoub | ✅ **Usable** | Only Monk character usable without LoRA |
|
| 367 |
-
| **Monk** | Sharona Fleming | Bitty Schram | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 368 |
-
| **Monk** | Captain Leland Stottlemeyer | Ted Levine | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 369 |
-
| **Monk** | Lieutenant Randy Disher | Jason Gray-Stanford | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 370 |
-
| **Monk** | Natalie Teeger | Traylor Howard | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 371 |
-
| **Monty Python** | King Arthur | Graham Chapman | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 372 |
-
| **Monty Python** | Sir Lancelot | John Cleese | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 373 |
-
| **Mr. Bean** | Mr. Bean | Rowan Atkinson | ✅ **Usable** | High base model fidelity |
|
| 374 |
-
| **Mr. Robot** | Elliot Alderson | Rami Malek | ✅ **Usable** | High base model fidelity |
|
| 375 |
-
| **Mr. Robot** | Darlene Alderson | Carly Chaikin | ✅ **Usable** | Good base likeness |
|
| 376 |
-
| **Narcos** | Javier Peña | Pedro Pascal | ✅ **Usable** | High base model fidelity |
|
| 377 |
-
| **Narcos** | Pablo Escobar | Wagner Moura | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 378 |
-
| **Mr. & Mrs. Smith** | Jane Smith | Angelina Jolie | ✅ **Usable** | High base model fidelity |
|
| 379 |
-
| **NCIS** | Special Agent Leroy Jethro Gibbs | Mark Harmon | ✅ **Usable** | High base model fidelity |
|
| 380 |
-
| **NCIS** | Anthony DiNozzo | Michael Weatherly | ✅ **Usable** | High base model fidelity |
|
| 381 |
-
| **NCIS** | Ziva David | Cote de Pablo | ✅ **Usable** | High base model fidelity |
|
| 382 |
-
| **NCIS** | Abby Sciuto | Pauley Perrette | ✅ **Usable** | High base model fidelity |
|
| 383 |
-
| **Northern Exposure** | Dr. Joel Fleischman | Rob Morrow | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 384 |
-
| **One Flew Over the Cuckoo's Nest** | Nurse Ratched | Louise Fletcher | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 385 |
-
| **Ozark** | Marty Byrde | Jason Bateman | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 386 |
-
| **Parks and Recreation** | Leslie Knope | Amy Poehler | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 387 |
-
| **Parks and Recreation** | Ron Swanson | Nick Offerman | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 388 |
-
| **Parks and Recreation** | April Ludgate | Aubrey Plaza | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 389 |
-
| **Peaky Blinders** | Tommy Shelby | Cillian Murphy | ✅ **Usable** | High base model fidelity |
|
| 390 |
-
| **Penny Dreadful** | Vanessa Ives | Eva Green | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 391 |
-
| **Person of Interest** | John Reese | Jim Caviezel | ✅ **Usable** | High base model fidelity |
|
| 392 |
-
| **Person of Interest** | Harold Finch | Michael Emerson | ✅ **Usable** | High base model fidelity |
|
| 393 |
-
| **Pink Panther** | Inspector Jacques Clouseau | Peter Sellers | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 394 |
-
| **Pirates of the Caribbean** | Captain Jack Sparrow | Johnny Depp | ✅ **Usable** | High base model fidelity |
|
| 395 |
-
| **Pirates of the Caribbean** | Elizabeth Swann | Keira Knightley | ✅ **Usable** | High base model fidelity |
|
| 396 |
-
| **Pirates of the Caribbean** | Angelica Teach | Penélope Cruz | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 397 |
-
| **Police Academy** | Carey Mahoney | Steve Guttenberg | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 398 |
-
| **Prison Break** | Michael Scofield | Wentworth Miller | ✅ **Usable** | High base model fidelity |
|
| 399 |
-
| **Prison Break** | Lincoln Burrows | Dominic Purcell | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 400 |
-
| **Prison Break** | Theodore "T-Bag" Bagwell | Robert Knepper | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 401 |
-
| **Psych** | Shawn Spencer | James Roday Rodriguez | ❌ **Not Usable** | Entire show Not Usable without LoRA |
|
| 402 |
-
| **Psycho** | Norman Bates | Anthony Perkins | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 403 |
-
| **Pulp Fiction** | Jules Winnfield | Samuel L. Jackson | ✅ **Usable** | High base model fidelity |
|
| 404 |
-
| **Pulp Fiction** | Mia Wallace | Uma Thurman | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 405 |
-
| **Rambo** | John Rambo | Sylvester Stallone | ✅ **Usable** | High base model fidelity |
|
| 406 |
-
| **Reacher** | Jack Reacher | Alan Ritchson | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 407 |
-
| **Remington Steele** | Remington Steele | Pierce Brosnan | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 408 |
-
| **Rescue Me** | Tommy Gavin | Denis Leary | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 409 |
-
| **Resident Evil** | Alice | Milla Jovovich | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 410 |
-
| **Rich Man, Poor Man** | Tom Jordache | Nick Nolte | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 411 |
-
| **Rick and Morty** | Rick Sanchez | Justin Roiland (voice) | ✅ **Usable** | High base model fidelity |
|
| 412 |
-
| **Rick and Morty** | Morty Smith | Justin Roiland (voice) | ✅ **Usable** | High base model fidelity |
|
| 413 |
-
| **Rick and Morty** | Summer Smith | Spencer Grammer (voice) | ✅ **Usable** | Good base likeness |
|
| 414 |
-
| **Rick and Morty** | Beth Smith | Sarah Chalke (voice) | ✅ **Usable** | Good base likeness |
|
| 415 |
-
| **Rick and Morty** | Jerry Smith | Chris Parnell (voice) | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 416 |
-
| **RoboCop** | RoboCop / Alex Murphy | Peter Weller | ✅ **Usable** | High base model fidelity |
|
| 417 |
-
| **Saw** | John Kramer | Tobin Bell | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 418 |
-
| **Scarface** | Tony Montana | Al Pacino | ✅ **Usable** | High base model fidelity |
|
| 419 |
-
| **Scary Movie** | Cindy Campbell | Anna Faris | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 420 |
-
| **Scrubs** | Dr. John "J.D." Dorian | Zach Braff | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 421 |
-
| **Seinfeld** | Jerry Seinfeld | Jerry Seinfeld | ✅ **Usable** | High base model fidelity |
|
| 422 |
-
| **Seinfeld** | George Costanza | Jason Alexander | ✅ **Usable** | High base model fidelity |
|
| 423 |
-
| **Seinfeld** | Elaine Benes | Julia Louis-Dreyfus | ✅ **Usable** | High base model fidelity |
|
| 424 |
-
| **Seinfeld** | Cosmo Kramer | Michael Richards | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 425 |
-
| **Sex and the City** | Carrie Bradshaw | Sarah Jessica Parker | ✅ **Usable** | High base model fidelity |
|
| 426 |
-
| **Sex and the City** | Samantha Jones | Kim Cattrall | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 427 |
-
| **Sex and the City** | Charlotte York | Kristin Davis | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 428 |
-
| **Sex and the City** | Miranda Hobbes | Cynthia Nixon | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 429 |
-
| **Sherlock (BBC)** | Sherlock Holmes | Benedict Cumberbatch | ✅ **Usable** | High base model fidelity |
|
| 430 |
-
| **Sherlock (BBC)** | Dr. John Watson | Martin Freeman | ✅ **Usable** | High base model fidelity |
|
| 431 |
-
| **Silicon Valley** | Dinesh Chugtai | Kumail Nanjiani | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 432 |
-
| **Silicon Valley** | Richard Hendricks | Thomas Middleditch | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 433 |
-
| **Silicon Valley** | Erlich Bachman | T.J. Miller | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 434 |
-
| **Smallville** | Clark Kent | Tom Welling | ✅ **Usable** | High base model fidelity |
|
| 435 |
-
| **Smallville** | Lex Luthor | Michael Rosenbaum | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 436 |
-
| **Sons of Anarchy** | Jax Teller | Charlie Hunnam | ✅ **Usable** | High base model fidelity |
|
| 437 |
-
| **Sons of Anarchy** | Clay Morrow | Ron Perlman | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 438 |
-
| **Some Like It Hot** | Sugar "Kane" Kowalczyk | Marilyn Monroe | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 439 |
-
| **South Park** | Eric Cartman | Trey Parker (voice) | ✅ **Usable** | High base model fidelity |
|
| 440 |
-
| **South Park** | Stan Marsh | Trey Parker (voice) | ✅ **Usable** | High base model fidelity |
|
| 441 |
-
| **South Park** | Kyle Broflovski | Matt Stone (voice) | ✅ **Usable** | High base model fidelity |
|
| 442 |
-
| **South Park** | Kenny McCormick | Matt Stone (voice) | ✅ **Usable** | High base model fidelity |
|
| 443 |
-
| **South Park** | Randy Marsh | Trey Parker (voice) | ✅ **Usable** | High base model fidelity |
|
| 444 |
-
| **Star Trek: DS9** | Captain Benjamin Sisko | Avery Brooks | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 445 |
-
| **Star Trek: TNG** | Captain Jean-Luc Picard | Patrick Stewart | ✅ **Usable** | High base model fidelity |
|
| 446 |
-
| **Star Trek: TNG** | Data | Brent Spiner | ✅ **Usable** | High base model fidelity |
|
| 447 |
-
| **Star Trek: TNG** | Commander William Riker | Jonathan Frakes | ✅ **Usable** | High base model fidelity |
|
| 448 |
-
| **Star Trek: TNG** | Geordi La Forge | LeVar Burton | ✅ **Usable** | High base model fidelity |
|
| 449 |
-
| **Star Trek: TNG** | Worf | Michael Dorn | ✅ **Usable** | High base model fidelity |
|
| 450 |
-
| **Star Trek: TNG** | Counselor Deanna Troi | Marina Sirtis | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 451 |
-
| **Star Trek: TNG** | Dr. Beverly Crusher | Gates McFadden | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 452 |
-
| **Star Trek: TNG** | Q | John de Lancie | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 453 |
-
| **Star Trek: TNG** | Wesley Crusher | Wil Wheaton | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 454 |
-
| **Star Trek: TOS** | Spock | Leonard Nimoy | ✅ **Usable** | High base model fidelity |
|
| 455 |
-
| **Star Trek: TOS** | Captain James T. Kirk | William Shatner | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 456 |
-
| **Star Trek: TOS** | Dr. Leonard "Bones" McCoy | DeForest Kelley | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 457 |
-
| **Star Wars** | Darth Vader | James Earl Jones (voice) | ✅ **Usable** | High base model fidelity |
|
| 458 |
-
| **Star Wars** | Han Solo | Harrison Ford | ✅ **Usable** | High base model fidelity |
|
| 459 |
-
| **Star Wars** | Kylo Ren / Ben Solo | Adam Driver | ✅ **Usable** | High base model fidelity |
|
| 460 |
-
| **Star Wars** | Luke Skywalker | Mark Hamill | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 461 |
-
| **Actors / Real People** | Adam Driver | Adam Driver | ✅ **Usable** | High base model fidelity |
|
| 462 |
-
| **Stargate Atlantis** | Lt. Colonel John Sheppard | Joe Flanigan | ✅ **Usable** | High base model fidelity |
|
| 463 |
-
| **Stargate Atlantis** | Dr. Rodney McKay | David Hewlett | ✅ **Usable** | High base model fidelity |
|
| 464 |
-
| **Stargate Atlantis** | Teyla Emmagan | Rachel Luttrell | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 465 |
-
| **Stargate Atlantis** | Ronon Dex | Jason Momoa | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 466 |
-
| **Stargate Atlantis** | Dr. Elizabeth Weir | Torri Higginson | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 467 |
-
| **Stargate SG-1** | Teal'c | Christopher Judge | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 468 |
-
| **Stargate SG-1** | Colonel Jack O'Neill | Richard Dean Anderson | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 469 |
-
| **Stargate SG-1** | Major Samantha Carter | Amanda Tapping | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 470 |
-
| **Stargate SG-1** | Dr. Daniel Jackson | Michael Shanks | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 471 |
-
| **Striptease** | Erin Grant | Demi Moore | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 472 |
-
| **Suicide Squad** | Harley Quinn | Margot Robbie | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 473 |
-
| **Supernatural** | Dean Winchester | Jensen Ackles | ✅ **Usable** | High base model fidelity |
|
| 474 |
-
| **Supernatural** | Sam Winchester | Jared Padalecki | ✅ **Usable** | High base model fidelity |
|
| 475 |
-
| **Supernatural** | Castiel | Misha Collins | ✅ **Usable** | High base model fidelity |
|
| 476 |
-
| **Supernatural** | Bobby Singer | Jim Beaver | ✅ **Usable** | High base model fidelity |
|
| 477 |
-
| **Superman** | Superman | Christopher Reeve | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 478 |
-
| **Taken** | Bryan Mills | Liam Neeson | ✅ **Usable** | High base model fidelity |
|
| 479 |
-
| **Taxi Driver** | Travis Bickle | Robert De Niro | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 480 |
-
| **Terminator 2** | The Terminator (T-800) | Arnold Schwarzenegger | ✅ **Usable** | High base model fidelity |
|
| 481 |
-
| **Terminator 2** | Sarah Connor | Linda Hamilton | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 482 |
-
| **The Big Bang Theory** | Sheldon Cooper | Jim Parsons | ✅ **Usable** | High base model fidelity |
|
| 483 |
-
| **The Big Bang Theory** | Leonard Hofstadter | Johnny Galecki | ✅ **Usable** | High base model fidelity |
|
| 484 |
-
| **The Big Bang Theory** | Penny | Kaley Cuoco | ✅ **Usable** | High base model fidelity |
|
| 485 |
-
| **The Big Bang Theory** | Howard Wolowitz | Simon Helberg | ✅ **Usable** | High base model fidelity |
|
| 486 |
-
| **The Big Bang Theory** | Raj Koothrappali | Kunal Nayyar | ✅ **Usable** | High base model fidelity |
|
| 487 |
-
| **The Big Bang Theory** | Amy Farrah Fowler | Mayim Bialik | ✅ **Usable** | High base model fidelity |
|
| 488 |
-
| **The Big Bang Theory** | Bernadette Rostenkowski | Melissa Rauch | ✅ **Usable** | High base model fidelity |
|
| 489 |
-
| **The Blacklist** | Raymond "Red" Reddington | James Spader | ✅ **Usable** | High base model fidelity |
|
| 490 |
-
| **The Boys** | Homelander | Antony Starr | ✅ **Usable** | High base model fidelity |
|
| 491 |
-
| **The Boys** | Billy Butcher | Karl Urban | ✅ **Usable** | High base model fidelity |
|
| 492 |
-
| **The Boys** | Hughie Campbell | Jack Quaid | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 493 |
-
| **The Boys** | Starlight | Erin Moriarty | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 494 |
-
| **The Boys** | A-Train | Jessie T. Usher | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 495 |
-
| **The Boys** | Frenchie | Tomer Capone | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 496 |
-
| **The Boys** | Mother's Milk | Laz Alonso | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 497 |
-
| **The Chronicles of Riddick** | Richard B. Riddick | Vin Diesel | ✅ **Usable** | High base model fidelity |
|
| 498 |
-
| **The Cosby Show** | Dr. Cliff Huxtable | Bill Cosby | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 499 |
-
| **The Dark Knight** | Bruce Wayne / Batman | Christian Bale | ✅ **Usable** | High base model fidelity |
|
| 500 |
-
| **The Dark Knight** | The Joker | Heath Ledger | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 501 |
-
| **The Devil Wears Prada** | Miranda Priestly | Meryl Streep | ✅ **Usable** | High base model fidelity |
|
| 502 |
-
| **The Expanse** | James Holden | Steven Strait | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 503 |
-
| **The Fifth Element** | Leeloo | Milla Jovovich | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 504 |
-
| **The Fresh Prince of Bel-Air** | Will Smith | Will Smith | ✅ **Usable** | High base model fidelity |
|
| 505 |
-
| **The Godfather** | Michael Corleone | Al Pacino | ✅ **Usable** | High base model fidelity |
|
| 506 |
-
| **The Godfather** | Don Vito Corleone | Marlon Brando | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 507 |
-
| **The Hangover** | Phil Wenneck | Bradley Cooper | ✅ **Usable** | High base model fidelity |
|
| 508 |
-
| **The Hangover** | Alan Garner | Zach Galifianakis | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 509 |
-
| **The Hunger Games** | Katniss Everdeen | Jennifer Lawrence | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 510 |
-
| **The Last of the Mohicans** | Hawkeye / Nathaniel Poe | Daniel Day-Lewis | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 511 |
-
| **The Matrix** | Neo / Thomas Anderson | Keanu Reeves | ✅ **Usable** | High base model fidelity |
|
| 512 |
-
| **The Matrix** | Agent Smith | Hugo Weaving | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 513 |
-
| **The Matrix** | Trinity | Carrie-Anne Moss | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 514 |
-
| **The Mask of Zorro** | Elena Montero | Catherine Zeta-Jones | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 515 |
-
| **The Mentalist** | Patrick Jane | Simon Baker | ✅ **Usable** | High base model fidelity |
|
| 516 |
-
| **The Mummy** | Rick O'Connell | Brendan Fraser | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 517 |
-
| **The Mummy** | Evelyn Carnahan | Rachel Weisz | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 518 |
-
| **The Naked Gun** | Lieutenant Frank Drebin | Leslie Nielsen | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 519 |
-
| **The Nanny** | Fran Fine | Fran Drescher | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 520 |
-
| **The Office** | Michael Scott | Steve Carell | ✅ **Usable** | High base model fidelity |
|
| 521 |
-
| **The Office** | Dwight Schrute | Rainn Wilson | ✅ **Usable** | High base model fidelity |
|
| 522 |
-
| **The Office** | Jim Halpert | John Krasinski | ✅ **Usable** | High base model fidelity |
|
| 523 |
-
| **The Office** | Pam Beesly | Jenna Fischer | ✅ **Usable** | High base model fidelity |
|
| 524 |
-
| **The Office** | Andy Bernard | Ed Helms | ✅ **Usable** | High base model fidelity |
|
| 525 |
-
| **The Office** | Stanley Hudson | Leslie David Baker | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 526 |
-
| **The Office** | Ryan Howard | B.J. Novak | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 527 |
-
| **The Office** | Jan Levinson | Melora Hardin | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 528 |
-
| **The Office** | Angela Martin | Angela Kinsey | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 529 |
-
| **The Pink Panther** | Inspector Jacques Clouseau | Peter Sellers | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 530 |
-
| **The Punisher** | Frank Castle / The Punisher | Jon Bernthal | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 531 |
-
| **The Rookie** | Officer John Nolan | Nathan Fillion | ✅ **Usable** | High base model fidelity |
|
| 532 |
-
| **The Rookie** | Detective Angela Lopez | Alyssa Diaz | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 533 |
-
| **The Scorpion King** | Mathayus | Dwayne Johnson | ✅ **Usable** | High base model fidelity |
|
| 534 |
-
| **The Shield** | Vic Mackey | Michael Chiklis | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 535 |
-
| **The Silence of the Lambs** | Dr. Hannibal Lecter | Anthony Hopkins | ✅ **Usable** | High base model fidelity |
|
| 536 |
-
| **The Silence of the Lambs** | Clarice Starling | Jodie Foster | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 537 |
-
| **The Sopranos** | Tony Soprano | James Gandolfini | ✅ **Usable** | High base model fidelity |
|
| 538 |
-
| **The Sopranos** | Silvio Dante | Steven Van Zandt | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 539 |
-
| **The Sopranos** | Paulie Gualtieri | Tony Sirico | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 540 |
-
| **The Thick of It** | Malcolm Tucker | Peter Capaldi | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 541 |
-
| **The Transporter** | Frank Martin | Jason Statham | ✅ **Usable** | High base model fidelity |
|
| 542 |
-
| **The Walking Dead** | Rick Grimes | Andrew Lincoln | ✅ **Usable** | High base model fidelity |
|
| 543 |
-
| **The Walking Dead** | Negan | Jeffrey Dean Morgan | ✅ **Usable** | High base model fidelity |
|
| 544 |
-
| **The Walking Dead** | Daryl Dixon | Norman Reedus | ✅ **Usable** | High base model fidelity |
|
| 545 |
-
| **The Walking Dead** | Michonne | Danai Gurira | ✅ **Usable** | High base model fidelity |
|
| 546 |
-
| **The Walking Dead** | Glenn Rhee | Steven Yeun | ✅ **Usable** | High base model fidelity |
|
| 547 |
-
| **The Walking Dead** | Carol Peletier | Melissa McBride | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 548 |
-
| **The West Wing** | President Jed Bartlet | Martin Sheen | ✅ **Usable** | High base model fidelity |
|
| 549 |
-
| **The West Wing** | Josh Lyman | Bradley Whitford | ✅ **Usable** | High base model fidelity |
|
| 550 |
-
| **The West Wing** | C.J. Cregg | Allison Janney | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 551 |
-
| **The Witcher** | Geralt of Rivia | Henry Cavill | ✅ **Usable** | High base model fidelity |
|
| 552 |
-
| **The Wire** | Omar Little | Michael K. Williams | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 553 |
-
| **The Wire** | Jimmy McNulty | Dominic West | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 554 |
-
| **The X-Files** | Fox Mulder | David Duchovny | ✅ **Usable** | High base model fidelity |
|
| 555 |
-
| **The X-Files** | Dana Scully | Gillian Anderson | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 556 |
-
| **Thor: Ragnarok** | Hela | Cate Blanchett | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 557 |
-
| **Torchwood** | Captain Jack Harkness | John Barrowman | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 558 |
-
| **Transformers** | Sam Witwicky | Shia LaBeouf | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 559 |
-
| **Tremors** | Valentine McKee | Kevin Bacon | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 560 |
-
| **True Detective** | Rust Cohle | Matthew McConaughey | ✅ **Usable** | High base model fidelity |
|
| 561 |
-
| **Twilight** | Edward Cullen | Robert Pattinson | ✅ **Usable** | High base model fidelity |
|
| 562 |
-
| **Twilight** | Bella Swan | Kristen Stewart | ✅ **Usable** | High base model fidelity |
|
| 563 |
-
| **Twin Peaks** | Agent Dale Cooper | Kyle MacLachlan | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 564 |
-
| **Two and a Half Men** | Charlie Harper | Charlie Sheen | ✅ **Usable** | High base model fidelity |
|
| 565 |
-
| **Two and a Half Men** | Alan Harper | Jon Cryer | ✅ **Usable** | High base model fidelity |
|
| 566 |
-
| **Two and a Half Men** | Jake Harper | Angus T. Jones | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 567 |
-
| **Underworld** | Selene | Kate Beckinsale | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 568 |
-
| **Universal Soldier** | Luc Deveraux | Jean-Claude Van Damme | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 569 |
-
| **Veronica Mars** | Veronica Mars | Kristen Bell | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 570 |
-
| **Vikings** | Ragnar Lothbrok | Travis Fimmel | ✅ **Usable** | High base model fidelity |
|
| 571 |
-
| **Vikings** | Lagertha | Katheryn Winnick | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 572 |
-
| **Vikings** | Floki | Gustaf Skarsgård | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 573 |
-
| **Vikings** | Bjorn Ironside | Alexander Ludwig | ✅ **Usable** | High base model fidelity |
|
| 574 |
-
| **Vikings** | Ivar the Boneless | Alex Høgh Andersen | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 575 |
-
| **Wednesday** | Wednesday Addams | Jenna Ortega | ✅ **Usable** | High base model fidelity |
|
| 576 |
-
| **Weeds** | Nancy Botwin | Mary-Louise Parker | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 577 |
-
| **Walker, Texas Ranger** | Cordell Walker | Chuck Norris | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 578 |
-
| **Xena: Warrior Princess** | Xena | Lucy Lawless | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 579 |
-
| **Wonder Woman** | Diana Prince / Wonder Woman | Gal Gadot | ✅ **Usable** | High base model fidelity |
|
| 580 |
-
|
| 581 |
-
---
|
| 582 |
-
|
| 583 |
-
## Quick Reference: Strictly Excluded (Not Usable) List
|
| 584 |
-
|
| 585 |
-
1. **Alias**: Sydney Bristow *(Entire show not usable)*
|
| 586 |
-
2. **Alien**: Ellen Ripley *(Entire show not usable)*
|
| 587 |
-
3. **Ally McBeal**: Ally McBeal, Richard Fish *(Entire show not usable)*
|
| 588 |
-
4. **American Pie**: Jim Levenstein *(Entire show not usable)*
|
| 589 |
-
5. **Anaconda**: Terri Flores *(Entire show not usable)*
|
| 590 |
-
6. **Aquaman**: Arthur Curry / Aquaman *(Entire show not usable)*
|
| 591 |
-
7. **Arrested Development**: Michael Bluth, Gob Bluth *(Entire show not usable)*
|
| 592 |
-
6. **Arrow**: Oliver Queen / Green Arrow *(Entire show not usable)*
|
| 593 |
-
7. **Asmongold**: Asmongold *(Not usable)*
|
| 594 |
-
8. **Austin Powers**: Austin Powers *(Entire show not usable)*
|
| 595 |
-
8. **Babylon 5**: Captain John Sheridan *(Entire show not usable)*
|
| 596 |
-
9. **Band of Brothers**: Major Richard Winters *(Entire show not usable)*
|
| 597 |
-
10. **Banshee**: Lucas Hood *(Entire show not usable)*
|
| 598 |
-
11. **Basic Instinct**: Catherine Tramell *(Entire show not usable)*
|
| 599 |
-
12. **Baywatch**: Mitch Buchannon, C.J. Parker *(Entire show not usable)*
|
| 600 |
-
15. **Blade**: Blade / Eric Brooks *(Entire show not usable)*
|
| 601 |
-
16. **Boardwalk Empire**: Enoch "Nucky" Thompson *(Entire show not usable)*
|
| 602 |
-
17. **Breaking Bad / Better Call Saul**: Gustavo Fring, Hank Schrader, Mike Ehrmantraut, Kim Wexler *(Walter White, Jesse Pinkman, Saul Goodman remain usable)*
|
| 603 |
-
18. **Bring It On**: Torrance Shipman, Missy Pantone *(Entire show not usable)*
|
| 604 |
-
19. **Californication**: Karen van der Beek *(Hank Moody remains usable)*
|
| 605 |
-
16. **Cheers**: Sam "Mayday" Malone *(Entire show not usable)*
|
| 606 |
-
17. **Columbo**: Lieutenant Columbo *(Entire show not usable)*
|
| 607 |
-
18. **Community**: Abed Nadir, Troy Barnes, Jeff Winger *(Entire show not usable)*
|
| 608 |
-
19. **CSI: Las Vegas**: Gil Grissom *(Entire show not usable)*
|
| 609 |
-
20. **CSI: Miami**: Horatio Caine *(Entire show not usable)*
|
| 610 |
-
21. **Dallas**: J.R. Ewing *(Entire show not usable)*
|
| 611 |
-
22. **Deadwood**: Al Swearengen *(Entire show not usable)*
|
| 612 |
-
23. **Death Wish**: Paul Kersey *(Entire show not usable)*
|
| 613 |
-
24. **Desperado**: El Mariachi *(Entire show not usable)*
|
| 614 |
-
25. **Desperate Housewives**: Susan Mayer, Lynette Scavo, Bree Van de Kamp, Gabrielle Solis *(Entire show not usable)*
|
| 615 |
-
26. **Dexter**: Debra Morgan, Angel Batista, Vince Masuka *(Only Dexter Morgan is usable)*
|
| 616 |
-
27. **Doctor Who**: Amy Pond *(Tenth Doctor, Rose Tyler, Eleventh Doctor, Twelfth Doctor, Clara Oswald remain usable)*
|
| 617 |
-
28. **Entourage**: Ari Gold *(Entire show not usable)*
|
| 618 |
-
29. **ER**: Dr. John Carter / Noah Wyle *(Dr. Doug Ross / George Clooney remains usable)*
|
| 619 |
-
30. **Euphoria**: Rue Bennett / Zendaya *(Entire show not usable)*
|
| 620 |
-
31. **Eureka**: Sheriff Jack Carter *(Entire show not usable)*
|
| 621 |
-
32. **Evil Dead**: Ash Williams *(Entire show not usable)*
|
| 622 |
-
33. **Farscape**: John Crichton *(Entire show not usable)*
|
| 623 |
-
34. **Fawlty Towers**: Basil Fawlty *(Entire show not usable)*
|
| 624 |
-
35. **Ferris Bueller's Day Off**: Ferris Bueller *(Entire show not usable)*
|
| 625 |
-
36. **Fifty Shades of Grey**: Anastasia Steele *(Entire show not usable)*
|
| 626 |
-
37. **Firefly**: Zoe Washburne, Hoban Washburne, Jayne Cobb, Inara Serra *(Only Malcolm Reynolds is usable)*
|
| 627 |
-
38. **Frasier**: Dr. Frasier Crane *(Entire show not usable)*
|
| 628 |
-
39. **Friends**: Monica Geller *(Ross, Joey, Chandler, Rachel, Phoebe remain usable)*
|
| 629 |
-
40. **Fringe**: Agent Olivia Dunham *(Entire show not usable)*
|
| 630 |
-
41. **Game of Thrones**: Sansa Stark, Jaime Lannister, Cersei Lannister, Arya Stark, Ned Stark, Petyr Baelish *(Tyrion Lannister, Daenerys Targaryen, Jon Snow remain usable)*
|
| 631 |
-
41. **Ghostbusters**: Dr. Peter Venkman, Dr. Raymond Stantz *(Entire show not usable)*
|
| 632 |
-
42. **Gone Girl**: Amy Dunne *(Entire show not usable)*
|
| 633 |
-
43. **Grey's Anatomy**: Meredith Grey *(Entire show not usable)*
|
| 634 |
-
44. **Halloween**: Laurie Strode *(Entire show not usable)*
|
| 635 |
-
45. **Harry Potter**: Lord Voldemort, Bellatrix Lestrange, Severus Snape *(Harry Potter, Hermione Granger, Ron Weasley, Rubeus Hagrid remain usable)*
|
| 636 |
-
46. **Hercules: The Legendary Journeys**: Hercules *(Entire show not usable)*
|
| 637 |
-
47. **Heroes**: Sylar, Hiro Nakamura *(Entire show not usable)*
|
| 638 |
-
48. **Highlander**: Connor MacLeod *(Entire show not usable)*
|
| 639 |
-
49. **Home Alone**: Kevin McCallister *(Entire show not usable)*
|
| 640 |
-
49. **House M.D.**: Dr. Lisa Cuddy, Dr. James Wilson *(Gregory House remains usable)*
|
| 641 |
-
50. **House of Cards**: Claire Underwood *(Frank Underwood remains usable)*
|
| 642 |
-
51. **Ip Man**: Ip Man *(Entire show not usable)*
|
| 643 |
-
52. **It's Always Sunny in Philadelphia**: Dennis Reynolds, Charlie Kelly, Frank Reynolds *(Entire show not usable)*
|
| 644 |
-
53. **James Bond**: Sean Connery, Timothy Dalton, Pierce Brosnan *(Only Daniel Craig is usable - always explicitly name Daniel Craig)*
|
| 645 |
-
54. **Jay and Silent Bob**: Jay, Silent Bob *(Entire show not usable)*
|
| 646 |
-
55. **Justified**: Raylan Givens *(Entire show not usable)*
|
| 647 |
-
56. **Kickboxer**: Kurt Sloane *(Entire show not usable)*
|
| 648 |
-
57. **Kill Bill**: The Bride / Beatrix Kiddo, O-Ren Ishii *(Entire show not usable)*
|
| 649 |
-
58. **King of New York**: Frank White *(Entire show not usable)*
|
| 650 |
-
59. **Knight Rider**: Michael Knight *(Entire show not usable)*
|
| 651 |
-
60. **Kojak**: Lieutenant Theo Kojak *(Entire show not usable)*
|
| 652 |
-
61. **Lara Croft: Tomb Raider**: Lara Croft *(Entire show not usable)*
|
| 653 |
-
62. **Lord of the Rings**: Aragorn, Frodo Baggins, Bilbo Baggins *(Gandalf remains usable)*
|
| 654 |
-
63. **Lost**: James "Sawyer" Ford, Kate Austen *(Jack Shephard, John Locke remain usable)*
|
| 655 |
-
64. **M*A*S*H**: Hawkeye Pierce *(Entire show not usable)*
|
| 656 |
-
65. **Mad Men**: Peggy Olson, Joan Holloway *(Don Draper remains usable)*
|
| 657 |
-
66. **Magnum, P.I.**: Thomas Magnum *(Entire show not usable)*
|
| 658 |
-
67. **Married... with Children**: Al Bundy, Peggy Bundy *(Entire show not usable)*
|
| 659 |
-
68. **Marvel's Avengers**: Bruce Banner *(Tony Stark, Steve Rogers, Thor, Black Widow, Scarlet Witch, Nick Fury, Loki, Doctor Strange, Deadpool, Wolverine, Thanos remain usable)*
|
| 660 |
-
69. **Marvel's Daredevil**: Matt Murdock / Daredevil *(Not usable)*
|
| 661 |
-
70. **Marvel's Spider-Man**: Peter Parker / Spider-Man *(Not usable)*
|
| 662 |
-
70. **Men in Black**: Agent K *(Entire show not usable)*
|
| 663 |
-
71. **Millennium**: Frank Black *(Entire show not usable)*
|
| 664 |
-
72. **Monk**: Sharona Fleming, Captain Leland Stottlemeyer, Lieutenant Randy Disher, Natalie Teeger *(Only Adrian Monk is usable)*
|
| 665 |
-
73. **Monty Python**: King Arthur, Sir Lancelot *(Entire show not usable)*
|
| 666 |
-
74. **Narcos**: Pablo Escobar *(Javier Peña remains usable)*
|
| 667 |
-
75. **Northern Exposure**: Dr. Joel Fleischman *(Entire show not usable)*
|
| 668 |
-
76. **One Flew Over the Cuckoo's Nest**: Nurse Ratched *(Entire show not usable)*
|
| 669 |
-
77. **Ozark**: Marty Byrde *(Entire show not usable)*
|
| 670 |
-
78. **Parks and Recreation**: Leslie Knope, Ron Swanson, April Ludgate *(Entire show not usable)*
|
| 671 |
-
79. **Penny Dreadful**: Vanessa Ives *(Entire show not usable)*
|
| 672 |
-
80. **Police Academy**: Carey Mahoney *(Entire show not usable)*
|
| 673 |
-
81. **Prison Break**: Lincoln Burrows, Theodore "T-Bag" Bagwell *(Michael Scofield remains usable)*
|
| 674 |
-
82. **Psych**: Shawn Spencer *(Entire show not usable)*
|
| 675 |
-
83. **Psycho**: Norman Bates *(Entire show not usable)*
|
| 676 |
-
84. **Pulp Fiction**: Jules Winnfield *(Entire show not usable)*
|
| 677 |
-
85. **Reacher**: Jack Reacher *(Entire show not usable)*
|
| 678 |
-
86. **Remington Steele**: Remington Steele *(Entire show not usable)*
|
| 679 |
-
87. **Rescue Me**: Tommy Gavin *(Entire show not usable)*
|
| 680 |
-
88. **Resident Evil**: Alice *(Entire show not usable)*
|
| 681 |
-
89. **Rich Man, Poor Man**: Tom Jordache *(Entire show not usable)*
|
| 682 |
-
90. **Rick and Morty**: Jerry Smith *(Rick, Morty, Summer, Beth remain usable)*
|
| 683 |
-
91. **Saw**: John Kramer *(Entire show not usable)*
|
| 684 |
-
92. **Scary Movie**: Cindy Campbell *(Entire show not usable)*
|
| 685 |
-
93. **Scrubs**: Dr. John "J.D." Dorian *(Entire show not usable)*
|
| 686 |
-
94. **Seinfeld**: Cosmo Kramer *(Jerry Seinfeld, George Costanza, Elaine Benes remain usable)*
|
| 687 |
-
95. **Sex and the City**: Samantha Jones, Charlotte York, Miranda Hobbes *(Only Carrie Bradshaw is usable)*
|
| 688 |
-
96. **Silence of the Lambs**: Clarice Starling *(Hannibal Lecter remains usable)*
|
| 689 |
-
97. **Silicon Valley**: Dinesh Chugtai, Richard Hendricks, Erlich Bachman *(Entire show not usable)*
|
| 690 |
-
98. **Smallville**: Lex Luthor *(Clark Kent remains usable)*
|
| 691 |
-
99. **Sons of Anarchy**: Clay Morrow *(Jax Teller remains usable)*
|
| 692 |
-
100. **Star Trek: DS9**: Captain Benjamin Sisko *(Entire show not usable)*
|
| 693 |
-
101. **Star Trek: TNG**: Counselor Deanna Troi, Dr. Beverly Crusher, Q, Wesley Crusher *(Picard, Data, Riker, Geordi, Worf remain usable)*
|
| 694 |
-
102. **Star Trek: TOS**: Captain James T. Kirk, Dr. Leonard "Bones" McCoy *(Spock remains usable)*
|
| 695 |
-
103. **Star Wars**: Luke Skywalker *(Darth Vader, Han Solo remain usable)*
|
| 696 |
-
104. **Stargate Atlantis**: Teyla Emmagan, Ronon Dex, Dr. Elizabeth Weir *(Lt. Colonel John Sheppard, Dr. Rodney McKay remain usable)*
|
| 697 |
-
105. **Stargate SG-1**: Teal'c, Colonel Jack O'Neill, Major Samantha Carter, Dr. Daniel Jackson *(Entire show not usable)*
|
| 698 |
-
106. **Suicide Squad**: Harley Quinn *(Not usable)*
|
| 699 |
-
107. **Superman**: Superman / Christopher Reeve *(Not usable)*
|
| 700 |
-
108. **Terminator 2**: Sarah Connor *(T-800 remains usable)*
|
| 701 |
-
109. **The Big Bang Theory**: None *(Sheldon, Leonard, Penny, Howard, Raj, Amy, Bernadette remain usable)*
|
| 702 |
-
110. **The Boys**: Hughie Campbell, Starlight, A-Train, Frenchie, Mother's Milk *(Billy Butcher, Homelander remain usable)*
|
| 703 |
-
111. **The Cosby Show**: Dr. Cliff Huxtable *(Entire show not usable)*
|
| 704 |
-
112. **The Expanse**: James Holden *(Entire show not usable)*
|
| 705 |
-
113. **The Hangover**: Alan Garner *(Phil Wenneck remains usable)*
|
| 706 |
-
113. **The Hunger Games**: Katniss Everdeen *(Entire show not usable)*
|
| 707 |
-
114. **The Last of the Mohicans**: Hawkeye / Nathaniel Poe *(Entire show not usable)*
|
| 708 |
-
115. **The Matrix**: Agent Smith, Trinity *(Neo remains usable)*
|
| 709 |
-
116. **The Mummy**: Rick O'Connell, Evelyn Carnahan *(Entire show not usable)*
|
| 710 |
-
117. **The Naked Gun**: Lieutenant Frank Drebin *(Entire show not usable)*
|
| 711 |
-
118. **The Office**: Angela Martin, Stanley Hudson, Ryan Howard, Jan Levinson *(Michael, Dwight, Jim, Pam, Andy Bernard remain usable)*
|
| 712 |
-
119. **The Pink Panther**: Inspector Jacques Clouseau *(Entire show not usable)*
|
| 713 |
-
120. **The Punisher**: Frank Castle / The Punisher *(Entire show not usable)*
|
| 714 |
-
121. **The Rookie**: Detective Angela Lopez *(John Nolan remains usable)*
|
| 715 |
-
122. **The Shield**: Detective Vic Mackey *(Entire show not usable)*
|
| 716 |
-
123. **The Sopranos**: Silvio Dante, Paulie Gualtieri *(Only Tony Soprano is usable)*
|
| 717 |
-
124. **The Thick of It**: Malcolm Tucker *(Entire show not usable)*
|
| 718 |
-
125. **The Walking Dead**: Carol Peletier *(Rick Grimes, Negan, Daryl Dixon, Michonne, Glenn Rhee remain usable)*
|
| 719 |
-
126. **The West Wing**: C.J. Cregg *(President Jed Bartlet, Josh Lyman remain usable)*
|
| 720 |
-
127. **The Witcher**: Geralt of Rivia *(Entire show not usable)*
|
| 721 |
-
128. **The Wire**: Omar Little, Jimmy McNulty *(Entire show not usable)*
|
| 722 |
-
129. **Thor: Ragnarok / Marvel**: Hela *(Thanos, Tony Stark, Deadpool, Wolverine, Doctor Strange remain usable)*
|
| 723 |
-
130. **Torchwood**: Captain Jack Harkness *(Entire show not usable)*
|
| 724 |
-
131. **Transformers**: Sam Witwicky *(Entire show not usable)*
|
| 725 |
-
132. **Tremors**: Valentine McKee *(Entire show not usable)*
|
| 726 |
-
133. **True Detective**: Rust Cohle *(Entire show not usable)*
|
| 727 |
-
133. **Twin Peaks**: Agent Dale Cooper *(Entire show not usable)*
|
| 728 |
-
134. **Two and a Half Men**: Jake Harper *(Charlie Harper, Alan Harper remain usable)*
|
| 729 |
-
135. **Underworld**: Selene *(Entire show not usable)*
|
| 730 |
-
136. **Universal Soldier**: Luc Deveraux *(Entire show not usable)*
|
| 731 |
-
139. **Veronica Mars**: Veronica Mars *(Entire show not usable)*
|
| 732 |
-
140. **Vikings**: Lagertha, Floki, Ivar the Boneless *(Ragnar Lothbrok, Bjorn Ironside remain usable)*
|
| 733 |
-
137. **Walker, Texas Ranger**: Cordell Walker *(Entire show not usable)*
|
| 734 |
-
138. **Weeds**: Nancy Botwin *(Entire show not usable)*
|
| 735 |
-
139. **Xena: Warrior Princess**: Xena *(Entire show not usable)*
|
| 736 |
-
| **Broad City** | Abbi Abrams | Abbi Jacobson | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 737 |
-
| **Broad City** | Ilana Wexler | Ilana Glazer | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 738 |
-
| **Gilmore Girls** | Lorelai Gilmore | Lauren Graham | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 739 |
-
| **Gilmore Girls** | Rory Gilmore | Alexis Bledel | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 740 |
-
| **The Golden Girls** | Dorothy Zbornak | Bea Arthur | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 741 |
-
| **The Golden Girls** | Rose Nylund | Betty White | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 742 |
-
| **The Golden Girls** | Blanche Devereaux | Rue McClanahan | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 743 |
-
| **The Golden Girls** | Sophia Petrillo | Estelle Getty | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 744 |
-
| **GLOW** | Ruth Wilder | Alison Brie | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 745 |
-
| **GLOW** | Debbie Eagan | Betty Gilpin | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 746 |
-
| **Grace and Frankie** | Grace Hanson | Jane Fonda | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 747 |
-
| **Grace and Frankie** | Frankie Bergstein | Lily Tomlin | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 748 |
-
| **Fleabag** | Fleabag | Phoebe Waller-Bridge | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 749 |
-
| **New Girl** | Jess Day | Zooey Deschanel | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 750 |
-
| **New Girl** | Cece Parekh | Hannah Simone | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 751 |
-
| **Schitt's Creek** | Moira Rose | Catherine O'Hara | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 752 |
-
| **Schitt's Creek** | Alexis Rose | Annie Murphy | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 753 |
-
| **Orange Is the New Black** | Piper Chapman | Taylor Schilling | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 754 |
-
| **Orange Is the New Black** | Alex Vause | Laura Prepon | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 755 |
-
| **Orange Is the New Black** | Taystee Jefferson | Danielle Brooks | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 756 |
-
| **Orange Is the New Black** | Galina "Red" Reznikov | Kate Mulgrew | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 757 |
-
| **Big Little Lies** | Celeste Wright | Nicole Kidman | ✅ **Usable** | High base model fidelity |
|
| 758 |
-
| **Big Little Lies** | Madeline Martha Mackenzie | Reese Witherspoon | ✅ **Usable** | High base model fidelity |
|
| 759 |
-
| **Big Little Lies** | Jane Chapman | Shailene Woodley | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 760 |
-
| **Big Little Lies** | Renata Klein | Laura Dern | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 761 |
-
| **Downton Abbey** | Lady Mary Crawley | Michelle Dockery | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 762 |
-
| **Downton Abbey** | Lady Edith Crawley | Laura Carmichael | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 763 |
-
| **Downton Abbey** | Violet Crawley | Maggie Smith | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 764 |
-
| **The Crown** | Queen Elizabeth II | Claire Foy | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 765 |
-
| **The Crown** | Princess Margaret | Vanessa Kirby | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 766 |
-
| **Bridgerton** | Daphne Bridgerton | Phoebe Dynevor | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 767 |
-
| **Bridgerton** | Kate Sharma | Simone Ashley | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 768 |
-
| **Bridgerton** | Penelope Featherington | Nicola Coughlan | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 769 |
-
| **The Queen's Gambit** | Beth Harmon | Anya Taylor-Joy | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 770 |
-
| **Yellowjackets** | Shauna Shipman | Melanie Lynskey | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 771 |
-
| **Yellowjackets** | Natalie Scatorccio | Juliette Lewis | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 772 |
-
| **Yellowjackets** | Misty Quigley | Christina Ricci | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 773 |
-
| **Yellowjackets** | Taissa Turner | Tawny Cypress | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 774 |
-
| **Killing Eve** | Eve Polastri | Sandra Oh | ✅ **Usable** | High base model fidelity |
|
| 775 |
-
| **Killing Eve** | Villanelle | Jodie Comer | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 776 |
-
| **Pretty Little Liars** | Spencer Hastings | Troian Bellisario | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 777 |
-
| **Pretty Little Liars** | Aria Montgomery | Lucy Hale | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 778 |
-
| **Pretty Little Liars** | Hanna Marin | Ashley Benson | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 779 |
-
| **Pretty Little Liars** | Emily Fields | Shay Mitchell | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 780 |
-
| **How to Get Away with Murder** | Annalise Keating | Viola Davis | ✅ **Usable** | High base model fidelity |
|
| 781 |
-
| **Mare of Easttown** | Mare Sheehan | Kate Winslet | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 782 |
-
| **Charmed** | Prue Halliwell | Shannen Doherty | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 783 |
-
| **Charmed** | Piper Halliwell | Holly Marie Combs | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 784 |
-
| **Charmed** | Phoebe Halliwell | Alyssa Milano | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 785 |
-
| **Charmed** | Paige Matthews | Rose McGowan | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 786 |
-
| **Sabrina the Teenage Witch** | Sabrina Spellman | Melissa Joan Hart | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 787 |
-
| **Orphan Black** | Sarah Manning | Tatiana Maslany | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 788 |
-
| **Sense8** | Sun Bak | Doona Bae | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 789 |
-
| **Sense8** | Riley Blue | Tuppence Middleton | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 790 |
-
| **Sense8** | Nomi Marks | Jamie Clayton | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 791 |
-
| **Sense8** | Kala Dandekar | Tina Desai | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 792 |
-
| **Showgirls** | Nomi Malone | Elizabeth Berkley | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 793 |
-
| **Showgirls** | Cristal Connors | Gina Gershon | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 794 |
-
| **Wild Things** | Kelly Van Ryan | Denise Richards | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 795 |
-
| **Wild Things** | Suzie Toller | Neve Campbell | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 796 |
-
| **Cruel Intentions** | Kathryn Merteuil | Sarah Michelle Gellar | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 797 |
-
| **Cruel Intentions** | Annette Hargrove | Reese Witherspoon | ✅ **Usable** | High base model fidelity |
|
| 798 |
-
| **Jennifer's Body** | Jennifer Check | Megan Fox | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 799 |
-
| **Jennifer's Body** | Needy Lesnicki | Amanda Seyfried | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 800 |
-
| **Mean Girls** | Cady Heron | Lindsay Lohan | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 801 |
-
| **Mean Girls** | Regina George | Rachel McAdams | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 802 |
-
| **Mean Girls** | Karen Smith | Amanda Seyfried | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 803 |
-
| **Mean Girls** | Gretchen Wieners | Lacey Chabert | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 804 |
-
| **Charlie's Angels** | Natalie Cook | Cameron Diaz | ✅ **Usable** | High base model fidelity |
|
| 805 |
-
| **Charlie's Angels** | Dylan Sanders | Drew Barrymore | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 806 |
-
| **Charlie's Angels** | Alex Munday | Lucy Liu | ✅ **Usable** | High base model fidelity |
|
| 807 |
-
| **Real Person / Celebrity** | Nicolas Cage | Nicolas Cage | ✅ **Usable** | High base model fidelity |
|
| 808 |
-
| **Face/Off** | Castor Troy | Nicolas Cage | ✅ **Usable** | High base model fidelity |
|
| 809 |
-
| **Ghost Rider** | Johnny Blaze / Ghost Rider | Nicolas Cage | ✅ **Usable** | High base model fidelity |
|
| 810 |
-
| **Real Person / Celebrity** | Jack Black | Jack Black | ✅ **Usable** | High base model fidelity |
|
| 811 |
-
| **School of Rock** | Dewey Finn | Jack Black | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 812 |
-
| **True Blood** | Sookie Stackhouse | Anna Paquin | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 813 |
-
| **Real Person / Celebrity** | Taylor Swift | Taylor Swift | ✅ **Usable** | High base model fidelity |
|
| 814 |
-
| **Real Person / Celebrity** | John Travolta | John Travolta | ✅ **Usable** | High base model fidelity |
|
| 815 |
-
| **Face/Off** | Sean Archer | John Travolta | ✅ **Usable** | High base model fidelity |
|
| 816 |
-
| **Real Person / Celebrity** | Anya Taylor-Joy | Anya Taylor-Joy | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 817 |
-
| **Real Person / Celebrity** | Miley Cyrus | Miley Cyrus | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 818 |
-
| **Hannah Montana** | Hannah Montana | Miley Cyrus | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 819 |
-
| **Real Person / Celebrity** | Julia Roberts | Julia Roberts | ✅ **Usable** | High base model fidelity |
|
| 820 |
-
| **Real Person / Celebrity** | Gillian Anderson | Gillian Anderson | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 821 |
-
| **Real Person / Celebrity** | Morgan Freeman | Morgan Freeman | ✅ **Usable** | High base model fidelity |
|
| 822 |
-
| **The Shawshank Redemption** | Ellis Boyd "Red" Redding | Morgan Freeman | ✅ **Usable** | High base model fidelity |
|
| 823 |
-
| **Superbad** | Evan | Michael Cera | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 824 |
-
| **Unforgiven** | William Munny | Clint Eastwood | ✅ **Usable** | High base model fidelity |
|
| 825 |
-
| **Westworld** | Dr. Robert Ford | Anthony Hopkins | ✅ **Usable** | High base model fidelity |
|
| 826 |
-
| **Westworld** | Dolores Abernathy | Evan Rachel Wood | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 827 |
-
| **Westworld** | Bernard Lowe | Jeffrey Wright | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 828 |
-
| **Westworld** | The Man in Black | Ed Harris | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 829 |
-
| **Westworld** | Maeve Millay | Thandiwe Newton | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 830 |
-
| **Titanic** | Rose DeWitt Bukater | Kate Winslet | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 831 |
-
| **Real Person / Celebrity** | Helen Hunt | Helen Hunt | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 832 |
-
| **As Good as It Gets** | Carol Connelly | Helen Hunt | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 833 |
-
| **Real Person / Celebrity** | Renée Zellweger | Renée Zellweger | ��� **Not Usable** | Poor likeness without LoRA |
|
| 834 |
-
| **Bridget Jones's Diary** | Bridget Jones | Renée Zellweger | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 835 |
-
| **Real Person / Celebrity** | Hugh Grant | Hugh Grant | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 836 |
-
| **Four Weddings and a Funeral** | Charles | Hugh Grant | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 837 |
-
| **Real Person / Celebrity** | Helen Mirren | Helen Mirren | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 838 |
-
| **The Queen** | Queen Elizabeth II | Helen Mirren | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 839 |
-
| **Real Person / Celebrity** | Jared Leto | Jared Leto | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 840 |
-
| **Suicide Squad** | The Joker | Jared Leto | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 841 |
-
| **Real Person / Celebrity** | Val Kilmer | Val Kilmer | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 842 |
-
| **Tombstone** | Doc Holliday | Val Kilmer | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 843 |
-
| **Real Person / Celebrity** | Chevy Chase | Chevy Chase | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 844 |
-
| **National Lampoon's Vacation** | Clark Griswold | Chevy Chase | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 845 |
-
| **Real Person / Celebrity** | Tommy Wiseau | Tommy Wiseau | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 846 |
-
| **The Room** | Johnny | Tommy Wiseau | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 847 |
-
| **Real Person / Celebrity** | Robert Redford | Robert Redford | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 848 |
-
| **Butch Cassidy and the Sundance Kid** | The Sundance Kid | Robert Redford | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 849 |
-
| **Real Person / Celebrity** | Sigourney Weaver | Sigourney Weaver | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 850 |
-
| **Real Person / Celebrity** | Goldie Hawn | Goldie Hawn | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 851 |
-
| **Private Benjamin** | Private Judy Benjamin | Goldie Hawn | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 852 |
-
| **Real Person / Celebrity** | Kim Basinger | Kim Basinger | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 853 |
-
| **Real Person / Celebrity** | Sylvester Stallone | Sylvester Stallone | ✅ **Usable** | High base model fidelity |
|
| 854 |
-
| **Rocky** | Rocky Balboa | Sylvester Stallone | ✅ **Usable** | High base model fidelity |
|
| 855 |
-
| **Real Person / Celebrity** | Benicio del Toro | Benicio del Toro | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 856 |
-
| **Sicario** | Alejandro Gillick | Benicio del Toro | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 857 |
-
| **Real Person / Celebrity** | Chloë Sevigny | Chloë Sevigny | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 858 |
-
| **Big Love** | Nicolette Grant | Chloë Sevigny | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 859 |
-
| **Real Person / Celebrity** | Idris Elba | Idris Elba | ✅ **Usable** | High base model fidelity |
|
| 860 |
-
| **Luther** | John Luther | Idris Elba | ✅ **Usable** | High base model fidelity |
|
| 861 |
-
| **Real Person / Celebrity** | Ben Affleck | Ben Affleck | ✅ **Usable** | High base model fidelity |
|
| 862 |
-
| **Real Person / Celebrity** | Robin Williams | Robin Williams | ✅ **Usable** | High base model fidelity |
|
| 863 |
-
| **Mrs. Doubtfire** | Daniel Hillard / Mrs. Doubtfire | Robin Williams | ✅ **Usable** | High base model fidelity |
|
| 864 |
-
| **Real Person / Celebrity** | Sandra Bullock | Sandra Bullock | ✅ **Usable** | High base model fidelity |
|
| 865 |
-
| **Miss Congeniality** | Gracie Hart | Sandra Bullock | ✅ **Usable** | High base model fidelity |
|
| 866 |
-
| **Pulp Fiction** | Vincent Vega | John Travolta | ✅ **Usable** | High base model fidelity |
|
| 867 |
-
| **Real Person / Celebrity** | Joe Pesci | Joe Pesci | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 868 |
-
| **Goodfellas** | Tommy DeVito | Joe Pesci | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 869 |
-
| **Real Person / Celebrity** | Jennifer Love Hewitt | Jennifer Love Hewitt | ✅ **Usable** | High base model fidelity |
|
| 870 |
-
| **Ghost Whisperer** | Melinda Gordon | Jennifer Love Hewitt | ✅ **Usable** | High base model fidelity |
|
| 871 |
-
| **Real Person / Celebrity** | Edward Norton | Edward Norton | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 872 |
-
| **Fight Club** | The Narrator | Edward Norton | ✅ **Usable** | High base model fidelity |
|
| 873 |
-
| **Real Person / Celebrity** | Brad Pitt | Brad Pitt | ✅ **Usable** | High base model fidelity |
|
| 874 |
-
| **Fight Club** | Tyler Durden | Brad Pitt | ✅ **Usable** | High base model fidelity |
|
| 875 |
-
| **Real Person / Celebrity** | Kevin Costner | Kevin Costner | ✅ **Usable** | High base model fidelity |
|
| 876 |
-
| **Yellowstone** | John Dutton | Kevin Costner | ✅ **Usable** | High base model fidelity |
|
| 877 |
-
| **Top Gun** | Maverick / Pete Mitchell | Tom Cruise | ✅ **Usable** | High base model fidelity |
|
| 878 |
-
| **Real Person / Celebrity** | Michael Douglas | Michael Douglas | ✅ **Usable** | High base model fidelity |
|
| 879 |
-
| **Wall Street** | Gordon Gekko | Michael Douglas | ✅ **Usable** | High base model fidelity |
|
| 880 |
-
| **Real Person / Celebrity** | Denzel Washington | Denzel Washington | ✅ **Usable** | High base model fidelity |
|
| 881 |
-
| **Training Day** | Alonzo Harris | Denzel Washington | ✅ **Usable** | High base model fidelity |
|
| 882 |
-
| **Real Person / Celebrity** | Jack Nicholson | Jack Nicholson | ✅ **Usable** | High base model fidelity |
|
| 883 |
-
| **The Shining** | Jack Torrance | Jack Nicholson | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 884 |
-
| **Real Person / Celebrity** | Woody Allen | Woody Allen | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 885 |
-
| **Annie Hall** | Alvy Singer | Woody Allen | ✅ **Usable** | High base model fidelity |
|
| 886 |
-
| **Real Person / Celebrity** | Jackie Chan | Jackie Chan | ✅ **Usable** | High base model fidelity |
|
| 887 |
-
| **Rush Hour** | Inspector Lee | Jackie Chan | ✅ **Usable** | High base model fidelity |
|
| 888 |
-
| **Real Person / Celebrity** | Bruce Lee | Bruce Lee | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 889 |
-
| **Real Person / Celebrity** | Paul Rudd | Paul Rudd | ✅ **Usable** | High base model fidelity |
|
| 890 |
-
| **Marvel's Avengers** | Scott Lang / Ant-Man | Paul Rudd | ✅ **Usable** | High base model fidelity |
|
| 891 |
-
| **Real Person / Celebrity** | Will Ferrell | Will Ferrell | ✅ **Usable** | High base model fidelity |
|
| 892 |
-
| **Anchorman** | Ron Burgundy | Will Ferrell | ✅ **Usable** | High base model fidelity |
|
| 893 |
-
| **Real Person / Celebrity** | Ben Stiller | Ben Stiller | ✅ **Usable** | High base model fidelity |
|
| 894 |
-
| **Zoolander** | Derek Zoolander | Ben Stiller | ✅ **Usable** | High base model fidelity |
|
| 895 |
-
| **Real Person / Celebrity** | Owen Wilson | Owen Wilson | ✅ **Usable** | High base model fidelity |
|
| 896 |
-
| **Zoolander** | Hansel | Owen Wilson | ✅ **Usable** | High base model fidelity |
|
| 897 |
-
| **Real Person / Celebrity** | Vince Vaughn | Vince Vaughn | ✅ **Usable** | High base model fidelity |
|
| 898 |
-
| **Wedding Crashers** | Jeremy Grey | Vince Vaughn | ✅ **Usable** | High base model fidelity |
|
| 899 |
-
| **Real Person / Celebrity** | Jonah Hill | Jonah Hill | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 900 |
-
| **Superbad** | Seth | Jonah Hill | ✅ **Usable** | High base model fidelity |
|
| 901 |
-
| **Real Person / Celebrity** | Adam Sandler | Adam Sandler | ✅ **Usable** | High base model fidelity |
|
| 902 |
-
| **Happy Gilmore** | Happy Gilmore | Adam Sandler | ✅ **Usable** | High base model fidelity |
|
| 903 |
-
| **Real Person / Celebrity** | Ashton Kutcher | Ashton Kutcher | ✅ **Usable** | High base model fidelity |
|
| 904 |
-
| **That '70s Show** | Michael Kelso | Ashton Kutcher | ✅ **Usable** | High base model fidelity |
|
| 905 |
-
| **Real Person / Celebrity** | Grant Gustin | Grant Gustin | ✅ **Usable** | High base model fidelity |
|
| 906 |
-
| **The Flash** | Barry Allen / The Flash | Grant Gustin | ✅ **Usable** | High base model fidelity |
|
| 907 |
-
| **Real Person / Celebrity** | Natalie Portman | Natalie Portman | ✅ **Usable** | High base model fidelity |
|
| 908 |
-
| **Star Wars** | Padmé Amidala | Natalie Portman | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 909 |
-
| **Real Person / Celebrity** | Tim Allen | Tim Allen | ✅ **Usable** | High base model fidelity |
|
| 910 |
-
| **Home Improvement** | Tim "The Tool Man" Taylor | Tim Allen | ✅ **Usable** | High base model fidelity |
|
| 911 |
-
| **Real Person / Celebrity** | Dustin Hoffman | Dustin Hoffman | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 912 |
-
| **Rain Man** | Raymond Babbitt | Dustin Hoffman | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 913 |
-
| **Real Person / Celebrity** | Seth Rogen | Seth Rogen | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 914 |
-
| **Pineapple Express** | Dale Denton | Seth Rogen | ❌ **Not Usable** | Poor likeness without LoRA |
|
| 915 |
-
|
| 916 |
-
| **The Shawshank Redemption** | Ellis Boyd 'Red' Redding | Morgan Freeman | ✅ **Usable** | High base model fidelity |
|
| 917 |
-
| **Downton Abbey** | Violet Crawley, Dowager Countess | Maggie Smith | ❌ **Not Usable** | Poor likeness without LoRA |
|
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|
h3-center/crossovers/docs/MINIMAX_H3_PROMPTING_GUIDE.md
DELETED
|
@@ -1,657 +0,0 @@
|
|
| 1 |
-
# MiniMax-H3 Video Prompting Guide & Best Practices
|
| 2 |
-
|
| 3 |
-
_Version: 2.5.0_
|
| 4 |
-
_Last Updated: August 2026_
|
| 5 |
-
_Target Model: MiniMax-H3 (T2VA / I2VA / FL2VA / L2VA)_
|
| 6 |
-
|
| 7 |
-
This document is the **authoritative master guide** for understanding and executing our MiniMax-H3 video prompting and movie production workflow. It integrates the official MiniMax-H3 specification (`VIDEO_PROMPT_WRITING_GUIDE_base_en.md`) with our production-tested bug fixes and workflow conventions.
|
| 8 |
-
|
| 9 |
-
---
|
| 10 |
-
|
| 11 |
-
## 1. Core Prompt Architecture & Alignment Instructions
|
| 12 |
-
|
| 13 |
-
A complete MiniMax-H3 prompt consists of optional Task Alignment Instructions, followed by three core plain-text sections:
|
| 14 |
-
|
| 15 |
-
> **T2V only.** The `already speaking, with no silent establishing beat` opener below applies to independent T2V clips. In a C2V chain the opening frames are inherited from the previous clip — using this opener there makes the new speaker's line come out of the previous person's face. See **Rule 29** for the required handoff.
|
| 16 |
-
|
| 17 |
-
```text
|
| 18 |
-
[Optional Task Alignment Instruction Header]
|
| 19 |
-
|
| 20 |
-
subject_definitions:
|
| 21 |
-
<Subject 1> [Character 1 Name] (played by [Actor Name]) from [Show Name]
|
| 22 |
-
<Subject 2> [Character 2 Name] (played by [Actor Name]) from [Show Name]
|
| 23 |
-
|
| 24 |
-
integrated_multimodal_description:
|
| 25 |
-
[Shot 1] [Visual style, lighting, setting]. A single medium close-up of <Subject 1> [Character 1] (S1) alone in frame, in [attire/visual features]. <Subject 2> is not in frame. The shot opens with [Character 1] already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> [Character 1] (S1) says: <d>[English in [Character 1]'s voice from [Show Name]] Dialogue text.</d>
|
| 26 |
-
|
| 27 |
-
[Shot 2] At 00:05.500, the shot cuts to a single medium close-up of <Subject 2> [Character 2] (S2) alone in frame. <Subject 1> is not in frame. <Subject 2> [Character 2] (S2) remains completely silent with his mouth closed and lips sealed, speaking no dialogue. The camera pushes in with small amplitude at slow speed as <Subject 2> [Character 2] (S2) [Action].
|
| 28 |
-
|
| 29 |
-
overall_soundscape:
|
| 30 |
-
[Room tone, physical sounds, ambient environmental audio, audience laughter or silence]
|
| 31 |
-
|
| 32 |
-
non_diegetic_music:
|
| 33 |
-
N/A
|
| 34 |
-
```
|
| 35 |
-
|
| 36 |
-
### Task Alignment Headers (I2VA / FL2VA / L2VA)
|
| 37 |
-
|
| 38 |
-
For tasks involving reference images or keyframes, place the exact required header as the very first line of the prompt, followed by a blank line before `subject_definitions:`:
|
| 39 |
-
|
| 40 |
-
1. **T2VA (Text-to-Video-Audio)**: No alignment header. Starts directly with `subject_definitions:`.
|
| 41 |
-
2. **I2VA (Image-to-Video-Audio - Starts from Picture 1)**:
|
| 42 |
-
```text
|
| 43 |
-
For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced.
|
| 44 |
-
```
|
| 45 |
-
3. **FL2VA (First-and-Last-Frame - Interpolates between Picture 1 and Picture 2)**:
|
| 46 |
-
```text
|
| 47 |
-
How the reference pictures align with the target video — Picture 1 (from Shot 1) aligns with the 0.00-second mark of the target video; Picture 2 (from Shot N) aligns with the S.SS-second mark of the target video.
|
| 48 |
-
```
|
| 49 |
-
4. **L2VA (Last-Frame - Lands on Picture 1 at video end)**:
|
| 50 |
-
```text
|
| 51 |
-
How the reference pictures align with the target video — <Picture 1> (from [Shot N]) aligns with the S.SS-second mark of the target video.
|
| 52 |
-
```
|
| 53 |
-
|
| 54 |
-
---
|
| 55 |
-
|
| 56 |
-
## 2. Key Rules & Critical Issue Pinpoints
|
| 57 |
-
|
| 58 |
-
Based on extensive generation testing and official MiniMax-H3 specifications, follow these strict rules to prevent AI model bugs and artifacts:
|
| 59 |
-
|
| 60 |
-
### Issue 1: Non-Dialogue Character Mumbling & Vocal Gibberish
|
| 61 |
-
- **THE ISSUE**: In scenes without spoken dialogue (or when a character is on screen while someone else speaks), MiniMax-H3 often causes characters to move their lips unnaturally or produce mumbling audio artifacts.
|
| 62 |
-
- **THE SOLUTION**: Explicitly state in the prompt description what the character is doing physically, and explicitly add a non-speaking silence mandate:
|
| 63 |
-
- `Both characters remain completely silent with their mouths closed, speaking no dialogue.` or
|
| 64 |
-
- `<Subject 2> Dexter Morgan (S2) remains completely silent with his mouth closed, speaking no dialogue.`
|
| 65 |
-
|
| 66 |
-
### Issue 2: Character Blending, Voice Swapping & Facial Merging
|
| 67 |
-
- **THE ISSUE**: When multiple characters are on screen together, MiniMax-H3 can blend facial features, assign dialogue to the wrong person, or swap character voices.
|
| 68 |
-
- **THE SOLUTION**:
|
| 69 |
-
1. **Actor Pinpointing & Physical Anchoring**: Always include `(played by Actor Name)` in `subject_definitions:` and mention explicit physical traits (e.g. `dark short hair, sharp jawline, wearing wire-rimmed glasses`) in shot descriptions. This locks in the face and voice clone pipeline.
|
| 70 |
-
2. **Explicit Subject & Show Binding**: Define characters at the top in `subject_definitions:` and tag them on first mention (e.g. `<Subject 1> Fox Mulder (played by David Duchovny) (S1)`).
|
| 71 |
-
3. **Explicit Dialogue Voice Tags**: Always enclose spoken text in `<d>[Language in Character's voice from Show] Dialogue text</d>` (e.g. `<d>[English in Fox Mulder's voice from The X-Files] Open the door!</d>`).
|
| 72 |
-
4. **Consistent Speaker IDs**: Maintain stable IDs `(S1)`, `(S2)`, `(S3)` across all shots in the scene. Use compound IDs like `(S1,S2)` for simultaneous speaking.
|
| 73 |
-
5. **Single-Subject Shot Cuts & Off-Frame Declarations**: Cut to single-character frames (`a single medium close-up of <Subject 1> alone in frame`) and explicitly declare `<Subject 2> and <Subject 3> are not in frame`. This prevents unwanted background characters or facial blending. This is the **default, safest** technique for dialogue-heavy exchanges — but it is not mandatory for every single shot in a production; see Rule 16 for when and how to safely share a frame between multiple subjects.
|
| 74 |
-
6. **Hidden Character Isolation**: If a character is meant to be behind a closed door or out of the room, explicitly state: `<Subject 3> Dexter Morgan (S3) is inside behind the locked door and strictly hidden from view, not in frame.`
|
| 75 |
-
|
| 76 |
-
### Issue 3: Obscured or Missed Physical Actions & Key Props
|
| 77 |
-
- **THE ISSUE**: Key physical actions (e.g. unhooking a keycard, picking up a vial, hiding an object) are skipped or rendered unclearly if the shot is zoomed out too far.
|
| 78 |
-
- **THE SOLUTION**:
|
| 79 |
-
1. Frame the prop or action explicitly with a close camera angle (e.g. `[Shot 1] A close medium shot focused on the waist area...`).
|
| 80 |
-
2. Describe the physical motion step-by-step (e.g. `<Subject 1> Malcolm (S1) unhooks the plastic keycard from Dwight's belt loop with his fingers...`).
|
| 81 |
-
|
| 82 |
-
### Rule 4: Advanced Dialogue Syntax (`<scenetrans>`, `<cutoff>`, Voiceovers & Text)
|
| 83 |
-
- **Voiceover Syntax**: For off-screen voiceovers, use `says in an off-screen voiceover:` and append `while his lips remain completely closed.` immediately after the `<d>` block:
|
| 84 |
-
`The character (S1) says in an off-screen voiceover: <d>[English in House's voice from House M.D.] Everybody lies.</d> while his lips remain completely closed.`
|
| 85 |
-
- **Dialogue Across Cuts**: When speech continues across a cut, use `<scenetrans>` at connecting points in both shots and describe continuity:
|
| 86 |
-
`[Shot 1] ...says: <d>[English] I knew that <scenetrans></d>`
|
| 87 |
-
`[Shot 2] At 00:04.000, ...while his line carries over uninterrupted: <d><scenetrans> you were hiding something.</d>`
|
| 88 |
-
- **Truncated Speech**: Use `<cutoff>` when dialogue is cut off by the end of the clip e.g. `<d>[English] I told you not to touch that—<cutoff></d>`.
|
| 89 |
-
- **Visible On-Screen Text**: Enclose visible labels, signs, or subtitles in English double quotation marks e.g. `A red neon sign reading "QUARANTINE" glows above the door.`
|
| 90 |
-
|
| 91 |
-
### Rule 5: Camera Motion Vocabulary
|
| 92 |
-
Integrate camera motion naturally into shot descriptions using `[Motion Type] + [Amplitude] + [Speed]`:
|
| 93 |
-
- **Available Motion Types**: `Zoom In / Zoom Out`, `Push In / Pull Out`, `Pan Left / Pan Right`, `Truck Left / Truck Right`, `Tilt Up / Tilt Down`, `Pedestal Up / Pedestal Down`, `Arc Shot`, `Tracking Shot`, `Static Shot`, `Shake Slightly / Shake Strongly`, `POV`, `Roll Clockwise / Roll Counterclockwise`.
|
| 94 |
-
- **Amplitude**: `with small amplitude`, `with large amplitude` (omit medium).
|
| 95 |
-
- **Speed**: `at slow speed`, `at fast speed` (omit normal).
|
| 96 |
-
- **Usage**: `The camera pushes in with small amplitude at slow speed toward the glass beaker.`
|
| 97 |
-
|
| 98 |
-
### Rule 6: NO Markdown Bolding in Section Headers
|
| 99 |
-
- **CRITICAL**: Never use `**` around section titles (e.g. `**subject_definitions:**`).
|
| 100 |
-
- **WHY**: Bolding inserts asterisks into plain-text pastes in ComfyUI or API calls, causing parsing errors in the model's text encoder.
|
| 101 |
-
- **DO THIS**: Output section headers as plain text with colons (`subject_definitions:`, `integrated_multimodal_description:`, `overall_soundscape:`, `non_diegetic_music:`).
|
| 102 |
-
|
| 103 |
-
### Rule 7: Clean Newline Separation & Shot Formatting
|
| 104 |
-
- Insert a blank line between sections and between individual shots.
|
| 105 |
-
- **[Shot 1]**: NEVER include a timecode on Shot 1 (e.g. `[Shot 1] Live-action, cinematic...`).
|
| 106 |
-
- **[Shot 2+]**: MUST include explicit cut timecodes (e.g. `[Shot 2] At 00:05.500, the shot cuts to...`).
|
| 107 |
-
|
| 108 |
-
### Rule 8: Soundscape vs Non-Diegetic Music Separation
|
| 109 |
-
- **`overall_soundscape:`**: 1-4 sentences summarizing ambient room tone, physical action sounds (footsteps, glass clinking, paper rustle), and non-verbal human sounds (coughing, laughing, breathing).
|
| 110 |
-
- **`non_diegetic_music:`**: Strictly for audience-only background musical score (instrumentation, tempo, dynamics). Use `N/A` if no background score. Do NOT place dialogue or room tone here.
|
| 111 |
-
- **NEVER name dialogue or a character's speaking voice in `overall_soundscape:`** (e.g. `and dialogue`, `and Saul's fast-talking voice`, `and tense dramatic voice delivery`). The speech is already fully specified by the `<d>` tags; restating it here hands the audio encoder a second, untagged instruction to generate voice and is a known source of double-voice and mumbling artifacts. Non-verbal vocal sounds (`a quiet laugh`, `a sharp exhale`) are fine.
|
| 112 |
-
- **NEVER put a musical score in `overall_soundscape:`.** Orchestral stings, synth drops and crescendos belong in `non_diegetic_music:`, even on title cards and end credits where they are the only audio.
|
| 113 |
-
- **For title cards, credit cards and any shot with no people**, state the absence explicitly in the description (`No people are in frame at any point, and no spoken dialogue, narration or voiceover occurs.`) and in the soundscape (`No voices and no speech of any kind.`). Without it the model tends to invent a narrator.
|
| 114 |
-
|
| 115 |
-
### Rule 9: Eliminating Long Silent Stares & Dead Air at Clip Ends
|
| 116 |
-
- **THE ISSUE**: Placing a non-speaking 3–4 second reaction beat at the end of a 15-second clip where a character just stands silent and stares off-camera or smiles looks like a frozen, robotic AI glitch. It destroys narrative flow and pacing.
|
| 117 |
-
- **THE SOLUTION**:
|
| 118 |
-
1. **FILL CLIP DURATION WITH DIALOGUE & ACTION**: Ensure the entire 15-second duration is filled with active dialogue, multi-beat exchanges, or continuous physical motion.
|
| 119 |
-
2. **ACTIVE PHYSICAL ACTIONS INSTEAD OF STARES**: If dialogue finishes 1–2 seconds before clip end, fill those final seconds with **concrete physical movement** (e.g., turning and walking away, closing a briefcase, stepping out of frame, raising a device to scan, slinging a strap over shoulder, getting into a vehicle) rather than a static gaze into or off camera.
|
| 120 |
-
3. **PREFERRED SHOT PACING STRUCTURES**:
|
| 121 |
-
- *Structure A (Full 2-Shot Back-and-Forth Dialogue)*: [Shot 1] S1 speaks (00:00–00:07) -> [Shot 2] S2 speaks and acts up to clip end (00:07–00:15).
|
| 122 |
-
- *Structure B (Dialogue + Physical Exit/Movement)*: [Shot 1] S1 speaks (00:00–00:06) -> [Shot 2] S2 speaks (00:06–00:11) -> [Shot 2] S2 actively pockets a prop, turns, and walks toward a door/car (00:11–00:15).
|
| 123 |
-
- *Structure C (Continuous 3-Beat Dialogue Exchange)*: [Shot 1] S1 speaks (00:00–00:05) -> [Shot 2] S2 replies (00:05–00:10) -> [Shot 3] S1 delivers a quick closing punchline or counter-line while stepping forward (00:10–00:15).
|
| 124 |
-
- **Rule on Silence Mandates**: Use non-speaking silence mandates (`remains completely silent with his mouth closed`) *only* during another character's spoken shot or brief physical beats—NEVER as a standalone multi-second static staring shot at the end of a clip.
|
| 125 |
-
|
| 126 |
-
### Rule 10: `subject_definitions:` for Shots With No People
|
| 127 |
-
- Title cards, credit cards and pure-insert shots have no subjects. Write `subject_definitions:` followed by `N/A` on its own line — keep the section header present so the four-section structure stays intact for the text encoder.
|
| 128 |
-
|
| 129 |
-
### Rule 11: Setting Variety & Dynamic Staging (Avoiding Static Monologues)
|
| 130 |
-
- **LOCATION & SETTING VARIETY**: While consistency across scenes is critical, multi-scene productions must incorporate **diverse locations and sub-environments**. Avoid keeping characters in a single static spot (e.g. next to the dumpster in the parking lot) for many consecutive scenes.
|
| 131 |
-
- *Setting Rotation Rule*: It is acceptable to spend 2–3 scenes in one area (e.g. near the dumpster) and return to it later, but the film MUST move between distinct environments (e.g. parking lot near dumpster, parking lot near Impala trunk, building entrance, reception area interior, TARDIS interior, executive office, breakroom, hallway, etc.).
|
| 132 |
-
- **LIVELY PHYSICAL STAGING & ACTION**: Characters must **NEVER** just stand static and deliver monologues straight into camera. Every scene must feature active physical staging and character interaction:
|
| 133 |
-
- *Physical Hand Props & Actions*: Uncorking a flask, inspecting a file, adjusting sunglasses, unlatching a briefcase, tapping a screen, pacing, gesturing, stepping into frame, offering a card/badge, handling tools.
|
| 134 |
-
- *Environmental Interaction*: Leaning against a vehicle hood, opening a door, crouching near an object, walking across frame, adjusting clothing/lapels, slinging a strap over shoulder.
|
| 135 |
-
- *Dynamic Camera Framing*: Pushing in, tracking movement, arc shots, tilting down to hand props, alternating between medium close-ups and tight close-ups to maintain visual energy.
|
| 136 |
-
|
| 137 |
-
### Rule 12: Cinematic Narrative & Visual Flow (Avoiding "Spliced Clip" Syndrome)
|
| 138 |
-
- **THE ISSUE**: Rapidly rotating character pairs every 15 seconds with identical 3-beat single close-ups makes a movie feel like a collection of isolated TikTok/Reels clips stitched together rather than a cohesive film.
|
| 139 |
-
- **THE SOLUTION & FLOW PROTOCOL**:
|
| 140 |
-
1. **Multi-Scene Story Blocks (30–60s Group Anchoring)**: Group characters into multi-scene sequence blocks (2–4 consecutive scenes / 30–60 seconds) that focus on the same 2–3 characters resolving a specific beat before transitioning to a new group.
|
| 141 |
-
2. **Visual & Physical Scene Handoffs**: Adjacent scenes MUST share visual connective tissue:
|
| 142 |
-
- *Spatial/Physical Bridges*: End Scene N with a character looking off-screen toward an entering character, walking toward a new spot, or handing over an object. Start Scene N+1 from that exact visual beat.
|
| 143 |
-
- *Verbal & Dialogue Continuity*: Use questions, setups, or `<scenetrans>` carry-overs across scene boundaries so Scene N+1 directly answers or reacts to Scene N.
|
| 144 |
-
- *Prop Continuity Flow*: Keep key props (e.g., the extradition ledger, sonic screwdriver, briefcase, file) active across scene cuts rather than disappearing/reappearing.
|
| 145 |
-
3. **Shot Structure Variety**: Vary the shot breakdown across scenes. Do not use the exact same 3-shot pattern (S1 speaks -> S2 speaks -> S1 reacts) in every scene. Mix in over-the-shoulder angles, two-shots held apart with clear positioning, movement/pacing shots, and environmental reaction cuts.
|
| 146 |
-
|
| 147 |
-
### Rule 13: Flexible Scene Durations (Dynamic Timing 5s – 15s, prefer long)
|
| 148 |
-
- **THE RULE**: Scenes should land **between 5 and 15 seconds on the file you watch**. Prefer the **long end (12s–15s)** unless the beat is a short transition, punch, or cutaway.
|
| 149 |
-
- **DURATION GUIDELINES**:
|
| 150 |
-
- *Transitions / punches (5s – 8s delivered)*: Arrivals, exits, a single reaction, a handoff between locations.
|
| 151 |
-
- *Default scenes (12s – 15s delivered)*: Dialogue, glamour continuations, character joins. Use this unless there is a reason to go short.
|
| 152 |
-
- *Maximum Cap*: Cap a single clip at **20 seconds requested** to preserve generation quality, audio sync, and render stability.
|
| 153 |
-
- *Full Utilization*: Fill the whole duration with speech and physical movement — no trailing dead air.
|
| 154 |
-
- **C2V REQUESTED vs DELIVERED**: C2V pins ~22 frames (~0.92s at 24fps) and **trims that head off** the mp4. The number you pass as `durationSeconds` is the **untrimmed** render. To get a ~15s delivered clip, request **~16s**. To get ~12s delivered, request **~13s**. An 8s request delivers ~7s — that is why the early Paris chain felt short. Spread `[Shot 2]` / `[Shot 3]` timestamps across the **requested** duration (for a 16s request, cuts near `00:05.500` and `00:10.500`, hold until `16.00`), not leftover 8s times (`00:03` / `00:06`).
|
| 155 |
-
|
| 156 |
-
### Rule 14: "Show, Don't Tell" Visual Storytelling Mandate
|
| 157 |
-
- **THE PRINCIPLE**: Never rely on characters standing still and verbally explaining the plot or action ("I am filing an emergency stay", "I am scanning this portal", "This is an alien artifact"). **Show the action happening visually on screen.**
|
| 158 |
-
- **VISUAL ACTION EXECUTION**:
|
| 159 |
-
- *Act Out the Story*: Have characters physically perform actions—Saul unrolling a paper legal scroll across a car hood; Tony Stark tapping a glowing holographic interface that casts blue light onto his face; Dean unhinging the Impala weapons trunk and physically lifting a wooden rack; the Doctor aiming his sonic screwdriver as blue light pulses across asphalt.
|
| 160 |
-
- *Show Cause & Effect*: When a portal fluctuates, show light reflecting off characters' clothing and hair; when someone speaks off-screen, show the listener turn their head and step toward them; when a prop is handed over, frame the physical exchange close-up.
|
| 161 |
-
- *Visual Emotion & Body Language*: Convey feelings through physical gestures (rubbing temples, tightening coat collars, dusting lapels, pacing back and forth) rather than static, emotionless facial expressions.
|
| 162 |
-
|
| 163 |
-
### Rule 15: Grounded Character Introductions (No "Drop From the Sky" Entrances)
|
| 164 |
-
- **THE ISSUE**: Crossover casts assembled for a single scenario can feel arbitrary or like a checklist if characters simply appear on screen with no reason to be there. This breaks suspension of disbelief and undermines narrative quality.
|
| 165 |
-
- **THE SOLUTION**:
|
| 166 |
-
1. **Give Every Character an On-Ramp**: Before drafting scene prompts, write one sentence per named character in `synopsis.md` explaining *why* they are physically present at the story's setting (a job assigned there, a personal relationship to another character, an invitation, a professional assignment tied to the plot, a coincidence explicitly justified by the premise).
|
| 167 |
-
2. **Stagger Entrances Across Early Scenes**: Do not introduce the entire cast within Scene 01. Let the opening scenes establish characters arriving or already settled into place with a visible reason (badge scan at an entrance, greeting a colleague, stepping out of a car, being paged over a radio). It is fine — and often better — for secondary or reactive characters (e.g. external coordinators, late-arriving backup) to enter later once the plot justifies their appearance.
|
| 168 |
-
3. **State the Reason On-Screen at Least Once**: Somewhere in a character's first scene, make their reason for being there legible through dialogue, an action, or a visual detail (a lanyard/badge indicating their role, a line referencing their job or invitation, an action implying their purpose) rather than leaving it to be inferred.
|
| 169 |
-
|
| 170 |
-
### Rule 16: Multi-Subject Shared-Frame Compositions (Group Shots Beyond Single-Subject Isolation)
|
| 171 |
-
- **THE ISSUE**: Cutting every dialogue beat to an isolated single-character close-up (Issue 2's baseline anti-blending fix) is the safest technique, but relying on it for 100% of shots across an entire movie produces a flat, disconnected feel — like two isolated faces being cut together rather than people sharing physical space.
|
| 172 |
-
- **THE SOLUTION**: Multi-subject shots holding two or more characters in the same frame **are allowed and encouraged** for scene variety, as long as blending-prevention safeguards are still applied:
|
| 173 |
-
1. **When to Use Group Framing**: Establishing shots, walk-and-talk scenes, physical handoffs (handing over an object, a handshake, standing side by side reacting to the same event), reunions, and any beat where the characters' shared presence in space is itself part of the story and should be shown, not told.
|
| 174 |
-
2. **Held-Apart Positioning**: Explicitly describe each subject's position relative to the frame and to each other (e.g. `<Subject 1> stands on the left of frame, <Subject 2> stands roughly three feet to his right`) so the model has unambiguous spatial anchors instead of overlapping or merging bodies.
|
| 175 |
-
3. **One Active Speaker at a Time**: Even in a shared frame, only one subject should carry a `<d>` dialogue tag at a time (the rare compound `(S1,S2)` ID from Issue 2 remains reserved for a single simultaneous word/short phrase between visually distinct characters). Every non-speaking subject still in frame must carry an explicit silence mandate (e.g. `<Subject 2> remains completely silent with his mouth closed, speaking no dialogue, while listening and reacting physically`).
|
| 176 |
-
4. **Distinct Physical/Visual Anchors**: Restate each subject's distinguishing wardrobe/physical trait every time they share a frame, even briefly, so the text encoder retains a strong per-subject anchor despite the shared composition.
|
| 177 |
-
5. **Mix Group and Isolated Shots Within a Scene**: A natural pattern opens a scene on a two-shot/group establishing frame (showing the physical relationship), cuts to isolated single-subject close-ups for the core dialogue exchange, and can return to a group frame for a physical reaction beat, handoff, or exit. Do not force an entire scene into only one mode.
|
| 178 |
-
6. **Group Size Cap**: Prefer 2 subjects sharing a frame. 3 is usable with clearly staggered depth/positioning. Avoid more than 3 characters visible simultaneously in one shot — blending risk increases sharply beyond that.
|
| 179 |
-
|
| 180 |
-
### Rule 17: Explicit Character Identity & Wardrobe Anchoring in Every Shot
|
| 181 |
-
- **THE ISSUE**: In multi-subject scenes, background action shots, or combat sequences, MiniMax-H3 can subtly alter character hair, skin tone, ethnicity, or costume colors between shots if the prompt relies on generic terms (e.g., "a mercenary", "the agent", "in a shirt").
|
| 182 |
-
- **THE SOLUTION**:
|
| 183 |
-
1. **Original / Unlicensed Characters**: Always explicitly restate complete physical descriptors in every shot description. For example, for an antagonist like Viktor Kessler, describe him as: `a tall, broad-shouldered Caucasian man with a shaved bald head and a thick salt-and-pepper beard, wearing a black tactical vest over a charcoal henley shirt`.
|
| 184 |
-
2. **Licensed Characters**: Restate key wardrobe details in every shot prompt (e.g. `James Bond in a light blue dress shirt with top buttons unbuttoned`, `Steve Rogers in his dark navy-blue Captain America tactical suit with silver star emblem`).
|
| 185 |
-
3. **Demographic & Ethnicity Anchors**: Explicitly include ethnicity ("Caucasian", "African-American", etc.), hair style ("shaved bald head", "braided pigtails"), and facial hair ("thick salt-and-pepper beard") to prevent facial or racial default shifting across shots.
|
| 186 |
-
|
| 187 |
-
### Rule 18: Razor-Sharp Tactical Action & Physical Cause-and-Effect
|
| 188 |
-
- **THE ISSUE**: Vague or timid action prompts (e.g. "he dodges", "he rolls away", "he gets hit") lead to clumsy, slow-motion, or unnatural "dodgy" animations.
|
| 189 |
-
- **THE SOLUTION**:
|
| 190 |
-
1. **High-Precision Tactical Descriptions**: Write vivid, epic physical mechanics. Instead of "he dodges gunfire", write: `executes an epic, razor-sharp tactical drop, ducking under the gunfire in one lightning-fast fluid motion and sliding smoothly into a low crouching posture behind the concrete support pillar on the left of frame as heavy automatic rounds tear up the drywall directly above his head`.
|
| 191 |
-
2. **Explicit Physical Cause-and-Effect**: When an action hits a target (a punch, a gunshot, a knife throw), explicitly describe the impact and immediate physical reaction in the same shot before cutting: `The thrown knife strikes <Subject 2> Viktor Kessler (S2) squarely in his shoulder, sinking deep into his tactical vest padding, making him groan in pain and instantly drop heavily to the tile floor, releasing his grip on the steel case.`
|
| 192 |
-
|
| 193 |
-
### Rule 19: Preventing Voice Swapping in Post-Combat/Action Dialogue
|
| 194 |
-
- **THE ISSUE**: When a character delivers a punchline or spoken line immediately after defeating an opponent in a two-shot, MiniMax-H3 sometimes assigns the spoken line or mouth animation to the defeated opponent standing or slumped nearby.
|
| 195 |
-
- **THE SOLUTION**:
|
| 196 |
-
1. **Cut to Single Close-Up for the Spoken Line**: After the physical hit/collapse occurs in Shot 1, cut Shot 2 to a **single medium close-up of the victor alone in frame** (`a single medium shot of <Subject 1> John McClane (S1) alone in frame... <Subject 2> is not in frame`).
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| 197 |
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2. **Directional Eye-Line & Off-Camera Target**: Have the victor look off-camera toward the defeated enemy or ally while speaking: `looking down at the fallen mercenary off-camera, then glancing up toward Wednesday off-camera`. This completely isolates the audio/facial generation pipeline onto the correct character.
|
| 198 |
-
|
| 199 |
-
### Rule 20: Exterior, Entrance & Exit Directional Camera Framing
|
| 200 |
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- **THE ISSUE**: When characters exit a building or room (e.g., leaving a lobby out to a plaza), prompts that vaguely state "walking through the glass doors" often cause MiniMax-H3 to render them *entering* the building instead of leaving.
|
| 201 |
-
- **THE SOLUTION**:
|
| 202 |
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1. **Anchor the Camera Position**: Explicitly state the camera location and perspective relative to the building: `Live-action, bright sunlit outdoor concrete plaza outside Sabre Tower, looking back at the main glass entrance doors from the outside...`
|
| 203 |
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2. **Explicit Movement Vector**: Describe the movement relative to the building: `A medium two-shot tracking backward in front of both subjects as they walk out through the glass double doors from the dark lobby into the bright morning outdoor air, moving away from the building entrance behind them.`
|
| 204 |
-
|
| 205 |
-
### Rule 21: Sub-Scene Insertions (`_a`, `_b`) & Duration Parameter Discipline
|
| 206 |
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- **THE ISSUE**:
|
| 207 |
-
- Missing connective beats identified during production (e.g., showing a door closing, a character separation, or a bad guy approaching) can break narrative flow if skipped, but renumbering 70+ scene files is error-prone.
|
| 208 |
-
- Submitting prompts via API/MCP without specifying explicit clip durations causes generation servers to fall back to a default duration (e.g., 5 seconds), truncating dialogue and action beats.
|
| 209 |
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- **THE SOLUTION**:
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| 210 |
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1. **Sub-Scene Naming**: Insert sub-scenes using letter suffixes (`scene_23_a.md`, `scene_28_a.md`, `scene_68_a.md`). Create companion dialogue files (`scene_XX_a_dialogue.md`) and register them in `synopsis.md`.
|
| 211 |
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2. **Explicit Duration Passing**: Every API call or MCP `comfy_submit_t2v` tool call MUST explicitly pass the `durationSeconds` parameter matching the scene prompt's defined duration (e.g., `durationSeconds: 10`, `durationSeconds: 12`). Never rely on server defaults.
|
| 212 |
-
|
| 213 |
-
### Rule 22: Environmental Lighting & Time of Day Consistency
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| 214 |
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- **THE ISSUE**: Lighting, sun angles, or time of day jumping between shots or scenes (e.g., from bright midday glare to sunset amber glow to night) within the same scene or immediate sequence creates severe visual jarring.
|
| 215 |
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- **THE SOLUTION**:
|
| 216 |
-
1. **Explicit Lighting Declaration**: Every shot description MUST explicitly specify the environment's lighting temperature and time of day (e.g. `Live-action, bright morning 10:00 AM sunlight filtering through high glass windows...` or `dusk sunset golden hour lighting...` or `nighttime ambient overhead fluorescents...`).
|
| 217 |
-
2. **Sequence Uniformity**: Keep the lighting and time of day 100% consistent across all connected scenes taking place in the same location/sequence unless an explicit story time-jump occurs.
|
| 218 |
-
|
| 219 |
-
### Rule 23: Actor Era & Age Anchoring (Preventing Age Jumping)
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| 220 |
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- **THE ISSUE**: For actors who played iconic roles across long careers spanning multiple decades (e.g. Bruce Willis in 1988 *Die Hard* vs 2007 *Live Free or Die Hard*; Harrison Ford in 1981 *Raiders* vs 2023 *Dial of Destiny*; Nathan Fillion in 2002 *Firefly* vs 2018 *The Rookie*), MiniMax-H3 may randomly jump between young, middle-aged, or elderly portrayals of the actor from shot to shot or scene to scene if the prompt merely says "played by Bruce Willis".
|
| 221 |
-
- **THE SOLUTION**:
|
| 222 |
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1. **Era & Age Anchor in `subject_definitions:`**: Always specify the exact era/age in the character tag (e.g. `<Subject 1> John McClane (played by 35-year-old Bruce Willis, 1988 Die Hard era) from Die Hard`).
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| 223 |
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2. **Age-Defining Physical Trait Anchoring in Every Shot**: Restate age-defining physical characteristics in every shot prompt (e.g. `receding dark brown hair, energetic young 30s facial features` vs `bald shaved head, weathered 50s face`). This prevents the AI model from defaulting to a different era of the actor's life.
|
| 224 |
-
|
| 225 |
-
### Rule 24: Playboy Client & Artful Soft-Core Glamour Nudity Presets
|
| 226 |
-
- **THE DIRECTIVE**: When client specifications request high-end glamour, soft-core artistic nudity, and sensual aesthetics (e.g., Playboy client style), follow [`docs/PLAYBOY_ARTFUL_NUDITY_PROMPTING_GUIDE.md`](PLAYBOY_ARTFUL_NUDITY_PROMPTING_GUIDE.md):
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| 227 |
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1. **Artful Glamour Aesthetics**: Focus on full-body artistic nudes, elegant poses (kneeling, lounging on velvet, reclining), soft lighting, warm studio/golden-hour glow, sheer silk drapery, and 35mm film grain.
|
| 228 |
-
2. **No Render Buzzwords**: Banned terms include `masterpiece`, `8k`, `hyperrealistic`, `unreal engine`, `CGI`, `render`.
|
| 229 |
-
3. **Authentic Dialogue**: Enclose character-authentic spoken dialogue in `<d>[English in [Character]'s voice from [Show]] dialogue line</d>`.
|
| 230 |
-
4. **Active pacing (prefer 12s–15s delivered)**: Use 3-shot storyboards across the full clip. For C2V request ~16s to deliver ~15s (`00:00–00:05.500`, `00:05.500–00:10.500`, `00:10.500–00:16.000` on the untrimmed clock). Short 5s–8s clips are for transitions only. Fill the duration with dialogue, pose shifts, and camera movement ��� no silent staring lead-ins or clip-end dead air.
|
| 231 |
-
|
| 232 |
-
### Rule 25: Base Model Character Usability Benchmarking & MP4 Metadata Sorting Protocol
|
| 233 |
-
- **THE PURPOSE**: Before featuring any character or celebrity in a multi-scene movie or crossover prompt, run a standardized 8-second "character roll" usability test to determine if the base MiniMax-H3 model renders sufficient facial likeness and voice fidelity without a custom LoRA.
|
| 234 |
-
- **BENCHMARKING PROTOCOL**:
|
| 235 |
-
1. **8-Second Single-Shot Roll Template**: Draft an 8-second T2VA prompt opening immediately with dialogue:
|
| 236 |
-
```text
|
| 237 |
-
subject_definitions:
|
| 238 |
-
<Subject 1> [Character Name] (played by [Actor Name]) from [Show Name]
|
| 239 |
-
|
| 240 |
-
integrated_multimodal_description:
|
| 241 |
-
[Shot 1] Live-action, 35mm cinematic photograph, [Setting]. A single medium close-up of <Subject 1> [Character Name] (S1) alone in frame, wearing [iconic attire]. The shot opens with <Subject 1> [Character Name] (S1) looking directly into the camera lens in iconic character demeanor, already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> [Character Name] (S1) says clearly: <d>[English in [Character]'s voice from [Show Name]] [Iconic quote]</d>
|
| 242 |
-
|
| 243 |
-
overall_soundscape:
|
| 244 |
-
[Ambient room acoustic tone, subtle movement rustle, and character's distinct spoken voice.]
|
| 245 |
-
|
| 246 |
-
non_diegetic_music:
|
| 247 |
-
N/A
|
| 248 |
-
```
|
| 249 |
-
2. **Batch Queue Execution**: Save test prompts in structured JSON batch files (`prompts_usability_tests_batch_h3_X.json`) in `sd-backend/src/public/prompts/programmatic-minimaxh3/` and queue via `comfy_submit_t2v`.
|
| 250 |
-
3. **Directory Sorting**: Triage rendered MP4 outputs from ComfyUI into `good/` (high base model fidelity) or `bad/` (poor likeness requiring custom LoRA) subfolders (e.g. `C:\Development\ComfyUI\output\video\characters\new\good` and `bad`).
|
| 251 |
-
4. **Automated MP4 Metadata Recovery & Index Update**: MiniMax-H3 MP4 outputs embed the full ComfyUI API-format workflow graph in MP4 metadata (`udta/meta/ilst` atom). Use the backend metadata parser (`readVideoMetadata` / `extractVideoGraph`) to extract the exact `subject_definitions` from `good/` and `bad/` files and automatically update status tags (✅ **Usable** vs ❌ **Not Usable**) in `CHARACTER_USABILITY_INDEX.md`.
|
| 252 |
-
|
| 253 |
-
### Rule 26: Spatial Positioning & Subject Placement Continuity across C2V Joins
|
| 254 |
-
- **THE ISSUE**: In Clip-to-Video (C2V) motion context chaining and shot cuts within a sequence, characters can unexpectedly swap spatial positions (e.g. a character seated on screen-left suddenly jumping to screen-right, or another character replacing them on screen-left when the camera cuts).
|
| 255 |
-
- **THE CONTINUITY PROTOCOL**:
|
| 256 |
-
1. **Document Screen Placement in Prompt Text**: Always explicitly state spatial coordinates / positions for every character in multi-subject shots (e.g., `<Subject 1> Daenerys (S1) seated on screen-left, <Subject 2> Kate (S2) seated in screen-center, <Subject 3> Penny (S3) lounging on screen-right`).
|
| 257 |
-
2. **Track Placement Across C2V Joins**: Before drafting a continuation prompt (e.g. Clip N -> Clip N+1), inspect the ending frame of Clip N to identify who was positioned on screen-left, screen-center, and screen-right.
|
| 258 |
-
3. **Maintain Spatial Anchors in Continuation [Shot 1]**: In Clip N+1 [Shot 1], explicitly describe the incoming subjects relative to those spatial anchors (e.g. `[Shot 1] Continuous movement from the previous scene. <Subject 1> Daenerys (S1) remains seated on screen-left, while <Subject 2> Kate (S2) sits on screen-center...`).
|
| 259 |
-
4. **Preserve Spatial Geometry Across Internal Cuts**: When cutting between shots inside a clip (e.g., [Shot 1] to [Shot 2]), if a character stays on screen or appears in a two-shot, explicitly instruct their position to remain on their assigned side (e.g. `<Subject 3> Penny remains positioned on screen-right as <Subject 1> Daenerys speaks from screen-left`).
|
| 260 |
-
5. **Verifiable Prompt Record**: Documenting explicit spatial placement (`screen-left`, `screen-center`, `screen-right`) in every prompt creates a searchable, recheckable prompt audit trail for visual continuity across multi-clip C2V chains.
|
| 261 |
-
|
| 262 |
-
### Rule 27: C2V Join = Previous Ending — Do Not Re-boilerplate Start and End
|
| 263 |
-
- **THE ACTUAL BUG**: Sandwiching did not come from "any wide shot" or "mentioning the location." It came from pasting the **same establishing boilerplate** at **both ends of every clip** (and therefore at the join between clips). Typical copy-paste: *Live-action 35mm, Paris penthouse terrace, Eiffel Tower, medium/wide of three women on the daybed* in Shot 1 **and** again in Shot 3.
|
| 264 |
-
- **THE JOIN FACT (write it into Shot 1)**: In C2V, the start of clip N+1 **is** the end of clip N. The workflow pins the previous tail (`contextLengthFrames`, default 22 frames ≈ 0.92s at 24fps) onto the new timeline, then trims that head off the delivered file. Shot 1 still opens on that same composition. **Do not re-describe a fresh establishing shot of the location.** State the join explicitly, e.g. `[Shot 1] Opens on the last frame of the previous clip: <Subject 2> Pam still in screen-center, glass at her lips. The camera continues from that exact framing as Rose leans in from screen-left...` Then describe **what changes** (who enters, who speaks, a small camera move) — not a second copy of the terrace/vista.
|
| 265 |
-
- **DO NOT CLOSE WITH THE SAME SHOT**: Shot 3 must not repeat Shot 1's framing or the previous clip's ending tableau. If the join is a medium two-shot on the daybed, do not end on that same two-shot "with the tower behind them." If you end on it, the **next** clip's start is that shot again, and the loop continues.
|
| 266 |
-
- **TOO BROAD (do not do this)**: Banning all landmarks, all medium shots, and forcing ECU-only for the whole chain. Location and daylight may still be mentioned when they are not a framed vista that copies the join. A medium two-shot is fine **once**, as the inherited start — not again as the closer.
|
| 267 |
-
- **TIMESTAMP NOTE**: Shot times are on the **untrimmed** requested duration. After C2V trims ~0.92s, a closer at `00:06` on an 8s request eats the last third of a ~7s file. On a 16s request (≈15s delivered), put the last beat near `00:10.500`–`00:16.00`, not at `00:06`.
|
| 268 |
-
- **VERIFY**: If the first second and the last third show the same scenery, the boilerplate closer is still there. Prompt labels (`OTS`, `detail`) do not override that.
|
| 269 |
-
|
| 270 |
-
### Rule 28: C2V Continuity Movies — Playbook (Paris chain, August 2026)
|
| 271 |
-
Use this when making a **long scene that continues** (one location, many characters rotating through) rather than a T2V episode of disconnected takes. Proven on the Paris penthouse centerfolds chain (`h3_context/centerfolds_paris_3clips`, clips through `MiniMax_H3_C2V_00174_`).
|
| 272 |
-
|
| 273 |
-
#### How the chain is run
|
| 274 |
-
1. **One `chainFolder` per movie/sequence.** Never mix two stories in the same latent folder.
|
| 275 |
-
2. **Clip 1 seeds** (omit `continueFromClipIndex`). Clip N+1 always `continueFromClipIndex: N`, `clipIndex: N+1`, `contextLengthFrames: 22`.
|
| 276 |
-
3. **Wait until clip N has finished** before submitting N+1 — the latent has to exist. Sequential only.
|
| 277 |
-
4. **Review in batches of 3.** Do not queue 20 clips blind. Confirm flow, positions, lighting, and duration, then continue.
|
| 278 |
-
5. **Fresh noise seed per clip** (do not leave the workflow template seed).
|
| 279 |
-
6. **Re-roll** overwrites the same `clipIndex` slot. After a good take, only then bump both indices.
|
| 280 |
-
|
| 281 |
-
#### What to write in each continuation prompt
|
| 282 |
-
1. **Shot 1 = the previous ending, then the change.** First sentence: `Opens on the last frame of the previous clip:` plus who is where, what they hold, what the frame is. Then who enters, who speaks, a small camera move. Do **not** re-establish the location as if this were a new T2V clip.
|
| 283 |
-
2. **C2V is a continuous take, not a T2V 3-cut storyboard.** Hard cuts (`the shot cuts to`) fight the motion-context pin. The model starts on the previous ending, wanders on the cut, then **falls back to the pin** for the last third — that is the “diverges then snaps back” failure. Write **one unbroken camera move** from the join to a new closer. If you mark `[Shot 2]` / `[Shot 3]` for timing, say `without cutting` / `the camera keeps moving`. Never `the shot cuts to`.
|
| 284 |
-
3. **Shot 3 / the last beat = a new closer class, and rotate it.** This closer **is** Shot 1 of the next clip. Rotate: sip/glass ECU, hands+prop filling the frame, single face into lens, profile, eyes only, looking down. **Illegal as a default closer:** a held two-shot of two people looking at each other. **Do not freeze.** “Until 16.00” on a still ECU is a tableau. Bodies and camera keep moving through the last beat (a sip in progress, a turn, a truck, a sit). The last frame is a moving closer, not a hold.
|
| 285 |
-
4. **New dialogue every clip.** Do not recycle lines already spoken in this chain (even from discarded takes). Keep a running list of used quotes per character.
|
| 286 |
-
5. **Screen positions in every multi-person shot:** `screen-left` / `screen-center` / `screen-right`. Keep them unless someone clearly enters or leaves that seat. Read the previous ending before writing the next Shot 1.
|
| 287 |
-
6. **Lighting lock for the sequence.** One string for the whole chain (e.g. `bright daylight on skin`). Do not drift morning → sunset → night unless the story actually jumps time.
|
| 288 |
-
7. **Cast:** only ✅ Usable names from `CHARACTER_USABILITY_INDEX.md`. Max 3–4 on screen. Stagger arrivals — typically **one new person per clip**. Give them a spoken reason to be there. The plot must **advance** (new person, new action, new closer) — not a remix of the previous two-shot.
|
| 289 |
-
8. **Props:** skip fiddly held instruments or objects that smear (guitar-in-hands failed; a cup or notebook is safer).
|
| 290 |
-
9. **Duration:** delivered **5–15s**, prefer **12–15s** unless it is a short transition. C2V request ≈ delivered + 1s. Default: **`durationSeconds: 16`**. Times on the untrimmed clock: `00:05.500` / `00:10.500` / keep moving to `16.00`. Those are beats inside **one take**, not editorial cuts, and not freeze points.
|
| 291 |
-
10. **Noise seed must change every clip.** If every mp4 still has `noise_seed: 836251032571729`, the backend is serving a stale process and C2V will stay in the same visual basin. Restart `sd-backend` after seed changes; confirm the new seed in video metadata before rolling a batch.
|
| 292 |
-
|
| 293 |
-
#### Continuity log (keep this between batches)
|
| 294 |
-
Before the next 3 clips, write down from the last mp4 (not from memory of the prompt):
|
| 295 |
-
- `clipIndex` and output filename
|
| 296 |
-
- Ending frame: left / center / right, framing (ECU / close / two-shot), prop in hand, lighting
|
| 297 |
-
Shot 1 of the next clip must cite that ending. Metadata proves what was asked; **the mp4 proves the join**.
|
| 298 |
-
|
| 299 |
-
#### When a clip fails: triage before you retry (burned twice — movie0003 and movie0005)
|
| 300 |
-
**Step 1, always: check for stray runner processes. Do not read the ComfyUI log and do not edit a prompt until you have done this.** A backgrounded runner does **not** die when the shell that started it returns. Every failed launch leaves a live Node process that keeps submitting on its own schedule, so after two or three "fix and relaunch" cycles you have several runners racing on one ComfyUI queue and one latent folder. The errors you then read in the ComfyUI log belong to a runner you already tried to replace, which sends you chasing a bug in the code you just fixed.
|
| 301 |
-
|
| 302 |
-
```powershell
|
| 303 |
-
Get-CimInstance Win32_Process -Filter "Name = 'node.exe'" |
|
| 304 |
-
Where-Object { $_.CommandLine -like '*run_movie*' } |
|
| 305 |
-
Select-Object ProcessId, CommandLine
|
| 306 |
-
```
|
| 307 |
-
|
| 308 |
-
If more than one runner is alive, recover in this order — a partial cleanup leaves a stale latent that the next clip silently continues from:
|
| 309 |
-
1. `Stop-Process -Id <each pid> -Force` for **every** runner, including the one you believe is correct.
|
| 310 |
-
2. Clear the queue so orphaned jobs stop landing: `POST http://127.0.0.1:8188/queue` with `{"clear": true}`, then confirm `queue_running` and `queue_pending` are both empty.
|
| 311 |
-
3. Delete the `.lock` and `_progress.json` for the chain. A killed runner leaves a lock that makes the next launch abort with `another runner (pid N) is already active`, and a progress file whose `lastCompletedClipIndex` counted failed clips as done.
|
| 312 |
-
4. Delete any latents written under a wrong `chainFolder`, and list the correct folder to see how far the chain really got. `dir` the folder — file timestamps tell you which clips are from this run and which are leftovers.
|
| 313 |
-
5. Relaunch **one** runner and verify clip 1 completes and clip 2 reports `continueFromClipIndex: 1` before you walk away.
|
| 314 |
-
|
| 315 |
-
**`chainFolder` must include the `h3_context/` prefix** — `h3_context/movie0005_flat_earth`, not `movie0005_flat_earth`. Without it the node resolves to `output/<name>` and fails with `'<name>' is neither a file nor a folder`. The `no saved latent for clip N (no *_0000N.safetensors in ...)` error is the same bug one clip later: read the **path** in that message before assuming the chain logic is wrong.
|
| 316 |
-
|
| 317 |
-
**Do not trust "the queue is empty" as proof a clip succeeded.** A prompt that fails validation leaves the queue immediately, so a runner polling only queue depth marches through the whole movie recording failures as completions. Poll the prompt's history entry and require an actual output file.
|
| 318 |
-
|
| 319 |
-
#### What not to do (already burned)
|
| 320 |
-
- Launching a replacement runner without killing the previous one. Two runners on one `chainFolder` overwrite each other's latents, and the older one's errors get blamed on the newer one's code.
|
| 321 |
-
- Ending several clips in a row on the same closer class (especially a held close two-shot of two women looking at each other). C2V compounds that “home” look and artifacting stacks.
|
| 322 |
-
- Writing `not the previous two-shot` while Shot 3 still requests a two-shot of the next pair.
|
| 323 |
-
- Hard-cutting C2V (`the shot cuts to`) like a T2V 3-shot. The pin is the previous ending; a cut lets the model wander then **fall back to that ending**. Write one continuous take.
|
| 324 |
-
- Serving C2V from a stale `sd-backend` so every clip keeps template `noise_seed` `836251032571729`. Restart the API after seed wiring; confirm metadata.
|
| 325 |
-
- Treat prompt labels (`OTS`, `detail`) as proof the sandwich is gone.
|
| 326 |
-
- Ban all landmarks / force ECU-only for the whole movie (too broad). Medium coverage is allowed as the **inherited start**, not as a matching closer.
|
| 327 |
-
- Request 8s and expect 8s on disk (you get ~7s). Request 16s for a ~15s scene.
|
| 328 |
-
- Advance time of day in the prose while the chain is still the same afternoon.
|
| 329 |
-
- Submit the next C2V job while the previous one is still rendering.
|
| 330 |
-
- Open a clip with `already speaking, with no silent establishing beat` when the previous clip ended on a **different** person. See Rule 29 — this is the single most common C2V failure.
|
| 331 |
-
|
| 332 |
-
### Rule 29: C2V Speaker Handoff — never open a subject change on dialogue (movie0005, August 2026)
|
| 333 |
-
**The failure:** clip N ends on Kanye talking. Clip N+1 is written as `[Shot 1] ... Joe Rogan (S1) alone in frame ... already speaking, with no silent establishing beat: <d>Wait, hold on... really?</d>`. The motion-context pin means the first ~22 frames of clip N+1 still render **Kanye's** face. The dialogue starts on frame 1, so Joe's line comes out of Kanye's mouth in Joe's voice. The prompt named Joe; the picture had not arrived yet.
|
| 334 |
-
|
| 335 |
-
**Why the standard opener causes it:** `already speaking, with no silent establishing beat` is a **T2V** rule (Rule 3) written to stop dead air at the top of an independent clip. In C2V the top of the clip is not yours — it is inherited. Applying the T2V opener to an inherited frame is what mis-attributes the line.
|
| 336 |
-
|
| 337 |
-
#### The decision you must make before writing any continuation Shot 1
|
| 338 |
-
Read the **last frame of the previous mp4** (not the prompt) and ask: *is the person who speaks first in this clip already the person on screen?*
|
| 339 |
-
|
| 340 |
-
- **Same speaker on screen → continuation opener.** `already speaking` is correct and works. Nothing changes.
|
| 341 |
-
- **Different person speaks → mandatory handoff.** Never let dialogue begin before the camera has arrived on the new speaker.
|
| 342 |
-
|
| 343 |
-
#### The handoff structure (three mandatory parts)
|
| 344 |
-
1. **Inherited silent beat, `00:00.000`–`00:02.000`.** Reference the **previous** clip's subject by their `<Subject N>` tag (declare them — see below), state what they are finishing, and mark them explicitly silent: `mouth closed, completely silent, speaking no dialogue`. Add `No dialogue, narration or voice of any kind is heard during this opening beat.` The negative has to be explicit — the model will otherwise fill inherited lip motion with the next line it is given.
|
| 345 |
-
2. **A named transition out of them.** `Without cutting, the camera trucks left away from him, leaving <Subject 2> Kanye West (S2) out of frame, and settles into <new framing>.` A whip pan, truck, arc, or rack focus all work. Keep it continuous per Rule 28 — do not write `the shot cuts to`.
|
| 346 |
-
3. **New speaker's first `<d>` at `00:02.000` or later**, and say so out loud: `At 00:02.000, now that the camera is settled on <Subject 1> Joe Rogan (S1) alone in frame, he says: <d>...</d>`. The clause "now that the camera is settled on" is doing real work — it ties the audio to the arrival, not to the clip start.
|
| 347 |
-
|
| 348 |
-
#### Always tag the outgoing person as a `<Subject>`
|
| 349 |
-
The person you hand off *from* is on screen during the inherited beat, so they are a subject and must be declared in `subject_definitions:` like anyone else. **Never refer to them by bare name** — an untagged name is not reliably bound to a face, and the inherited head is exactly where identity is most fragile.
|
| 350 |
-
|
| 351 |
-
- **The primary speaker MUST ALWAYS be `<Subject 1>`.** In multi-subject shots (or scenes with multiple defined subjects), MiniMax-H3 binds dialogue audio generation to `<Subject 1>`. If a silent character is listed as `<Subject 1>` and the actual speaker as `<Subject 2>`, the model will misattribute the spoken line to `<Subject 1>`'s face. ALWAYS put the active speaker first in `cast` / `subject_definitions:`, and explicitly write `and <Subject 1> Name (S1) says:` in the shot description.
|
| 352 |
-
- **Give the outgoing person the next free subject number**, after the clip's actual cast. The speaker stays `<Subject 1>`, a two-shot keeps the speaker as `<Subject 1>` and the listener as `<Subject 2>`, and the outgoing person takes the number after that.
|
| 353 |
-
- **Keep them out of the rest of the clip with isolation phrasing, not by omitting the tag.** Name them leaving in the transition (`leaving <Subject 2> Kanye West (S2) out of frame`), then add `<Subject 2> is not in frame.` to every shot after the handoff — the same isolation phrasing used for off-screen characters elsewhere in this guide.
|
| 354 |
-
- **If the outgoing person is already in this clip's cast, do not re-declare them.** Previous clip ends on Anthony alone; next clip is Dave + Anthony. Anthony is already `<Subject 2>` — reference that tag in the inherited beat and widen to reveal Dave.
|
| 355 |
-
|
| 356 |
-
```text
|
| 357 |
-
subject_definitions:
|
| 358 |
-
<Subject 1> Joe Rogan (played by Joe Rogan) from Real Person / Actor
|
| 359 |
-
<Subject 2> Kanye West (played by Kanye West) from Real Person / Actor
|
| 360 |
-
|
| 361 |
-
[Shot 1] HANDOFF BEAT, 00:00.000 to 00:02.000. Opens on the last frame of the previous clip:
|
| 362 |
-
<Subject 2> Kanye West (S2) still in close-up at screen-right with his palm flat on the wood, his
|
| 363 |
-
mouth closed and completely silent, speaking no dialogue. No dialogue, narration or voice of any
|
| 364 |
-
kind is heard during this opening beat, and no lips move. Without cutting, the camera whip-pans
|
| 365 |
-
left across the studio to the host station, leaving <Subject 2> Kanye West (S2) out of frame, and
|
| 366 |
-
settles into a single medium shot of <Subject 1> Joe Rogan (S1) alone in frame. <Subject 2> Kanye
|
| 367 |
-
West (S2) is not in frame for the entire remainder of the clip.
|
| 368 |
-
|
| 369 |
-
[Shot 2] At 00:02.000, now that the camera has settled on <Subject 1> Joe Rogan (S1) alone in
|
| 370 |
-
frame and only now, he grips his headphones and says: <d>...</d> <Subject 2> is not in frame.
|
| 371 |
-
```
|
| 372 |
-
|
| 373 |
-
#### Consequences for scene planning
|
| 374 |
-
- **Budget the handoff into the duration.** A subject-change clip needs ~2s of untrimmed head before its first line, so request **+2s** over a same-speaker clip (e.g. 12s request for the same two spoken beats a 10s continuation clip carries).
|
| 375 |
-
- **A shared subject is still a change if the speaker changes.** Previous clip ends on Anthony alone; next clip is Dave + Anthony with **Dave** speaking. Anthony is on screen, but Dave is not — you still widen or truck to reveal Dave before he talks.
|
| 376 |
-
- **Group same-speaker clips deliberately.** Two consecutive clips on the same person costs no handoff and reads more naturally. Alternating speaker every clip means paying 2s of transition every clip.
|
| 377 |
-
- **Check the whole chain, not one join.** Write the ending subject of every clip in the continuity log, then walk the list and mark each join `same` or `handoff` before writing a single prompt.
|
| 378 |
-
|
| 379 |
-
#### Verify on the mp4
|
| 380 |
-
Watch the **first two seconds** of every continuation clip. If a face that is not the credited speaker is moving its lips while the new line plays, the handoff is missing or the first `<d>` is too early. Prompt labels do not prove it — only the file does.
|
| 381 |
-
|
| 382 |
-
### Rule 30: C2V Latent Identity Persistence — Retain Adjacent/Panel Subjects in Continuation Clips (movie0005, August 2026)
|
| 383 |
-
**The failure:** Clip N shows a two-shot of Dave Chappelle (S1) and Neil deGrasse Tyson (S2). Clip N+1 continues on Dave Chappelle (`kind: 'same'`), but drops `<Subject 2> Neil deGrasse Tyson` from `subject_definitions:`. Because C2V carries motion-context latents from Clip N into Clip N+1, the person sitting next to Dave (Neil) remains in the visual latent space. Without `<Subject 2> Neil deGrasse Tyson` defined in Clip N+1's prompt, the AI model has no identity anchor for that person, causing Neil's face to degenerate into a random, hallucinated stranger sitting next to Dave.
|
| 384 |
-
|
| 385 |
-
**The rule:** In a C2V continuous chain, whenever Clip N+1 continues from a multi-subject shot or stays at a desk/panel where an adjacent character was visible in the latent:
|
| 386 |
-
1. **Retain all visible/adjacent characters in `subject_definitions:`**: Do not drop a character from `subject_definitions:` if they were in the frame/latent of the previous clip and remain adjacent or on screen.
|
| 387 |
-
2. **Primary Speaker MUST be `<Subject 1>`**: Keep the speaker as `<Subject 1> Speaker Name (S1)`.
|
| 388 |
-
3. **Adjacent Panel Member is `<Subject 2>`**: Define `<Subject 2> Adjacent Name (S2)` in `subject_definitions:` and explicitly describe their passive presence (e.g., `<Subject 2> Neil deGrasse Tyson (S2) remains seated on screen-left with his mouth closed, completely silent, speaking no dialogue`).
|
| 389 |
-
|
| 390 |
-
---
|
| 391 |
-
|
| 392 |
-
## 3. Multi-Scene Movie Production Workflow (`docs/movies/movieXYZ/`)
|
| 393 |
-
|
| 394 |
-
When starting a multi-scene episode or movie (e.g., `movie0001`, `movie0002`):
|
| 395 |
-
|
| 396 |
-
### Directory Structure
|
| 397 |
-
```
|
| 398 |
-
docs/movies/movieXYZ/
|
| 399 |
-
├── synopsis.md # Master overview: cast, act breakdown, scene index, duration
|
| 400 |
-
├── scene_01.md # MiniMax-H3 prompt for Scene 01 (MCP ready)
|
| 401 |
-
├── scene_01_dialogue.md # Companion dialogue & action breakdown for Scene 01
|
| 402 |
-
├── scene_02.md # MiniMax-H3 prompt for Scene 02
|
| 403 |
-
├── scene_02_dialogue.md # Companion dialogue & action breakdown for Scene 02
|
| 404 |
-
└── ...
|
| 405 |
-
```
|
| 406 |
-
|
| 407 |
-
### Operational Protocol
|
| 408 |
-
1. **Drafting Phase**:
|
| 409 |
-
- Create `docs/movies/movieXYZ/`.
|
| 410 |
-
- Write `synopsis.md` with overall storyline, cast list from `docs/shows/`, act breakdown, and scene duration index.
|
| 411 |
-
- Per Rule 15, include a one-sentence **reason for presence** for every named character (why they are at the setting) in `synopsis.md`, and stagger cast entrances across the opening scenes rather than introducing everyone in Scene 01.
|
| 412 |
-
- For each scene, create two companion files: `scene_XX.md` (the prompt) and `scene_XX_dialogue.md` (human-editable dialogue & action breakdown).
|
| 413 |
-
2. **User Review Phase**:
|
| 414 |
-
- Present `synopsis.md` and the scene index to the user for review.
|
| 415 |
-
- **CRITICAL:** DO NOT submit prompts via MCP until the user explicitly reviews the plan and says "go", "run", or approves generation.
|
| 416 |
-
3. **Dialogue & Action Updates**:
|
| 417 |
-
- When updating dialogue for a scene (e.g., `update scene 25`), modify `scene_XX_dialogue.md` and re-compile `scene_XX.md` while maintaining all section rules, single-character shot cuts, and non-speaking silence mandates.
|
| 418 |
-
4. **Batch MCP Execution**:
|
| 419 |
-
- Upon user approval, submit scene prompts sequentially via the MCP `comfy_submit_t2v` tool.
|
| 420 |
-
- **C2V continuity movies** (one scene that keeps going): do **not** use a T2V batch. Follow **Rule 28** — one `chainFolder`, sequential `comfy_submit_c2v` / `/api/v1/comfy/c2v`, wait for each latent, review every 3 clips.
|
| 421 |
-
|
| 422 |
-
---
|
| 423 |
-
|
| 424 |
-
## 4. Show & Character Repository Index & Usability Rules
|
| 425 |
-
|
| 426 |
-
Always verify character usability in [`docs/CHARACTER_USABILITY_INDEX.md`](CHARACTER_USABILITY_INDEX.md) before writing scene scripts. Characters marked as ❌ **Not Usable** must not be featured in prompts due to poor base model likeness without custom LoRAs.
|
| 427 |
-
|
| 428 |
-
Pull visual descriptions, attire, voice tags, and visual style from character profiles in `docs/shows/`:
|
| 429 |
-
|
| 430 |
-
| Show File | Show Name | ✅ Usable Characters | ⚠️ / ❌ Do Not Use |
|
| 431 |
-
| :--- | :--- | :--- | :--- |
|
| 432 |
-
| `alias.md` | Alias | — | Sydney Bristow |
|
| 433 |
-
| `alien.md` | Alien | �� | Ellen Ripley |
|
| 434 |
-
| `always_sunny.md` | It's Always Sunny in Philadelphia | — | Dennis Reynolds, Charlie Kelly, Frank Reynolds |
|
| 435 |
-
| `arcane.md` | Arcane | Jinx, Vi, Caitlyn Kiramman, Silco | — |
|
| 436 |
-
| `arrested_development.md` | Arrested Development | — | Michael Bluth, Gob Bluth |
|
| 437 |
-
| `avengers.md` | Marvel's Avengers | Loki, Doctor Strange, Deadpool, Wolverine, Tony Stark / Iron Man, Steve Rogers / Captain America, Thor, Natasha Romanoff / Black Widow, Wanda Maximoff / Scarlet Witch, Nick Fury | ⚠️ Star-Lord / Peter Quill, Bruce Banner |
|
| 438 |
-
| `babylon_5.md` | Babylon 5 | — | Captain John Sheridan |
|
| 439 |
-
| `banshee.md` | Banshee | — | Lucas Hood |
|
| 440 |
-
| `big_bang_theory.md` | The Big Bang Theory | Amy Farrah Fowler, Bernadette Rostenkowski, Sheldon Cooper, Leonard Hofstadter, Penny, Howard Wolowitz, Raj Koothrappali | — |
|
| 441 |
-
| `bones.md` | Bones | Dr. Temperance Brennan, Seeley Booth | — |
|
| 442 |
-
| `breaking_bad.md` | Breaking Bad | Walter White, Jesse Pinkman, Saul Goodman | Gustavo Fring, Hank Schrader, Mike Ehrmantraut, Kim Wexler |
|
| 443 |
-
| `brooklyn_nine_nine.md` | Brooklyn Nine-Nine | Jake Peralta, Captain Raymond Holt | — |
|
| 444 |
-
| `buffy.md` | Buffy the Vampire Slayer | Buffy Summers, Angel | — |
|
| 445 |
-
| `columbo.md` | Columbo | — | Lieutenant Columbo |
|
| 446 |
-
| `community.md` | Community | — | Abed Nadir, Troy Barnes, Jeff Winger |
|
| 447 |
-
| `curb_your_enthusiasm.md` | Curb Your Enthusiasm | Larry David | — |
|
| 448 |
-
| `deadwood.md` | Deadwood | — | Al Swearengen |
|
| 449 |
-
| `dexter.md` | Dexter | Dexter Morgan | Debra Morgan, Angel Batista, Vince Masuka |
|
| 450 |
-
| `die_hard.md` | Die Hard | John McClane | — |
|
| 451 |
-
| `doctor_who.md` | Doctor Who | The Tenth Doctor, Rose Tyler | — |
|
| 452 |
-
| `farscape.md` | Farscape | — | John Crichton |
|
| 453 |
-
| `fawlty_towers.md` | Fawlty Towers | — | Basil Fawlty |
|
| 454 |
-
| `firefly.md` | Firefly | Malcolm Reynolds | Zoe Washburne, Hoban Washburne (Wash), Jayne Cobb, Inara Serra |
|
| 455 |
-
| `fresh_prince.md` | The Fresh Prince of Bel-Air | Will Smith | — |
|
| 456 |
-
| `friends.md` | Friends | Ross Geller, Joey Tribbiani, Chandler Bing, Rachel Green, Phoebe Buffay | Monica Geller |
|
| 457 |
-
| `game_of_thrones.md` | Game of Thrones | Tyrion Lannister, Daenerys Targaryen, Jon Snow | Jaime Lannister, Cersei Lannister, Arya Stark, Ned Stark, Petyr Baelish, Sansa Stark |
|
| 458 |
-
| `gladiator.md` | Gladiator | Maximus Decimus Meridius | — |
|
| 459 |
-
| `greys_anatomy.md` | Grey's Anatomy | — | Meredith Grey |
|
| 460 |
-
| `house_md.md` | House M.D. | Dr. Gregory House | Dr. Lisa Cuddy, Dr. James Wilson |
|
| 461 |
-
| `house_of_cards.md` | House of Cards | Frank Underwood | Claire Underwood |
|
| 462 |
-
| `how_i_met_your_mother.md` | How I Met Your Mother | Barney Stinson, Ted Mosby | — |
|
| 463 |
-
| `hunger_games.md` | The Hunger Games | — | Katniss Everdeen |
|
| 464 |
-
| `indiana_jones.md` | Indiana Jones | Indiana Jones | — |
|
| 465 |
-
| `james_bond.md` | James Bond | James Bond (Daniel Craig) | James Bond (Sean Connery), James Bond (Timothy Dalton), James Bond (Pierce Brosnan) |
|
| 466 |
-
| `kill_bill.md` | Kill Bill | — | The Bride / Beatrix Kiddo |
|
| 467 |
-
| `last_week_tonight.md` | Last Week Tonight | John Oliver | — |
|
| 468 |
-
| `lord_of_the_rings.md` | Lord of the Rings | Gandalf | Aragorn |
|
| 469 |
-
| `lost.md` | Lost | Jack Shephard, John Locke | James "Sawyer" Ford, Kate Austen |
|
| 470 |
-
| `lucifer.md` | Lucifer | Lucifer Morningstar, Chloe Decker | — |
|
| 471 |
-
| `mad_men.md` | Mad Men | Don Draper | Peggy Olson, Joan Holloway |
|
| 472 |
-
| `married_with_children.md` | Married... with Children | — | Al Bundy, Peggy Bundy |
|
| 473 |
-
| `mash.md` | M*A*S*H | — | Hawkeye Pierce |
|
| 474 |
-
| `monk.md` | Monk | Adrian Monk | Sharona Fleming, Captain Leland Stottlemeyer, Lieutenant Randy Disher, Natalie Teeger |
|
| 475 |
-
| `monty_python.md` | Monty Python | — | King Arthur, Sir Lancelot |
|
| 476 |
-
| `mr_bean.md` | Mr. Bean | Mr. Bean | — |
|
| 477 |
-
| `mr_robot.md` | Mr. Robot | Elliot Alderson, Darlene Alderson | — |
|
| 478 |
-
| `parks_and_recreation.md` | Parks and Recreation | — | Leslie Knope, Ron Swanson |
|
| 479 |
-
| `pirates_of_the_caribbean.md` | Pirates of the Caribbean | Captain Jack Sparrow | — |
|
| 480 |
-
| `psych.md` | Psych | — | Shawn Spencer |
|
| 481 |
-
| `pulp_fiction.md` | Pulp Fiction | — | Jules Winnfield |
|
| 482 |
-
| `rambo.md` | Rambo | John Rambo | — |
|
| 483 |
-
| `remington_steele.md` | Remington Steele | — | Remington Steele |
|
| 484 |
-
| `rick_and_morty.md` | Rick and Morty | Rick Sanchez, Morty Smith, Summer Smith, Beth Smith | Jerry Smith |
|
| 485 |
-
| `robocop.md` | RoboCop | RoboCop / Alex Murphy | — |
|
| 486 |
-
| `scrubs.md` | Scrubs | — | Dr. John "J.D." Dorian |
|
| 487 |
-
| `seinfeld.md` | Seinfeld | Jerry Seinfeld, George Costanza, Elaine Benes | Cosmo Kramer |
|
| 488 |
-
| `sex_and_the_city.md` | Sex and the City | Carrie Bradshaw | Samantha Jones, Charlotte York, Miranda Hobbes |
|
| 489 |
-
| `sherlock.md` | Sherlock (BBC) | Sherlock Holmes, Dr. John Watson | — |
|
| 490 |
-
| `silence_of_the_lambs.md` | The Silence of the Lambs | Dr. Hannibal Lecter | Clarice Starling |
|
| 491 |
-
| `silicon_valley.md` | Silicon Valley | — | Richard Hendricks, Erlich Bachman, Dinesh Chugtai |
|
| 492 |
-
| `smallville.md` | Smallville | Clark Kent | — |
|
| 493 |
-
| `star_trek_ds9.md` | Star Trek: DS9 | — | Captain Benjamin Sisko |
|
| 494 |
-
| `star_trek_tng.md` | Star Trek: The Next Generation | — | Q, Wesley Crusher |
|
| 495 |
-
| `stargate_sg1.md` | Stargate SG-1 | — | Teal'c |
|
| 496 |
-
| `superman.md` | Superman | — | Superman |
|
| 497 |
-
| `supernatural.md` | Supernatural | Bobby Singer, Dean Winchester, Sam Winchester, Castiel | — |
|
| 498 |
-
| `terminator.md` | Terminator 2 | — | Sarah Connor |
|
| 499 |
-
| `the_cosby_show.md` | The Cosby Show | — | Dr. Cliff Huxtable |
|
| 500 |
-
| `the_matrix.md` | The Matrix | — | Trinity |
|
| 501 |
-
| `the_office.md` | The Office | Andy Bernard, Michael Scott, Dwight Schrute, Jim Halpert, Pam Beesly | Stanley Hudson, Ryan Howard, Jan Levinson, Angela Martin |
|
| 502 |
-
| `the_sopranos.md` | The Sopranos | Tony Soprano | Silvio Dante, Paulie Gualtieri |
|
| 503 |
-
| `the_thick_of_it.md` | The Thick of It | — | Malcolm Tucker |
|
| 504 |
-
| `the_wire.md` | The Wire | — | Omar Little, Jimmy McNulty |
|
| 505 |
-
| `thirty_rock.md` | 30 Rock | Liz Lemon, Jack Donaghy | — |
|
| 506 |
-
| `tomb_raider.md` | Lara Croft: Tomb Raider | — | Lara Croft |
|
| 507 |
-
| `true_detective.md` | True Detective | — | Rust Cohle |
|
| 508 |
-
| `twenty_four.md` | 24 | Jack Bauer | — |
|
| 509 |
-
| `wednesday.md` | Wednesday | Wednesday Addams | — |
|
| 510 |
-
| `x_files.md` | The X-Files | Fox Mulder, Dana Scully | — |
|
| 511 |
-
|
| 512 |
-
> This table is generated from the files in `docs/shows/` cross-referenced against [`CHARACTER_USABILITY_INDEX.md`](CHARACTER_USABILITY_INDEX.md). Characters in the right-hand column must not appear in prompts. ⚠️ marks characters with good face likeness but inaccurate voice cloning — usable only in non-speaking roles.
|
| 513 |
-
|
| 514 |
-
---
|
| 515 |
-
|
| 516 |
-
## 5. Canonical Prompt Examples
|
| 517 |
-
|
| 518 |
-
### Example 1: Non-Speaking Silent Fix & Single-Subject Shot Cuts (House & Dexter)
|
| 519 |
-
|
| 520 |
-
```text
|
| 521 |
-
subject_definitions:
|
| 522 |
-
<Subject 1> Dr. Gregory House from House M.D.
|
| 523 |
-
<Subject 2> Dexter Morgan from Dexter
|
| 524 |
-
|
| 525 |
-
integrated_multimodal_description:
|
| 526 |
-
[Shot 1] Live-action, Princeton-Plainsboro main lobby corridor. A single medium shot of <Subject 1> Dr. Gregory House (S1) alone in frame. House pops a Vicodin pill into his mouth as he limps down the corridor. He pauses, turning his head off-camera, and says in a low, knowing voice: <d>[English in Dr. Gregory House's voice from House M.D.] You had a big secret, didn't you, blood guy?</d>
|
| 527 |
-
|
| 528 |
-
[Shot 2] At 00:05.000, the shot cuts to a single medium close-up of <Subject 2> Dexter Morgan (S2) alone in frame near the elevator. Dexter Morgan (S2) remains completely silent with his mouth closed, speaking no dialogue. His face is pale and sweating, his eyes wide and distraught as he stares off-camera in quiet shock.
|
| 529 |
-
|
| 530 |
-
[Shot 3] At 00:09.500, the shot cuts back to a single medium close-up of <Subject 1> Dr. Gregory House (S1) alone in frame. House gives a sly, knowing grin, winks, and says: <d>[English in Dr. Gregory House's voice from House M.D.] Don't worry... everybody lies.</d> House turns and limps away down the corridor with his cane as the screen fades to black.
|
| 531 |
-
|
| 532 |
-
overall_soundscape:
|
| 533 |
-
Pill swallowing sound, cane thumping rhythmically on polished floor, House's low voice, and fading footsteps.
|
| 534 |
-
|
| 535 |
-
non_diegetic_music:
|
| 536 |
-
N/A
|
| 537 |
-
```
|
| 538 |
-
|
| 539 |
-
---
|
| 540 |
-
|
| 541 |
-
### Example 2: Keycard Physical Action & Close Framing (Malcolm & Dwight)
|
| 542 |
-
|
| 543 |
-
```text
|
| 544 |
-
subject_definitions:
|
| 545 |
-
<Subject 1> Malcolm Reynolds from Firefly
|
| 546 |
-
<Subject 2> Dwight Schrute from The Office
|
| 547 |
-
|
| 548 |
-
integrated_multimodal_description:
|
| 549 |
-
[Shot 1] Live-action, close medium shot focused on the waist area. <Subject 2> Dwight Schrute (S2) stands distracted, wearing his mustard short-sleeved shirt with a bright white master security keycard prominently clipped to his dark leather belt loop. <Subject 1> Malcolm Reynolds (S1) sidles up beside him. Both characters remain entirely silent with their lips sealed, uttering no spoken dialogue or mumbling. <Subject 1> Malcolm Reynolds (S1) quietly reaches his hand toward the keycard.
|
| 550 |
-
|
| 551 |
-
[Shot 2] At 00:06.500, the shot cuts to a medium close-up. <Subject 1> Malcolm Reynolds (S1) unhooks the plastic keycard from Dwight's belt loop with his fingers. As <Subject 2> Dwight Schrute (S2) suddenly twitches and turns his torso, Malcolm swiftly slips the keycard into his pocket and smoothly redirects his hand upward to Dwight's collar, adjusting Dwight's necktie with a charming smile. <Subject 1> Malcolm Reynolds (S1) says smoothly: <d>[English in Malcolm Reynolds's voice from Firefly] Just fixing your tie, Commander. Looks a bit lopsided.</d>
|
| 552 |
-
|
| 553 |
-
overall_soundscape:
|
| 554 |
-
Subtle fabric rustle, plastic keycard unclipping snap, and Malcolm's suave voice.
|
| 555 |
-
|
| 556 |
-
non_diegetic_music:
|
| 557 |
-
N/A
|
| 558 |
-
```
|
| 559 |
-
|
| 560 |
-
---
|
| 561 |
-
|
| 562 |
-
### Example 3: Multi-Subject Shared-Frame Composition (Rule 16)
|
| 563 |
-
|
| 564 |
-
```text
|
| 565 |
-
subject_definitions:
|
| 566 |
-
<Subject 1> John McClane (played by Bruce Willis) from Die Hard
|
| 567 |
-
<Subject 2> Wednesday Addams (played by Jenna Ortega) from Wednesday
|
| 568 |
-
|
| 569 |
-
integrated_multimodal_description:
|
| 570 |
-
[Shot 1] Live-action, warm ballroom string-light glow against a rain-streaked glass wall. A medium two-shot holding both subjects together in frame: <Subject 1> John McClane (S1) stands on the left of frame in a rumpled tuxedo jacket with an undone bowtie, <Subject 2> Wednesday Addams (S2) stands roughly three feet to his right in a black lace gothic gown, arms crossed, deadpan expression. <Subject 2> Wednesday Addams (S2) remains completely silent with her mouth closed, speaking no dialogue, while listening and reacting only with a single raised eyebrow. <Subject 1> John McClane (S1) turns his head toward her and says: <d>[English in John McClane's voice from Die Hard] Look, I know galas aren't your thing, but could you at least pretend to have fun for ten minutes?</d>
|
| 571 |
-
|
| 572 |
-
[Shot 2] At 00:05.000, the shot cuts to a single medium close-up of <Subject 2> Wednesday Addams (S2) alone in frame, black lace gothic gown visible at the shoulders. <Subject 1> is not in frame. Wednesday Addams (S2) says flatly, without a trace of a smile: <d>[English in Wednesday Addams's voice from Wednesday] I am having fun, Father. This is my fun face.</d>
|
| 573 |
-
|
| 574 |
-
[Shot 3] At 00:10.500, the shot cuts back to the same medium two-shot as Shot 1, both subjects held apart in frame at their original positions. <Subject 1> John McClane (S1) lets out a short, tired laugh and shakes his head, then his expression sharpens as he glances past her shoulder toward the darkened hallway. <Subject 2> Wednesday Addams (S2) remains completely silent with her mouth closed, speaking no dialogue, and slowly turns to follow his gaze.
|
| 575 |
-
|
| 576 |
-
overall_soundscape:
|
| 577 |
-
Distant string quartet fading under the dialogue, glass clinking from a nearby bar cart, and rain ticking against the window.
|
| 578 |
-
|
| 579 |
-
non_diegetic_music:
|
| 580 |
-
N/A
|
| 581 |
-
```
|
| 582 |
-
|
| 583 |
-
---
|
| 584 |
-
|
| 585 |
-
## 6. Pre-Submission Verification Checklist
|
| 586 |
-
|
| 587 |
-
- [ ] Are task alignment headers (I2VA / FL2VA / L2VA) included at the top when reference images are used?
|
| 588 |
-
- [ ] Are section titles written in **plain text** without `**` bolding (`subject_definitions:`, `integrated_multimodal_description:`, `overall_soundscape:`, `non_diegetic_music:`)?
|
| 589 |
-
- [ ] Are all characters listed in `subject_definitions:` with show names?
|
| 590 |
-
- [ ] Are non-speaking characters explicitly instructed to remain silent with mouths closed (`speaking no dialogue`) to prevent mumbling?
|
| 591 |
-
- [ ] Are multi-character rendering glitches avoided by using single-subject shot cuts or clear frame positioning?
|
| 592 |
-
- [ ] Are speaker IDs `(S1)`, `(S2)` or compound IDs `(S1,S2)` assigned consistently to all dialogue tags?
|
| 593 |
-
- [ ] Is dialogue wrapped in `<d>[Language in Character's voice from Show] text</d>`?
|
| 594 |
-
- [ ] Are advanced tags (`<scenetrans>`, `<cutoff>`, off-screen voiceover rules) used when appropriate?
|
| 595 |
-
- [ ] Does [Shot 1] omit timecodes while [Shot 2+] include explicit `00:SS.mmm` cut times?
|
| 596 |
-
- [ ] Is delivered duration 5s–15s, preferring 12s–15s unless this beat is a short transition, with C2V `durationSeconds` ≈ delivered target + 1s and shot times spread across the requested length?
|
| 597 |
-
- [ ] Is each cut timed to its own line (~2.5 words/sec + 1s lead-in) rather than a fixed timecode reused across every scene?
|
| 598 |
-
- [ ] Does every shot that outlasts its dialogue close with an explicit `falls silent ... speaking no further dialogue` mandate?
|
| 599 |
-
- [ ] Is `overall_soundscape:` free of dialogue and character-voice references, and is any musical score in `non_diegetic_music:` instead?
|
| 600 |
-
- [ ] Do shots with no people declare it explicitly and use `subject_definitions:` `N/A`?
|
| 601 |
-
- [ ] Are key props or physical actions explicitly framed in tight/medium shots?
|
| 602 |
-
- [ ] Are locations, objects/props, and character outfits documented in `synopsis.md` and identically re-used across prompts for visual continuity — **verbatim**, with no shortened or generic restatements?
|
| 603 |
-
- [ ] Is there visual location variety across scenes (no more than 2-3 consecutive scenes in the exact same micro-spot without rotating sets or sub-areas)?
|
| 604 |
-
- [ ] Does every scene feature lively physical action, environmental interaction, or prop handling rather than static monologues ("Show, Don't Tell")?
|
| 605 |
-
- [ ] Are long silent stares at clip ends eliminated by filling the duration with dialogue, multi-beat exchanges, or active physical movement (walking away, closing items, stepping out of frame)?
|
| 606 |
-
- [ ] Is delivered duration 5s–15s, preferring 12s–15s unless this beat is a short transition, with C2V `durationSeconds` ≈ delivered target + 1s and shot times spread across the requested length?
|
| 607 |
-
- [ ] Are scenes grouped into multi-scene story blocks (30-60s) with clear visual/verbal scene-to-scene handoffs to ensure natural narrative flow?
|
| 608 |
-
- [ ] Does the production use more than one shot pattern and more than one camera motion across its scenes?
|
| 609 |
-
- [ ] Has every character been checked against `CHARACTER_USABILITY_INDEX.md` (not just the show table) for ❌ / ⚠️ status?
|
| 610 |
-
- [ ] Does every named character have a stated, on-screen-legible reason for being present rather than appearing arbitrarily ("dropping from the sky")?
|
| 611 |
-
- [ ] Are cast entrances staggered across the opening scenes rather than the full cast appearing in Scene 01?
|
| 612 |
-
- [ ] Where a scene calls for it, are multi-subject shared-frame shots used (not only single-subject isolation), with held-apart positioning, one active speaker at a time, and explicit silence mandates for non-speaking subjects in frame?
|
| 613 |
-
- [ ] Is environmental lighting and time of day (e.g. 10:00 AM sunlight vs sunset vs night) explicitly specified and kept 100% consistent across all connected scenes in the same location?
|
| 614 |
-
- [ ] Are actors who spanned multiple decades explicitly anchored to an exact age/era in `subject_definitions:` and shot descriptions (e.g., "35-year-old Bruce Willis, 1988 Die Hard era") to prevent age-jumping between shots or scenes?
|
| 615 |
-
- [ ] Has new/untested character usability been benchmarked via an 8s character roll, sorted into `good/` vs `bad/`, and synced to `CHARACTER_USABILITY_INDEX.md`?
|
| 616 |
-
- [ ] In C2V continuations and internal shot cuts, are spatial screen positions (screen-left, screen-center, screen-right) explicitly tracked and specified across scene joins to prevent character position-swapping?
|
| 617 |
-
- [ ] In C2V continuations, does Shot 1 state that it opens on the previous clip's last frame (who/where) and describe only what changes — without re-pasting the same establishing location boilerplate at Shot 1 and again at Shot 3?
|
| 618 |
-
- [ ] For C2V continuity movies: one chainFolder, sequential wait, batches of 3, positions + lighting logged from the last mp4, one new arrival per clip, 16s request for ~15s delivered (Rule 28)?
|
| 619 |
-
- [ ] Does `chainFolder` start with `h3_context/` (Rule 28 triage)?
|
| 620 |
-
- [ ] Has every C2V join been classified `same speaker` vs `speaker change`, and does every speaker-change clip carry a silent inherited beat, a named camera transition, and its first `<d>` at 00:02.000 or later (Rule 29)?
|
| 621 |
-
- [ ] Is `already speaking, with no silent establishing beat` absent from every speaker-change continuation clip (Rule 29)?
|
| 622 |
-
- [ ] Before diagnosing any generation failure: has `Get-CimInstance Win32_Process` been run to confirm exactly one runner is alive, with stale `.lock` / `_progress.json` cleared (Rule 28 triage)?
|
| 623 |
-
|
| 624 |
-
---
|
| 625 |
-
|
| 626 |
-
## 7. Location, Object & Clothing Continuity Protocol
|
| 627 |
-
|
| 628 |
-
When producing multi-scene movies, episodes, or minisodes (`docs/movies/movieXYZ/`), maintaining strict visual continuity across scenes is critical for seamless video generation.
|
| 629 |
-
|
| 630 |
-
### 1. Location Continuity Registry
|
| 631 |
-
- When a location is introduced in a scene (e.g. "Isolation Ward 4B" or "Princeton-Plainsboro Main Lobby"), immediately record its detailed visual specifications in `docs/movies/movieXYZ/synopsis.md` under a **Locations Registry** section.
|
| 632 |
-
- **Specification Details**: Include wall color/material, floor type, lighting temperature/sources, background doors/windows, furniture placement, and fixed wall signs or posters.
|
| 633 |
-
- **Prompt Re-use**: Every subsequent scene taking place in that location must copy and reference the exact same description string in its prompt text.
|
| 634 |
-
|
| 635 |
-
### 2. Object & Key Prop Continuity Registry
|
| 636 |
-
- When a key object or prop is introduced (e.g. a white security keycard, silver USB drive, leather medical pouch, or specific weapon), record its exact physical details in `synopsis.md` under an **Objects & Props Registry**.
|
| 637 |
-
- **Specification Details**: Include material, color, finish, size, attachments, condition, and worn location (e.g. "clipped to right belt loop").
|
| 638 |
-
- **Prompt Re-use**: Every scene where that object is held, stolen, or examined must describe the object identically.
|
| 639 |
-
|
| 640 |
-
### 3. Clothing & Wardrobe Continuity Registry
|
| 641 |
-
- Record character attire for every in-universe scene/timeline in `synopsis.md` under a **Wardrobe Registry**.
|
| 642 |
-
- **Specification Details**: Include outer layer (jacket/coat), top shirt, collar style, pants, belt, shoes, and worn accessories (glasses, jewelry, badges, watches).
|
| 643 |
-
- **Prompt Re-use**: Every scene set within the same timeline/sequence must prompt the character in identical clothing descriptions. Do not rely on generic terms like "suit" or "shirt"—always specify the exact colors, cut, and details.
|
| 644 |
-
|
| 645 |
-
### 4. Environmental Lighting & Time of Day Continuity Registry
|
| 646 |
-
- Record the exact time of day and lighting environment for each location in `synopsis.md` under a **Lighting Registry** (e.g., `bright 10:00 AM morning sunlight filtering through high glass windows`).
|
| 647 |
-
- **Prompt Re-use**: Ensure all prompts set in that sequence explicitly include the exact lighting and time of day descriptor string to prevent ambient lighting shifts between scenes.
|
| 648 |
-
|
| 649 |
-
### 5. Actor Age & Era Continuity Registry
|
| 650 |
-
- For any actor whose career spans multiple iconic ages/eras (e.g., Bruce Willis, Harrison Ford, Nathan Fillion), define and register their exact age/era in `synopsis.md` under a **Character Era Registry** (e.g. `Bruce Willis: 35-year-old 1988 Die Hard era with receding dark hair`).
|
| 651 |
-
- **Prompt Re-use**: Include this exact era anchor tag in `subject_definitions:` and restate age-defining physical traits in every shot description to ensure the AI model does not render the character at different ages across scenes.
|
| 652 |
-
|
| 653 |
-
### 6. Setting Rotation & Lively Physical Staging Protocol
|
| 654 |
-
- **Setting Rotation Limit (T2V episodes)**: Do not sequence more than 2–3 consecutive **disconnected T2V** scenes in the exact same micro-spot without rotating sets. That is for spliced-clip movies, not C2V.
|
| 655 |
-
- **C2V exception**: A continuity chain **stays in one location on purpose**. Rotate coverage (close vs medium, who is in frame) and who enters, not the set. Re-establishing the same wide vista every clip is sandwiching (Rule 27–28), not "setting variety."
|
| 656 |
-
- **Physical Action Mandate**: Avoid static "talking heads". Every scene script must include a distinct physical action (handling a prop, a sip, writing, a glance, an entrance) so clips feel alive.
|
| 657 |
-
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h3-center/crossovers/docs/characters/8_mile/b_rabbit.md
DELETED
|
@@ -1,20 +0,0 @@
|
|
| 1 |
-
# B-Rabbit / Jimmy Smith Jr. — Character Roll
|
| 2 |
-
|
| 3 |
-
- **Show / Franchise:** 8 Mile
|
| 4 |
-
- **Actor:** Eminem
|
| 5 |
-
- **Duration:** 8 seconds
|
| 6 |
-
- **Workflow:** `workflow_api_minimaxh3_t2v.json`
|
| 7 |
-
|
| 8 |
-
## Prompt
|
| 9 |
-
|
| 10 |
-
subject_definitions:
|
| 11 |
-
<Subject 1> B-Rabbit (played by Eminem) from 8 Mile
|
| 12 |
-
|
| 13 |
-
integrated_multimodal_description:
|
| 14 |
-
[Shot 1] Live-action, 35mm cinematic photograph, crowded smoky Detroit rap battle venue inside The Shelter. A single medium close-up of <Subject 1> B-Rabbit (played by Eminem) (S1) alone in frame, dark knit beanie, grey oversized hoodie, sweater cuffs over palms, holding a microphone with intense nervous hunger. The shot opens with <Subject 1> B-Rabbit (S1) looking directly into the camera lens, raising the mic, already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> B-Rabbit (S1) says clearly: <d>[English in B-Rabbit's voice from 8 Mile] You only get one shot, do not miss your chance to blow!</d>
|
| 15 |
-
|
| 16 |
-
overall_soundscape:
|
| 17 |
-
Rap battle venue crowd cheering and chanting, mic handling handling noise, and Eminem's passionate raw voice.
|
| 18 |
-
|
| 19 |
-
non_diegetic_music:
|
| 20 |
-
N/A
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|
h3-center/crossovers/docs/characters/README.md
DELETED
|
@@ -1,99 +0,0 @@
|
|
| 1 |
-
# Character Rolls Repository for MiniMax-H3
|
| 2 |
-
|
| 3 |
-
This repository contains standalone 8-second MiniMax-H3 video prompt files (`.md`) for top iconic characters across all supported shows and film franchises.
|
| 4 |
-
|
| 5 |
-
Each character roll features a single medium close-up of the character looking directly into the camera lens in iconic demeanor, delivering a personal greeting (`"Hello, this is [NAME]"`) followed immediately by their signature catchphrase or iconic quote in their distinct voice.
|
| 6 |
-
|
| 7 |
-
## Directory Structure
|
| 8 |
-
|
| 9 |
-
`docs/characters/<show_folder>/<character_name>.md`
|
| 10 |
-
|
| 11 |
-
## Shows & Characters Index
|
| 12 |
-
|
| 13 |
-
| Show Subfolder | Show / Movie | Characters Included |
|
| 14 |
-
| :--- | :--- | :--- |
|
| 15 |
-
| `always_sunny/` | It's Always Sunny in Philadelphia | Dennis Reynolds, Charlie Kelly, Frank Reynolds |
|
| 16 |
-
| `arcane/` | Arcane | Jinx, Vi, Caitlyn, Silco |
|
| 17 |
-
| `arrested_development/` | Arrested Development | Michael Bluth, Gob Bluth |
|
| 18 |
-
| `avengers/` | Marvel's Avengers | Tony Stark, Steve Rogers, Thor, Bruce Banner, Black Widow, Scarlet Witch, Nick Fury, Loki, Doctor Strange, Deadpool, Wolverine |
|
| 19 |
-
| `babylon_5/` | Babylon 5 | John Sheridan |
|
| 20 |
-
| `big_bang_theory/` | The Big Bang Theory | Sheldon Cooper, Leonard Hofstadter, Penny, Howard Wolowitz, Raj Koothrappali, Amy Farrah Fowler, Bernadette Rostenkowski |
|
| 21 |
-
| `banshee/` | Banshee | Lucas Hood |
|
| 22 |
-
| `bones/` | Bones | Dr. Temperance Brennan, Seeley Booth |
|
| 23 |
-
| `breaking_bad/` | Breaking Bad | Walter White, Jesse Pinkman, Saul Goodman, Gustavo Fring, Hank Schrader, Mike Ehrmantraut, Kim Wexler |
|
| 24 |
-
| `brooklyn_nine_nine/` | Brooklyn Nine-Nine | Jake Peralta, Captain Raymond Holt |
|
| 25 |
-
| `buffy/` | Buffy the Vampire Slayer | Buffy Summers, Angel |
|
| 26 |
-
| `columbo/` | Columbo | Lieutenant Columbo |
|
| 27 |
-
| `community/` | Community | Abed Nadir, Troy Barnes, Jeff Winger |
|
| 28 |
-
| `curb_your_enthusiasm/` | Curb Your Enthusiasm | Larry David |
|
| 29 |
-
| `deadwood/` | Deadwood | Al Swearengen |
|
| 30 |
-
| `dexter/` | Dexter | Dexter Morgan, Debra Morgan, Angel Batista, Vince Masuka |
|
| 31 |
-
| `die_hard/` | Die Hard | John McClane |
|
| 32 |
-
| `doctor_who/` | Doctor Who | The Tenth Doctor (David Tennant), Rose Tyler |
|
| 33 |
-
| `farscape/` | Farscape | John Crichton |
|
| 34 |
-
| `fawlty_towers/` | Fawlty Towers | Basil Fawlty |
|
| 35 |
-
| `firefly/` | Firefly | Malcolm Reynolds, Zoe Washburne, Hoban Washburne, Jayne Cobb, Inara Serra |
|
| 36 |
-
| `friends/` | Friends | Joey Tribbiani, Ross Geller, Chandler Bing, Rachel Green, Monica Geller, Phoebe Buffay |
|
| 37 |
-
| `game_of_thrones/` | Game of Thrones | Tyrion Lannister, Daenerys Targaryen, Jon Snow, Sansa Stark, Jaime Lannister, Cersei Lannister, Arya Stark, Ned Stark, Petyr Baelish |
|
| 38 |
-
| `gladiator/` | Gladiator | Maximus Decimus Meridius |
|
| 39 |
-
| `house_md/` | House M.D. | Dr. Gregory House, Dr. Lisa Cuddy, Dr. James Wilson |
|
| 40 |
-
| `house_of_cards/` | House of Cards | Frank Underwood, Claire Underwood |
|
| 41 |
-
| `how_i_met_your_mother/` | How I Met Your Mother | Barney Stinson, Ted Mosby |
|
| 42 |
-
| `indiana_jones/` | Indiana Jones | Indiana Jones |
|
| 43 |
-
| `last_week_tonight/` | Last Week Tonight | John Oliver |
|
| 44 |
-
| `lost/` | Lost | Jack Shephard, John Locke, Sawyer, Kate Austen |
|
| 45 |
-
| `lucifer/` | Lucifer | Lucifer Morningstar, Chloe Decker |
|
| 46 |
-
| `mad_men/` | Mad Men | Don Draper, Peggy Olson, Joan Holloway |
|
| 47 |
-
| `married_with_children/` | Married... with Children | Al Bundy, Peggy Bundy |
|
| 48 |
-
| `monk/` | Monk | Adrian Monk, Sharona Fleming, Captain Leland Stottlemeyer, Lieutenant Randy Disher, Natalie Teeger |
|
| 49 |
-
| `mr_bean/` | Mr. Bean | Mr. Bean |
|
| 50 |
-
| `mr_robot/` | Mr. Robot | Elliot Alderson, Darlene Alderson |
|
| 51 |
-
| `parks_and_recreation/` | Parks and Recreation | Leslie Knope, Ron Swanson |
|
| 52 |
-
| `pirates_of_the_caribbean/` | Pirates of the Caribbean | Captain Jack Sparrow |
|
| 53 |
-
| `psych/` | Psych | Shawn Spencer |
|
| 54 |
-
| `pulp_fiction/` | Pulp Fiction | Jules Winnfield |
|
| 55 |
-
| `rambo/` | Rambo | John Rambo |
|
| 56 |
-
| `remington_steele/` | Remington Steele | Remington Steele |
|
| 57 |
-
| `rick_and_morty/` | Rick and Morty | Rick Sanchez, Morty Smith, Summer Smith, Beth Smith, Jerry Smith |
|
| 58 |
-
| `robocop/` | RoboCop | RoboCop |
|
| 59 |
-
| `seinfeld/` | Seinfeld | Jerry Seinfeld, George Costanza, Elaine Benes, Cosmo Kramer |
|
| 60 |
-
| `sex_and_the_city/` | Sex and the City | Carrie Bradshaw, Samantha Jones, Charlotte York, Miranda Hobbes |
|
| 61 |
-
| `sherlock/` | Sherlock (BBC) | Sherlock Holmes, Dr. John Watson |
|
| 62 |
-
| `silence_of_the_lambs/` | The Silence of the Lambs | Dr. Hannibal Lecter, Clarice Starling |
|
| 63 |
-
| `silicon_valley/` | Silicon Valley | Dinesh Chugtai, Richard Hendricks, Erlich Bachman |
|
| 64 |
-
| `star_trek_ds9/` | Star Trek: Deep Space Nine | Benjamin Sisko |
|
| 65 |
-
| `star_trek_tng/` | Star Trek: The Next Generation | Jean-Luc Picard, Data, William Riker, Geordi La Forge, Worf, Deanna Troi, Dr. Beverly Crusher, Q, Wesley Crusher |
|
| 66 |
-
| `stargate_sg1/` | Stargate SG-1 | Teal'c |
|
| 67 |
-
| `superman/` | Superman | Superman / Christopher Reeve |
|
| 68 |
-
| `supernatural/` | Supernatural | Dean Winchester, Sam Winchester, Castiel, Bobby Singer |
|
| 69 |
-
| `terminator/` | The Terminator / T2 | The Terminator T-800, Sarah Connor |
|
| 70 |
-
| `the_office/` | The Office | Michael Scott, Dwight Schrute, Jim Halpert, Pam Beesly, Angela Martin, Andy Bernard, Stanley Hudson, Ryan Howard, Jan Levinson |
|
| 71 |
-
| `the_sopranos/` | The Sopranos | Tony Soprano, Silvio Dante, Paulie Gualtieri |
|
| 72 |
-
| `the_wire/` | The Wire | Omar Little, Jimmy McNulty |
|
| 73 |
-
| `true_detective/` | True Detective | Rust Cohle |
|
| 74 |
-
| `twenty_four/` | 24 | Jack Bauer |
|
| 75 |
-
| `x_files/` | The X-Files | Fox Mulder, Dana Scully |
|
| 76 |
-
| `smallville/` | Smallville | Clark Kent |
|
| 77 |
-
| `scrubs/` | Scrubs | Dr. John "J.D." Dorian |
|
| 78 |
-
| `alias/` | Alias | Sydney Bristow |
|
| 79 |
-
| `thirty_rock/` | 30 Rock | Liz Lemon, Jack Donaghy |
|
| 80 |
-
| `the_cosby_show/` | The Cosby Show | Dr. Cliff Huxtable |
|
| 81 |
-
| `fresh_prince/` | The Fresh Prince of Bel-Air | Will Smith |
|
| 82 |
-
| `monty_python/` | Monty Python | King Arthur, Sir Lancelot |
|
| 83 |
-
| `mash/` | M*A*S*H | Hawkeye Pierce |
|
| 84 |
-
| `the_thick_of_it/` | The Thick of It | Malcolm Tucker |
|
| 85 |
-
| `james_bond/` | James Bond | Sean Connery, Timothy Dalton, Pierce Brosnan, Daniel Craig |
|
| 86 |
-
| `lord_of_the_rings/` | Lord of the Rings | Gandalf, Aragorn |
|
| 87 |
-
| `alien/` | Alien | Ellen Ripley |
|
| 88 |
-
| `kill_bill/` | Kill Bill | The Bride / Beatrix Kiddo |
|
| 89 |
-
| `the_matrix/` | The Matrix | Trinity |
|
| 90 |
-
| `tomb_raider/` | Lara Croft: Tomb Raider | Lara Croft |
|
| 91 |
-
| `hunger_games/` | The Hunger Games | Katniss Everdeen |
|
| 92 |
-
| `greys_anatomy/` | Grey's Anatomy | Meredith Grey |
|
| 93 |
-
| `wednesday/` | Wednesday | Wednesday Addams |
|
| 94 |
-
|
| 95 |
-
---
|
| 96 |
-
|
| 97 |
-
## Execution Status
|
| 98 |
-
|
| 99 |
-
All character roll prompt files in `docs/characters/` (181 files across 79 shows and movies) have been **successfully submitted and queued via MCP** to the Stabilis ComfyUI backend (`workflow_api_minimaxh3_t2v.json`).
|
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h3-center/crossovers/docs/characters/ace_ventura/ace_ventura.md
DELETED
|
@@ -1,19 +0,0 @@
|
|
| 1 |
-
```xml
|
| 2 |
-
<video_prompt>
|
| 3 |
-
<subject_definitions>
|
| 4 |
-
<subject id="s1">
|
| 5 |
-
<type>character</type>
|
| 6 |
-
<description><Subject 1> Ace Ventura (played by Jim Carrey) from Ace Ventura</description>
|
| 7 |
-
</subject>
|
| 8 |
-
</subject_definitions>
|
| 9 |
-
|
| 10 |
-
<integrated_multimodal_description>
|
| 11 |
-
[00:00.000 - 00:08.000]
|
| 12 |
-
A medium shot of <Subject 1> Ace Ventura in a vibrant Hawaiian shirt over a striped t-shirt, with his iconic tall pompadour hairstyle. At 00:01.000, he thrusts his hips forward wildly, pulls his face into an impossibly wide rubber-faced grin, and speaks in an elastic, nasal voice at 00:02.000: <d>(S1) [English in Ace Ventura's voice from Ace Ventura] Alrighty then! Ace Ventura, Pet Detective, at your service!</d> He winks exaggeratingly into the camera.
|
| 13 |
-
</integrated_multimodal_description>
|
| 14 |
-
|
| 15 |
-
<overall_soundscape>
|
| 16 |
-
Whimsical squeak, slapstick pop sound effect, tropical Miami ambient comedy tone.
|
| 17 |
-
</overall_soundscape>
|
| 18 |
-
</video_prompt>
|
| 19 |
-
```
|
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h3-center/crossovers/docs/characters/actors/adam_driver.md
DELETED
|
@@ -1,20 +0,0 @@
|
|
| 1 |
-
# Adam Driver — Character Roll
|
| 2 |
-
|
| 3 |
-
- **Show / Franchise:** Real Person / Actor
|
| 4 |
-
- **Actor:** Adam Driver
|
| 5 |
-
- **Duration:** 8 seconds
|
| 6 |
-
- **Workflow:** `workflow_api_minimaxh3_t2v.json`
|
| 7 |
-
|
| 8 |
-
## Prompt
|
| 9 |
-
|
| 10 |
-
subject_definitions:
|
| 11 |
-
<Subject 1> Adam Driver
|
| 12 |
-
|
| 13 |
-
integrated_multimodal_description:
|
| 14 |
-
[Shot 1] Live-action, 35mm cinematic photograph, sleek modern film festival press lounge with soft ambient studio lighting. A single medium close-up of <Subject 1> Adam Driver (S1) alone in frame, tall build, distinct facial structure with intense dark eyes, dark wavy hair down to his neck, wearing a sharp black suit jacket and dark dress shirt. The shot opens with <Subject 1> Adam Driver (S1) looking directly into the camera lens with a calm, thoughtful expression, already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> Adam Driver (S1) says clearly: <d>[English in Adam Driver's voice] Hello, I am Adam Driver, glad to be here with you today.</d>
|
| 15 |
-
|
| 16 |
-
overall_soundscape:
|
| 17 |
-
Press room ambient acoustics, subtle clothing fabric rustle, and Adam Driver's distinct deep, resonant voice.
|
| 18 |
-
|
| 19 |
-
non_diegetic_music:
|
| 20 |
-
N/A
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h3-center/crossovers/docs/characters/actors/alice_eve.md
DELETED
|
@@ -1,20 +0,0 @@
|
|
| 1 |
-
# Alice Eve — Character Roll
|
| 2 |
-
|
| 3 |
-
- **Show / Franchise:** Real Person / Actress
|
| 4 |
-
- **Actor:** Alice Eve
|
| 5 |
-
- **Duration:** 8 seconds
|
| 6 |
-
- **Workflow:** `workflow_api_minimaxh3_t2v.json`
|
| 7 |
-
|
| 8 |
-
## Prompt
|
| 9 |
-
|
| 10 |
-
subject_definitions:
|
| 11 |
-
<Subject 1> Alice Eve
|
| 12 |
-
|
| 13 |
-
integrated_multimodal_description:
|
| 14 |
-
[Shot 1] Live-action, 35mm cinematic photograph, bright elegant London hotel lounge with soft natural window daylight. A single medium close-up of <Subject 1> Alice Eve (S1) alone in frame, radiant blonde hair, striking heterochromia eyes, wearing a tailored cream silk blazer. The shot opens with <Subject 1> Alice Eve (S1) looking directly into the camera lens with a polite warm smile, already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> Alice Eve (S1) says clearly: <d>[English in Alice Eve's voice] Hello, I am Alice Eve, wonderful to be here today.</d>
|
| 15 |
-
|
| 16 |
-
overall_soundscape:
|
| 17 |
-
Lounge room acoustics, silk fabric movement, and Alice Eve's refined British voice.
|
| 18 |
-
|
| 19 |
-
non_diegetic_music:
|
| 20 |
-
N/A
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h3-center/crossovers/docs/characters/actors/alicia_silverstone.md
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| 1 |
-
# Alicia Silverstone — Character Roll
|
| 2 |
-
|
| 3 |
-
- **Show / Franchise:** Real Person / Actress
|
| 4 |
-
- **Actor:** Alicia Silverstone
|
| 5 |
-
- **Duration:** 8 seconds
|
| 6 |
-
- **Workflow:** `workflow_api_minimaxh3_t2v.json`
|
| 7 |
-
|
| 8 |
-
## Prompt
|
| 9 |
-
|
| 10 |
-
subject_definitions:
|
| 11 |
-
<Subject 1> Alicia Silverstone
|
| 12 |
-
|
| 13 |
-
integrated_multimodal_description:
|
| 14 |
-
[Shot 1] Live-action, 35mm cinematic photograph, sunlit Malibu garden terrace with lush green plants. A single medium close-up of <Subject 1> Alicia Silverstone (S1) alone in frame, golden blonde hair, bright youthful smile, wearing an open casual yellow cardigan over a white top. The shot opens with <Subject 1> Alicia Silverstone (S1) looking directly into the camera lens with warm friendly charm, already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> Alicia Silverstone (S1) says clearly: <d>[English in Alicia Silverstone's voice] Hello, I am Alicia Silverstone, so great to see you!</d>
|
| 15 |
-
|
| 16 |
-
overall_soundscape:
|
| 17 |
-
Garden breeze, bird chirp background, soft fabric rustle, and Alicia Silverstone's cheerful voice.
|
| 18 |
-
|
| 19 |
-
non_diegetic_music:
|
| 20 |
-
N/A
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h3-center/crossovers/docs/characters/actors/alicia_vikander.md
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| 1 |
-
# Alicia Vikander — Character Roll
|
| 2 |
-
|
| 3 |
-
- **Show / Franchise:** Real Person / Actress
|
| 4 |
-
- **Actor:** Alicia Vikander
|
| 5 |
-
- **Duration:** 8 seconds
|
| 6 |
-
- **Workflow:** `workflow_api_minimaxh3_t2v.json`
|
| 7 |
-
|
| 8 |
-
## Prompt
|
| 9 |
-
|
| 10 |
-
subject_definitions:
|
| 11 |
-
<Subject 1> Alicia Vikander
|
| 12 |
-
|
| 13 |
-
integrated_multimodal_description:
|
| 14 |
-
[Shot 1] Live-action, 35mm cinematic photograph, elegant Stockholm photo studio with soft natural window lighting. A single medium close-up of <Subject 1> Alicia Vikander (S1) alone in frame, smooth brown hair tied back, brown eyes, delicate features, wearing a dark navy designer blazer. The shot opens with <Subject 1> Alicia Vikander (S1) looking directly into the camera lens with a calm graceful smile, already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> Alicia Vikander (S1) says clearly: <d>[English in Alicia Vikander's voice] Hello, I am Alicia Vikander, pleasure to be here.</d>
|
| 15 |
-
|
| 16 |
-
overall_soundscape:
|
| 17 |
-
Studio room tone, blazer fabric rustle, and Alicia Vikander's soft Swedish accent.
|
| 18 |
-
|
| 19 |
-
non_diegetic_music:
|
| 20 |
-
N/A
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h3-center/crossovers/docs/characters/actors/alison_brie.md
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| 1 |
-
# Alison Brie — Character Roll
|
| 2 |
-
|
| 3 |
-
- **Show / Franchise:** Real Person / Actress
|
| 4 |
-
- **Actor:** Alison Brie
|
| 5 |
-
- **Duration:** 8 seconds
|
| 6 |
-
- **Workflow:** `workflow_api_minimaxh3_t2v.json`
|
| 7 |
-
|
| 8 |
-
## Prompt
|
| 9 |
-
|
| 10 |
-
subject_definitions:
|
| 11 |
-
<Subject 1> Alison Brie
|
| 12 |
-
|
| 13 |
-
integrated_multimodal_description:
|
| 14 |
-
[Shot 1] Live-action, 35mm cinematic photograph, warm Los Angeles podcast lounge with soft studio lighting. A single medium close-up of <Subject 1> Alison Brie (S1) alone in frame, dark wavy hair, large expressive blue eyes, bright radiant smile, wearing a pink floral blouse. The shot opens with <Subject 1> Alison Brie (S1) looking directly into the camera lens with energetic enthusiasm, already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> Alison Brie (S1) says clearly: <d>[English in Alison Brie's voice] Hello, I am Alison Brie, so happy to join you today!</d>
|
| 15 |
-
|
| 16 |
-
overall_soundscape:
|
| 17 |
-
Studio room acoustics, blouse fabric movement, and Alison Brie's animated cheerful voice.
|
| 18 |
-
|
| 19 |
-
non_diegetic_music:
|
| 20 |
-
N/A
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h3-center/crossovers/docs/characters/actors/allison_mack.md
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|
| 1 |
-
# Allison Mack — Character Roll
|
| 2 |
-
|
| 3 |
-
- **Show / Franchise:** Real Person / Actress
|
| 4 |
-
- **Actor:** Allison Mack
|
| 5 |
-
- **Duration:** 8 seconds
|
| 6 |
-
- **Workflow:** `workflow_api_minimaxh3_t2v.json`
|
| 7 |
-
|
| 8 |
-
## Prompt
|
| 9 |
-
|
| 10 |
-
subject_definitions:
|
| 11 |
-
<Subject 1> Allison Mack
|
| 12 |
-
|
| 13 |
-
integrated_multimodal_description:
|
| 14 |
-
[Shot 1] Live-action, 35mm cinematic photograph, simple photo shoot set with warm neutral key lighting. A single medium close-up of <Subject 1> Allison Mack (S1) alone in frame, short blonde hair, blue eyes, wearing a dark green sweater. The shot opens with <Subject 1> Allison Mack (S1) looking directly into the camera lens with a calm smile, already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> Allison Mack (S1) says clearly: <d>[English in Allison Mack's voice] Hello, I am Allison Mack, nice to meet you.</d>
|
| 15 |
-
|
| 16 |
-
overall_soundscape:
|
| 17 |
-
Studio room tone, sweater movement, and Allison Mack's clear voice.
|
| 18 |
-
|
| 19 |
-
non_diegetic_music:
|
| 20 |
-
N/A
|
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h3-center/crossovers/docs/characters/actors/alyson_hannigan.md
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|
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|
| 1 |
-
# Alyson Hannigan — Character Roll
|
| 2 |
-
|
| 3 |
-
- **Show / Franchise:** Real Person / Actress
|
| 4 |
-
- **Actor:** Alyson Hannigan
|
| 5 |
-
- **Duration:** 8 seconds
|
| 6 |
-
- **Workflow:** `workflow_api_minimaxh3_t2v.json`
|
| 7 |
-
|
| 8 |
-
## Prompt
|
| 9 |
-
|
| 10 |
-
subject_definitions:
|
| 11 |
-
<Subject 1> Alyson Hannigan
|
| 12 |
-
|
| 13 |
-
integrated_multimodal_description:
|
| 14 |
-
[Shot 1] Live-action, 35mm cinematic photograph, bright sunny kitchen set with warm wood cupboards. A single medium close-up of <Subject 1> Alyson Hannigan (S1) alone in frame, shoulder-length red hair, friendly wide smile, wearing a casual teal sweater. The shot opens with <Subject 1> Alyson Hannigan (S1) looking directly into the camera lens with bubbly endearing warmth, already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> Alyson Hannigan (S1) says clearly: <d>[English in Alyson Hannigan's voice] Hello, I am Alyson Hannigan, so happy to be here!</d>
|
| 15 |
-
|
| 16 |
-
overall_soundscape:
|
| 17 |
-
Kitchen room acoustics, sweater fabric rustle, and Alyson Hannigan's cheerful expressive voice.
|
| 18 |
-
|
| 19 |
-
non_diegetic_music:
|
| 20 |
-
N/A
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h3-center/crossovers/docs/characters/actors/amanda_peet.md
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|
| 1 |
-
# Amanda Peet — Character Roll
|
| 2 |
-
|
| 3 |
-
- **Show / Franchise:** Real Person / Actress
|
| 4 |
-
- **Actor:** Amanda Peet
|
| 5 |
-
- **Duration:** 8 seconds
|
| 6 |
-
- **Workflow:** `workflow_api_minimaxh3_t2v.json`
|
| 7 |
-
|
| 8 |
-
## Prompt
|
| 9 |
-
|
| 10 |
-
subject_definitions:
|
| 11 |
-
<Subject 1> Amanda Peet
|
| 12 |
-
|
| 13 |
-
integrated_multimodal_description:
|
| 14 |
-
[Shot 1] Live-action, 35mm cinematic photograph, chic New York apartment balcony under warm afternoon sunlight. A single medium close-up of <Subject 1> Amanda Peet (S1) alone in frame, dark wavy hair, striking blue eyes, charming lively smile, wearing a dark navy linen shirt. The shot opens with <Subject 1> Amanda Peet (S1) looking directly into the camera lens with witty intelligence, already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> Amanda Peet (S1) says clearly: <d>[English in Amanda Peet's voice] Hello, I am Amanda Peet, wonderful to meet you.</d>
|
| 15 |
-
|
| 16 |
-
overall_soundscape:
|
| 17 |
-
City patio ambient breeze, linen fabric rustle, and Amanda Peet's distinct voice.
|
| 18 |
-
|
| 19 |
-
non_diegetic_music:
|
| 20 |
-
N/A
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h3-center/crossovers/docs/characters/actors/amanda_seyfried.md
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|
| 1 |
-
# Amanda Seyfried — Character Roll
|
| 2 |
-
|
| 3 |
-
- **Show / Franchise:** Real Person / Actress
|
| 4 |
-
- **Actor:** Amanda Seyfried
|
| 5 |
-
- **Duration:** 8 seconds
|
| 6 |
-
- **Workflow:** `workflow_api_minimaxh3_t2v.json`
|
| 7 |
-
|
| 8 |
-
## Prompt
|
| 9 |
-
|
| 10 |
-
subject_definitions:
|
| 11 |
-
<Subject 1> Amanda Seyfried
|
| 12 |
-
|
| 13 |
-
integrated_multimodal_description:
|
| 14 |
-
[Shot 1] Live-action, 35mm cinematic photograph, rustic Catskills farmhouse patio under golden hour sun. A single medium close-up of <Subject 1> Amanda Seyfried (S1) alone in frame, long wavy blonde hair, large striking green eyes, gentle radiant smile, wearing a cream wool sweater. The shot opens with <Subject 1> Amanda Seyfried (S1) looking directly into the camera lens with luminous warmth, already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> Amanda Seyfried (S1) says clearly: <d>[English in Amanda Seyfried's voice] Hello, I am Amanda Seyfried, so glad to be here.</d>
|
| 15 |
-
|
| 16 |
-
overall_soundscape:
|
| 17 |
-
Country patio breeze, wool sweater fabric rustle, and Amanda Seyfried's soft melodic voice.
|
| 18 |
-
|
| 19 |
-
non_diegetic_music:
|
| 20 |
-
N/A
|
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h3-center/crossovers/docs/characters/actors/amy_adams.md
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|
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|
|
| 1 |
-
# Amy Adams — Character Roll
|
| 2 |
-
|
| 3 |
-
- **Show / Franchise:** Real Person / Actress
|
| 4 |
-
- **Actor:** Amy Adams
|
| 5 |
-
- **Duration:** 8 seconds
|
| 6 |
-
- **Workflow:** `workflow_api_minimaxh3_t2v.json`
|
| 7 |
-
|
| 8 |
-
## Prompt
|
| 9 |
-
|
| 10 |
-
subject_definitions:
|
| 11 |
-
<Subject 1> Amy Adams
|
| 12 |
-
|
| 13 |
-
integrated_multimodal_description:
|
| 14 |
-
[Shot 1] Live-action, 35mm cinematic photograph, warm sunlit photo studio with soft cream backdrop. A single medium close-up of <Subject 1> Amy Adams (S1) alone in frame, strawberry blonde hair, expressive blue eyes, gentle radiant smile, wearing a dark green silk blouse. The shot opens with <Subject 1> Amy Adams (S1) looking directly into the camera lens with warm engaging charm, already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> Amy Adams (S1) says clearly: <d>[English in Amy Adams's voice] Hello, I am Amy Adams, wonderful to be here today.</d>
|
| 15 |
-
|
| 16 |
-
overall_soundscape:
|
| 17 |
-
Studio room tone, silk blouse fabric movement, and Amy Adams's warm melodic voice.
|
| 18 |
-
|
| 19 |
-
non_diegetic_music:
|
| 20 |
-
N/A
|
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h3-center/crossovers/docs/characters/actors/amy_poehler.md
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|
@@ -1,20 +0,0 @@
|
|
| 1 |
-
# Amy Poehler — Character Roll
|
| 2 |
-
|
| 3 |
-
- **Show / Franchise:** Real Person / Actress
|
| 4 |
-
- **Actor:** Amy Poehler
|
| 5 |
-
- **Duration:** 8 seconds
|
| 6 |
-
- **Workflow:** `workflow_api_minimaxh3_t2v.json`
|
| 7 |
-
|
| 8 |
-
## Prompt
|
| 9 |
-
|
| 10 |
-
subject_definitions:
|
| 11 |
-
<Subject 1> Amy Poehler
|
| 12 |
-
|
| 13 |
-
integrated_multimodal_description:
|
| 14 |
-
[Shot 1] Live-action, 35mm cinematic photograph, bright Los Angeles podcast studio with colorful background art. A single medium close-up of <Subject 1> Amy Poehler (S1) alone in frame, short blonde hair, blue eyes, broad witty smile, wearing a dark denim jacket over a graphic tee. The shot opens with <Subject 1> Amy Poehler (S1) looking directly into the camera lens with high-energy comedic warmth, gesturing with hands, already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> Amy Poehler (S1) says clearly: <d>[English in Amy Poehler's voice] Hello, I am Amy Poehler, let me tell you something funny!</d>
|
| 15 |
-
|
| 16 |
-
overall_soundscape:
|
| 17 |
-
Podcast studio acoustics, denim jacket movement, and Amy Poehler's energetic bubbly voice.
|
| 18 |
-
|
| 19 |
-
non_diegetic_music:
|
| 20 |
-
N/A
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h3-center/crossovers/docs/characters/actors/ana_kasparian.md
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|
@@ -1,20 +0,0 @@
|
|
| 1 |
-
# Ana Kasparian — Character Roll
|
| 2 |
-
|
| 3 |
-
- **Show / Franchise:** Real Person / Journalist
|
| 4 |
-
- **Actor:** Ana Kasparian
|
| 5 |
-
- **Duration:** 8 seconds
|
| 6 |
-
- **Workflow:** `workflow_api_minimaxh3_t2v.json`
|
| 7 |
-
|
| 8 |
-
## Prompt
|
| 9 |
-
|
| 10 |
-
subject_definitions:
|
| 11 |
-
<Subject 1> Ana Kasparian
|
| 12 |
-
|
| 13 |
-
integrated_multimodal_description:
|
| 14 |
-
[Shot 1] Live-action, 35mm cinematic photograph, modern news studio green room with warm key lighting. A single medium close-up of <Subject 1> Ana Kasparian (S1) alone in frame, dark styled hair, sharp dark eyes, wearing a dark navy blazer over a silk blouse. The shot opens with <Subject 1> Ana Kasparian (S1) looking directly into the camera lens with articulate passionate confidence, already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> Ana Kasparian (S1) says clearly: <d>[English in Ana Kasparian's voice] Hello, I am Ana Kasparian, glad to be here with you.</d>
|
| 15 |
-
|
| 16 |
-
overall_soundscape:
|
| 17 |
-
Studio room acoustics, blazer movement, and Ana Kasparian's articulate direct voice.
|
| 18 |
-
|
| 19 |
-
non_diegetic_music:
|
| 20 |
-
N/A
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h3-center/crossovers/docs/characters/actors/andie_macdowell.md
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|
@@ -1,20 +0,0 @@
|
|
| 1 |
-
# Andie MacDowell — Character Roll
|
| 2 |
-
|
| 3 |
-
- **Show / Franchise:** Real Person / Actress
|
| 4 |
-
- **Actor:** Andie MacDowell
|
| 5 |
-
- **Duration:** 8 seconds
|
| 6 |
-
- **Workflow:** `workflow_api_minimaxh3_t2v.json`
|
| 7 |
-
|
| 8 |
-
## Prompt
|
| 9 |
-
|
| 10 |
-
subject_definitions:
|
| 11 |
-
<Subject 1> Andie MacDowell
|
| 12 |
-
|
| 13 |
-
integrated_multimodal_description:
|
| 14 |
-
[Shot 1] Live-action, 35mm cinematic photograph, sun-drenched North Carolina patio under soft afternoon light. A single medium close-up of <Subject 1> Andie MacDowell (S1) alone in frame, signature dark voluminous curls, silver highlights, warm radiant smile, wearing a cream linen shirt. The shot opens with <Subject 1> Andie MacDowell (S1) looking directly into the camera lens with effortless Southern grace, already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> Andie MacDowell (S1) says clearly: <d>[English in Andie MacDowell's voice] Hello, I am Andie MacDowell, wonderful to meet you.</d>
|
| 15 |
-
|
| 16 |
-
overall_soundscape:
|
| 17 |
-
Patio breeze, linen fabric movement, and Andie MacDowell's gentle Southern drawl.
|
| 18 |
-
|
| 19 |
-
non_diegetic_music:
|
| 20 |
-
N/A
|
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h3-center/crossovers/docs/characters/actors/anna_faris.md
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|
| 1 |
-
# Anna Faris — Character Roll
|
| 2 |
-
|
| 3 |
-
- **Show / Franchise:** Real Person / Actress
|
| 4 |
-
- **Actor:** Anna Faris
|
| 5 |
-
- **Duration:** 8 seconds
|
| 6 |
-
- **Workflow:** `workflow_api_minimaxh3_t2v.json`
|
| 7 |
-
|
| 8 |
-
## Prompt
|
| 9 |
-
|
| 10 |
-
subject_definitions:
|
| 11 |
-
<Subject 1> Anna Faris
|
| 12 |
-
|
| 13 |
-
integrated_multimodal_description:
|
| 14 |
-
[Shot 1] Live-action, 35mm cinematic photograph, bright sunny podcast studio with warm wooden desk. A single medium close-up of <Subject 1> Anna Faris (S1) alone in frame, blonde hair with bangs, wide blue eyes, animated playful smile, wearing a casual pink sweater. The shot opens with <Subject 1> Anna Faris (S1) looking directly into the camera lens with self-deprecating bubbly humor, already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> Anna Faris (S1) says clearly: <d>[English in Anna Faris's voice] Hello, I am Anna Faris, welcome to Unqualified!</d>
|
| 15 |
-
|
| 16 |
-
overall_soundscape:
|
| 17 |
-
Studio room acoustics, sweater movement, and Anna Faris's cute raspy laugh.
|
| 18 |
-
|
| 19 |
-
non_diegetic_music:
|
| 20 |
-
N/A
|
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h3-center/crossovers/docs/characters/actors/anna_gunn.md
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|
| 1 |
-
# Anna Gunn — Character Roll
|
| 2 |
-
|
| 3 |
-
- **Show / Franchise:** Real Person / Actress
|
| 4 |
-
- **Actor:** Anna Gunn
|
| 5 |
-
- **Duration:** 8 seconds
|
| 6 |
-
- **Workflow:** `workflow_api_minimaxh3_t2v.json`
|
| 7 |
-
|
| 8 |
-
## Prompt
|
| 9 |
-
|
| 10 |
-
subject_definitions:
|
| 11 |
-
<Subject 1> Anna Gunn
|
| 12 |
-
|
| 13 |
-
integrated_multimodal_description:
|
| 14 |
-
[Shot 1] Live-action, 35mm cinematic photograph, warm sunlit Santa Fe patio with desert plants in background. A single medium close-up of <Subject 1> Anna Gunn (S1) alone in frame, blonde hair, blue eyes, tall graceful frame, wearing a navy blue blazer over a silk top. The shot opens with <Subject 1> Anna Gunn (S1) looking directly into the camera lens with a calm intelligent smile, already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> Anna Gunn (S1) says clearly: <d>[English in Anna Gunn's voice] Hello, I am Anna Gunn, pleasure to speak with you.</d>
|
| 15 |
-
|
| 16 |
-
overall_soundscape:
|
| 17 |
-
Patio breeze, blazer fabric rustle, and Anna Gunn's firm clear voice.
|
| 18 |
-
|
| 19 |
-
non_diegetic_music:
|
| 20 |
-
N/A
|
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h3-center/crossovers/docs/characters/actors/anna_kendrick.md
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|
@@ -1,20 +0,0 @@
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|
| 1 |
-
# Anna Kendrick — Character Roll
|
| 2 |
-
|
| 3 |
-
- **Show / Franchise:** Real Person / Actress
|
| 4 |
-
- **Actor:** Anna Kendrick
|
| 5 |
-
- **Duration:** 8 seconds
|
| 6 |
-
- **Workflow:** `workflow_api_minimaxh3_t2v.json`
|
| 7 |
-
|
| 8 |
-
## Prompt
|
| 9 |
-
|
| 10 |
-
subject_definitions:
|
| 11 |
-
<Subject 1> Anna Kendrick
|
| 12 |
-
|
| 13 |
-
integrated_multimodal_description:
|
| 14 |
-
[Shot 1] Live-action, 35mm cinematic photograph, chic Los Angeles hotel lounge with warm accent lighting. A single medium close-up of <Subject 1> Anna Kendrick (S1) alone in frame, petite frame, brown hair, dark eyes, dry witty grin, wearing a dark green velvet jacket. The shot opens with <Subject 1> Anna Kendrick (S1) looking directly into the camera lens with fast sarcastic charm, gesturing with hands, already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> Anna Kendrick (S1) says clearly: <d>[English in Anna Kendrick's voice] Hello, I am Anna Kendrick, try to keep up!</d>
|
| 15 |
-
|
| 16 |
-
overall_soundscape:
|
| 17 |
-
Lounge room acoustics, velvet fabric movement, and Anna Kendrick's rapid energetic voice.
|
| 18 |
-
|
| 19 |
-
non_diegetic_music:
|
| 20 |
-
N/A
|
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h3-center/crossovers/docs/characters/actors/anna_torv.md
DELETED
|
@@ -1,20 +0,0 @@
|
|
| 1 |
-
# Anna Torv — Character Roll
|
| 2 |
-
|
| 3 |
-
- **Show / Franchise:** Real Person / Actress
|
| 4 |
-
- **Actor:** Anna Torv
|
| 5 |
-
- **Duration:** 8 seconds
|
| 6 |
-
- **Workflow:** `workflow_api_minimaxh3_t2v.json`
|
| 7 |
-
|
| 8 |
-
## Prompt
|
| 9 |
-
|
| 10 |
-
subject_definitions:
|
| 11 |
-
<Subject 1> Anna Torv
|
| 12 |
-
|
| 13 |
-
integrated_multimodal_description:
|
| 14 |
-
[Shot 1] Live-action, 35mm cinematic photograph, sleek Sydney harbour lounge with soft natural window daylight. A single medium close-up of <Subject 1> Anna Torv (S1) alone in frame, tall build, blonde hair, striking blue-grey eyes, calm commanding presence, wearing a dark navy suit jacket. The shot opens with <Subject 1> Anna Torv (S1) looking directly into the camera lens with an intelligent gentle smile, already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> Anna Torv (S1) says clearly: <d>[English in Anna Torv's voice] Hello, I am Anna Torv, wonderful to join you today.</d>
|
| 15 |
-
|
| 16 |
-
overall_soundscape:
|
| 17 |
-
Harbour room tone, suit jacket fabric rustle, and Anna Torv's distinct voice.
|
| 18 |
-
|
| 19 |
-
non_diegetic_music:
|
| 20 |
-
N/A
|
|
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h3-center/crossovers/docs/characters/actors/anne_dudek.md
DELETED
|
@@ -1,20 +0,0 @@
|
|
| 1 |
-
# Anne Dudek — Character Roll
|
| 2 |
-
|
| 3 |
-
- **Show / Franchise:** Real Person / Actress
|
| 4 |
-
- **Actor:** Anne Dudek
|
| 5 |
-
- **Duration:** 8 seconds
|
| 6 |
-
- **Workflow:** `workflow_api_minimaxh3_t2v.json`
|
| 7 |
-
|
| 8 |
-
## Prompt
|
| 9 |
-
|
| 10 |
-
subject_definitions:
|
| 11 |
-
<Subject 1> Anne Dudek
|
| 12 |
-
|
| 13 |
-
integrated_multimodal_description:
|
| 14 |
-
[Shot 1] Live-action, 35mm cinematic photograph, bright photo shoot studio with soft warm key lighting. A single medium close-up of <Subject 1> Anne Dudek (S1) alone in frame, blonde hair, blue eyes, sharp intelligent features, wearing a cream silk blouse. The shot opens with <Subject 1> Anne Dudek (S1) looking directly into the camera lens with a polite engaging smile, already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> Anne Dudek (S1) says clearly: <d>[English in Anne Dudek's voice] Hello, I am Anne Dudek, pleasure to meet you.</d>
|
| 15 |
-
|
| 16 |
-
overall_soundscape:
|
| 17 |
-
Studio room acoustics, silk fabric movement, and Anne Dudek's clear voice.
|
| 18 |
-
|
| 19 |
-
non_diegetic_music:
|
| 20 |
-
N/A
|
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h3-center/crossovers/docs/characters/actors/anne_hathaway.md
DELETED
|
@@ -1,20 +0,0 @@
|
|
| 1 |
-
# Anne Hathaway — Character Roll
|
| 2 |
-
|
| 3 |
-
- **Show / Franchise:** Real Person / Actress
|
| 4 |
-
- **Actor:** Anne Hathaway
|
| 5 |
-
- **Duration:** 8 seconds
|
| 6 |
-
- **Workflow:** `workflow_api_minimaxh3_t2v.json`
|
| 7 |
-
|
| 8 |
-
## Prompt
|
| 9 |
-
|
| 10 |
-
subject_definitions:
|
| 11 |
-
<Subject 1> Anne Hathaway
|
| 12 |
-
|
| 13 |
-
integrated_multimodal_description:
|
| 14 |
-
[Shot 1] Live-action, 35mm cinematic photograph, elegant Manhattan hotel penthouse with soft golden evening light. A single medium close-up of <Subject 1> Anne Hathaway (S1) alone in frame, dark brown hair, large luminous brown eyes, radiant smile, wearing a dark burgundy silk evening gown. The shot opens with <Subject 1> Anne Hathaway (S1) looking directly into the camera lens with gracious warm charm, already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> Anne Hathaway (S1) says clearly: <d>[English in Anne Hathaway's voice] Hello, I am Anne Hathaway, so lovely to be here with you.</d>
|
| 15 |
-
|
| 16 |
-
overall_soundscape:
|
| 17 |
-
Penthouse quiet room tone, silk gown fabric rustle, and Anne Hathaway's rich warm voice.
|
| 18 |
-
|
| 19 |
-
non_diegetic_music:
|
| 20 |
-
N/A
|
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h3-center/crossovers/docs/characters/actors/annette_otoole.md
DELETED
|
@@ -1,20 +0,0 @@
|
|
| 1 |
-
# Annette O'Toole — Character Roll
|
| 2 |
-
|
| 3 |
-
- **Show / Franchise:** Real Person / Actress
|
| 4 |
-
- **Actor:** Annette O'Toole
|
| 5 |
-
- **Duration:** 8 seconds
|
| 6 |
-
- **Workflow:** `workflow_api_minimaxh3_t2v.json`
|
| 7 |
-
|
| 8 |
-
## Prompt
|
| 9 |
-
|
| 10 |
-
subject_definitions:
|
| 11 |
-
<Subject 1> Annette O'Toole
|
| 12 |
-
|
| 13 |
-
integrated_multimodal_description:
|
| 14 |
-
[Shot 1] Live-action, 35mm cinematic photograph, warm rustic farmhouse porch in Kansas under golden afternoon sun. A single medium close-up of <Subject 1> Annette O'Toole (S1) alone in frame, auburn-red hair, kind blue eyes, warm maternal smile, wearing a denim work shirt over a soft t-shirt. The shot opens with <Subject 1> Annette O'Toole (S1) looking directly into the camera lens with comforting warmth, already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> Annette O'Toole (S1) says clearly: <d>[English in Annette O'Toole's voice] Hello, I am Annette O'Toole, so good to see you today.</d>
|
| 15 |
-
|
| 16 |
-
overall_soundscape:
|
| 17 |
-
Farmhouse porch breeze, denim fabric rustle, and Annette O'Toole's gentle soothing voice.
|
| 18 |
-
|
| 19 |
-
non_diegetic_music:
|
| 20 |
-
N/A
|
|
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h3-center/crossovers/docs/characters/actors/antje_traue.md
DELETED
|
@@ -1,20 +0,0 @@
|
|
| 1 |
-
# Antje Traue — Character Roll
|
| 2 |
-
|
| 3 |
-
- **Show / Franchise:** Real Person / Actress
|
| 4 |
-
- **Actor:** Antje Traue
|
| 5 |
-
- **Duration:** 8 seconds
|
| 6 |
-
- **Workflow:** `workflow_api_minimaxh3_t2v.json`
|
| 7 |
-
|
| 8 |
-
## Prompt
|
| 9 |
-
|
| 10 |
-
subject_definitions:
|
| 11 |
-
<Subject 1> Antje Traue
|
| 12 |
-
|
| 13 |
-
integrated_multimodal_description:
|
| 14 |
-
[Shot 1] Live-action, 35mm cinematic photograph, sleek Berlin film lounge with moody high-contrast lighting. A single medium close-up of <Subject 1> Antje Traue (S1) alone in frame, short dark cropped hair, striking intense blue eyes, sharp jawline, wearing a tailored black leather jacket. The shot opens with <Subject 1> Antje Traue (S1) looking directly into the camera lens with calm magnetic focus, already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> Antje Traue (S1) says clearly: <d>[English in Antje Traue's voice] Hello, I am Antje Traue, pleasure to meet you.</d>
|
| 15 |
-
|
| 16 |
-
overall_soundscape:
|
| 17 |
-
Lounge room tone, leather jacket rustle, and Antje Traue's distinct German accent.
|
| 18 |
-
|
| 19 |
-
non_diegetic_music:
|
| 20 |
-
N/A
|
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h3-center/crossovers/docs/characters/actors/anya_chalotra.md
DELETED
|
@@ -1,20 +0,0 @@
|
|
| 1 |
-
# Anya Chalotra — Character Roll
|
| 2 |
-
|
| 3 |
-
- **Show / Franchise:** Real Person / Actress
|
| 4 |
-
- **Actor:** Anya Chalotra
|
| 5 |
-
- **Duration:** 8 seconds
|
| 6 |
-
- **Workflow:** `workflow_api_minimaxh3_t2v.json`
|
| 7 |
-
|
| 8 |
-
## Prompt
|
| 9 |
-
|
| 10 |
-
subject_definitions:
|
| 11 |
-
<Subject 1> Anya Chalotra
|
| 12 |
-
|
| 13 |
-
integrated_multimodal_description:
|
| 14 |
-
[Shot 1] Live-action, 35mm cinematic photograph, stylish London theater green room with warm vanity lights. A single medium close-up of <Subject 1> Anya Chalotra (S1) alone in frame, dark wavy hair, striking dark eyes, graceful posture, wearing a dark velvet blazer over a top. The shot opens with <Subject 1> Anya Chalotra (S1) looking directly into the camera lens with an elegant warm smile, already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> Anya Chalotra (S1) says clearly: <d>[English in Anya Chalotra's voice] Hello, I am Anya Chalotra, so glad to be here.</d>
|
| 15 |
-
|
| 16 |
-
overall_soundscape:
|
| 17 |
-
Green room acoustics, velvet fabric rustle, and Anya Chalotra's smooth British voice.
|
| 18 |
-
|
| 19 |
-
non_diegetic_music:
|
| 20 |
-
N/A
|
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h3-center/crossovers/docs/characters/actors/aria_giovanni.md
DELETED
|
@@ -1,20 +0,0 @@
|
|
| 1 |
-
# Aria Giovanni — Character Roll
|
| 2 |
-
|
| 3 |
-
- **Show / Franchise:** Real Person / Model
|
| 4 |
-
- **Actor:** Aria Giovanni
|
| 5 |
-
- **Duration:** 8 seconds
|
| 6 |
-
- **Workflow:** `workflow_api_minimaxh3_t2v.json`
|
| 7 |
-
|
| 8 |
-
## Prompt
|
| 9 |
-
|
| 10 |
-
subject_definitions:
|
| 11 |
-
<Subject 1> Aria Giovanni
|
| 12 |
-
|
| 13 |
-
integrated_multimodal_description:
|
| 14 |
-
[Shot 1] Live-action, 35mm glamour photograph, sun-drenched Malibu beach house terrace overlooking ocean at sunset. A single medium close-up of <Subject 1> Aria Giovanni (S1) alone in frame, dark wavy hair, radiant brown eyes, captivating warm smile, wearing a black silk robe over a top. The shot opens with <Subject 1> Aria Giovanni (S1) looking directly into the camera lens with gentle playful charm, already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> Aria Giovanni (S1) says clearly: <d>[English in Aria Giovanni's voice] Hello, I am Aria Giovanni, sending you lots of love today.</d>
|
| 15 |
-
|
| 16 |
-
overall_soundscape:
|
| 17 |
-
Ocean surf ambient sound, terrace breeze, silk robe fabric rustle, and Aria Giovanni's sweet soft voice.
|
| 18 |
-
|
| 19 |
-
non_diegetic_music:
|
| 20 |
-
N/A
|
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h3-center/crossovers/docs/characters/actors/ariel_winter.md
DELETED
|
@@ -1,20 +0,0 @@
|
|
| 1 |
-
# Ariel Winter — Character Roll
|
| 2 |
-
|
| 3 |
-
- **Show / Franchise:** Real Person / Actress
|
| 4 |
-
- **Actor:** Ariel Winter
|
| 5 |
-
- **Duration:** 8 seconds
|
| 6 |
-
- **Workflow:** `workflow_api_minimaxh3_t2v.json`
|
| 7 |
-
|
| 8 |
-
## Prompt
|
| 9 |
-
|
| 10 |
-
subject_definitions:
|
| 11 |
-
<Subject 1> Ariel Winter
|
| 12 |
-
|
| 13 |
-
integrated_multimodal_description:
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[Shot 1] Live-action, 35mm cinematic photograph, warm Los Angeles photo lounge with soft key studio lighting. A single medium close-up of <Subject 1> Ariel Winter (S1) alone in frame, long dark brown hair, dark eyes, cheerful radiant smile, wearing a dark blue fitted blazer over a white top. The shot opens with <Subject 1> Ariel Winter (S1) looking directly into the camera lens with friendly confidence, already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> Ariel Winter (S1) says clearly: <d>[English in Ariel Winter's voice] Hello, I am Ariel Winter, so glad to be here!</d>
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overall_soundscape:
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Studio room acoustics, blazer fabric movement, and Ariel Winter's clear youthful voice.
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-
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non_diegetic_music:
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N/A
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h3-center/crossovers/docs/characters/actors/ashley_judd.md
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# Ashley Judd — Character Roll
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- **Show / Franchise:** Real Person / Actress
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- **Actor:** Ashley Judd
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- **Duration:** 8 seconds
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- **Workflow:** `workflow_api_minimaxh3_t2v.json`
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## Prompt
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| 9 |
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subject_definitions:
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<Subject 1> Ashley Judd
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integrated_multimodal_description:
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[Shot 1] Live-action, 35mm cinematic photograph, cozy Kentucky farmhouse library with warm wooden bookshelves. A single medium close-up of <Subject 1> Ashley Judd (S1) alone in frame, dark wavy hair, expressive brown eyes, serene smile, wearing a burgundy wool cardigan over a silk top. The shot opens with <Subject 1> Ashley Judd (S1) looking directly into the camera lens with dignified warmth and strength, already speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> Ashley Judd (S1) says clearly: <d>[English in Ashley Judd's voice] Hello, I am Ashley Judd, wonderful to connect with you.</d>
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-
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overall_soundscape:
|
| 17 |
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Library quiet acoustics, wool cardigan fabric movement, and Ashley Judd's soothing Southern voice.
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| 18 |
-
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| 19 |
-
non_diegetic_music:
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N/A
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h3-center/crossovers/docs/characters/actors/aubrey_plaza.md
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# Aubrey Plaza — Character Roll
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| 2 |
-
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- **Show / Franchise:** Real Person / Actress
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| 4 |
-
- **Actor:** Aubrey Plaza
|
| 5 |
-
- **Duration:** 8 seconds
|
| 6 |
-
- **Workflow:** `workflow_api_minimaxh3_t2v.json`
|
| 7 |
-
|
| 8 |
-
## Prompt
|
| 9 |
-
|
| 10 |
-
subject_definitions:
|
| 11 |
-
<Subject 1> Aubrey Plaza
|
| 12 |
-
|
| 13 |
-
integrated_multimodal_description:
|
| 14 |
-
[Shot 1] Live-action, 35mm cinematic photograph, dim retro interview lounge with red velvet seating. A single medium close-up of <Subject 1> Aubrey Plaza (S1) alone in frame, dark hair, wide unblinking brown eyes, stone-cold deadpan expression, wearing a black velvet suit jacket. The shot opens with <Subject 1> Aubrey Plaza (S1) staring unblinkingly into the camera lens with uncomfortable intense deadpan silence for a half-second before speaking, with no silent establishing beat. The camera holds a static shot as <Subject 1> Aubrey Plaza (S1) says clearly: <d>[English in Aubrey Plaza's voice] Hello, I am Aubrey Plaza. I am staring directly into your soul.</d>
|
| 15 |
-
|
| 16 |
-
overall_soundscape:
|
| 17 |
-
Lounge room tone, velvet suit fabric rustle, and Aubrey Plaza's flat monophonic voice.
|
| 18 |
-
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| 19 |
-
non_diegetic_music:
|
| 20 |
-
N/A
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